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The New Yorker Radio Hour

The New Yorker Radio Hour

By WNYC Studios and The New Yorker

Profiles, storytelling and insightful conversations, hosted by David Remnick.


Kelly Clarkson on Writing About Divorce

Twenty years after her breakout on “American Idol,” Kelly Clarkson released an album called “Chemistry” that deals with the long arc of a relationship and her recent divorce. She sat down to talk with Hanif Abdurraqib, a music writer passionate about the craft of songwriting. “This literally was written in real time,” Clarkson reflects. “That was me being indecisive. Man, I have kids. Do I want to do this? Can I try again?” But writing about divorce as one of the best-known celebrities in America is very different from a young artist’s heartbreak anthem. “It’s easy to hide in metaphors when it’s not the biggest thing that’s ever happened,” she says. “Everyone’s going to know. Unfortunately my life is very public, especially in the rough times.”  Plus, Robert Samuels, a Pulitzer Prize-winning writer on politics and race, shares his secret indulgence: watching classic figure-skating routines on YouTube. 
22/09/23·30m 28s

Naomi Klein Speaks with Jia Tolentino about “Doppelganger”

For twenty-some years, Naomi Klein has been a leading thinker on the left. She’s especially known for the idea of disaster capitalism: an analysis that the forces of big business will exploit any severe disruption to take over more space in our lives. She was often confused with another prominent political writer, Naomi Wolf—once a feminist on the left who has, in recent years, embraced conspiracy theories on the right and is now on good terms with Steve Bannon. Klein’s new book, “Doppelganger,” starts with this simple case of mistaken identity and broadens into an analysis of our political moment, which she describes as “uncanny” in the psychological sense. “Freud described the uncanny as that species of frightening that changes what was once familiar to something unfamiliar,” she tells the staff writer Jia Tolentino. “It’s that weirdness of ‘I think I know what this is, but it’s not what I think.’ ” Klein argues that the left and the right have become doppelgangers of one another—and that denialism regarding climate change has widened to any number of topics, including the claim that Joe Biden is dead and is being played by an actor. “Whenever you don’t like reality, you can just say that it’s not real,” she says.
19/09/23·20m 49s

A Solution For the Chronically Homeless, and Listening to Taylor Swift in Prison

About 1.2 million people in the United States experience homelessness in a given year—you could nearly fill the city of Dallas with the unhoused. But there are proven solutions. For the chronically homeless, a key strategy is supportive housing—providing not only a stable apartment, but also services like psychiatric and medical care on-site. The New Yorker contributor Jennifer Egan spent the past year following several individuals as they transitioned into a new supportive-housing building in Brooklyn. She found that this housing model works and argues that it could be scaled up nationally for less than the cost of emergency services for the homeless. But “no one,” Egan notes ruefully, “wants to see that line item in their budget.” Plus, Joe Garcia, an inmate serving a life sentence for murder in California’s High Desert State Prison, reads from his essay “Listening to Taylor Swift in Prison,” recently published by The New Yorker.
15/09/23·29m 37s

Richard Brody Makes the Case for Keeping Your DVDs

At the end of this month, after more than two decades, Netflix is phasing out its DVD-rental business. While that may not come as a surprise given the predominance of streaming platforms, it’s a great loss to cinephiles, according to the New Yorker’s Richard Brody. Streaming services routinely drop titles from circulation, and amazing films may be lost to moviegoers. “Physical media is what protects us from being at the mercy of streaming services for our movies and our music,” Brody says. “It’s like a library at home.” Brody gives the producer Adam Howard a peek into his own personal stash of films, and picks a few DVDs of films he would take with him in a fire: Godard’s “King Lear” (“the greatest film ever made – literally”); “Chameleon Street,” by Wendell B. Harris, Jr.; “Stranded” and “The Plastic Dome of Norma Jean,” by Juleen Compton; and a box set of five films by John Cassavetes.
12/09/23·13m 21s

A Master Class with David Grann

David Grann is a staff writer for The New Yorker and the author of two nonfiction books that topped the best-seller list this summer: “The Wager” and “Killers of the Flower Moon,” from 2017, which Martin Scorsese has adapted into a film opening in October. Grann is among the most lauded nonfiction writers at The New Yorker; David Remnick says that “his urge to find unique stories and tell them with rigor and style is rare to the vanishing point.” Grann talks with Remnick about his beginnings as a writer, and about his almost obsessive research and writing process. “The trick is how can you tell a true story using these literary techniques and remain completely factually based,” Grann says. “What I realized as I did this more is that you are an excavator. You aren’t imagining the story—you are excavating the story.” Grann recounts travelling in rough seas to the desolate site of the eighteenth-century shipwreck at the heart of “The Wager,” his most recent book, so that he could convey the sailors’ despair more accurately. That book is also being made into a film by Scorcese. “It’s a learning curve because I’ve never been in the world of Hollywood,” Grann says. “You’re a historical resource. … Once they asked me, ‘What was the lighting in the room?’ I thought about it for a long time. That’s something I would not need to know, writing a book.” But Grann is glad to be in the hands of an expert, and keep his distance from the process. “I’m not actually interested in making a film,” he admits. “I’m really interested in these stories, and so I love that somebody else with their own vision and intellect is going to draw on these stories and add to our understanding of whatever this work is.”
08/09/23·34m 0s

Alone and on Foot in Antarctica

Henry Worsley was a husband, father, and an officer of an élite British commando unit; also a tapestry weaver, amateur boxer, photographer, and collector of rare books, maps, and fossils. But his true obsession was exploration. Worsley revered the Antarctic explorer Ernest Shackleton and he had led a 2009 expedition to the South Pole. But Worsley planned an even greater challenge. At fifty-five, he set out to trek alone to ski from one side of the Antarctic continent to the other, hauling more than three hundred pounds of gear and posting an audio diary by satellite phone. The New Yorker staff writer David Grann wrote about Worsley’s quest, and spoke with his widow, Joanna Worsley, about the painful choice she made to support her husband in a mortally dangerous endeavor. This segment originally aired March 2, 2018.
05/09/23·25m 0s

No More Souters

David Souter is one of the most private, low-profile Justices ever to have served on the Supreme Court. He rarely gave interviews or speeches. Yet his tenure was anything but low profile. Deemed a “home run” nominee by the George H. W. Bush Administration, Souter refused to answer questions during his confirmation hearing about pressing issues—most critically, about abortion rights and Roe v. Wade, which Republicans were seeking to overturn. He was confirmed overwhelmingly. Then, in Planned Parenthood v. Casey and other decisions, he defied the expectations of the Party that had nominated him. Why? This episode, produced by WNYC Studios’ “More Perfect” and hosted by Julia Longoria, explains how “No More Souters” became a rallying cry for Republicans and how Souter’s tenure on the bench inspired a backlash that would change the Court forever. You can listen to more episodes of “More Perfect” here.
01/09/23·49m 42s

How Does Extreme Heat Affect the Body?

The Korey Stringer Institute at the University of Connecticut was named after an N.F.L. player who died of exertional heatstroke. The lab’s main research subjects have been athletes, members of the military, and laborers. But, with climate change, even mild exertion under extreme heat will affect more and more of us; in many parts of the United States, a heat wave and power outage could cause a substantial number of fatalities. Dhruv Khullar, a New Yorker contributor and practicing physician, visited the Stringer Institute to undergo a heat test—walking uphill for ninety minutes in a hundred-and-four-degree temperature—to better understand what’s happening. “I just feel puffy everywhere,” Khullar sighed. “You’d have to cut my finger off just to get my wedding ring off.” By the end of the test, Khullar spoke of cramps, dizziness, and a headache. He discussed the dangers of heatstroke with Douglas Casa, the lab’s head (who himself nearly died of it as a young athlete). “Climate change has taken this into the everyday world for the everyday American citizen. You don’t have to be a laborer working for twelve hours, you don’t have to be a soldier in training,” Casa tells him. “This is making it affect so many people even just during daily living.” Although the treatment for heat-related illness is straightforward, Casa says that implementation of simple measures remains challenging—and there is much we need to do to better prepare for the global rise in temperature.
29/08/23·16m 56s

The Origins of “Braiding Sweetgrass”

Robin Wall Kimmerer is an unlikely literary star. A botanist by training—a specialist in moss—she spent much of her career at the State University of New York’s College of Environmental Science and Forestry. But, when she was well established in her academic work, having “done the things you need to do to get tenure,” she launched into a different kind of writing; her new style sought to bridge the divide between Western science and Indigenous teachings she had learned, as a member of the Citizen Potawatomi Nation, about the connections between people, the land, plants, and animals. The result was “Braiding Sweetgrass,” a series of essays about the natural world and our relationship to it. The book was published by Milkweed Editions, a small literary press, and it grew only by word of mouth. Several years later, it landed on the Times best-seller list, and has remained there for more than three years; fans have described reading the essays as a spiritual experience. Kimmerer herself was recently recognized with a MacArthur Fellowship. Parul Sehgal, who writes about literature for The New Yorker, went to visit Kimmerer on the land she writes about so movingly, to talk about the book’s origin and its impact on its tenth anniversary. “I wanted to see what would happen if you imbue science with values,” Kimmerer told her. She is an environmentalist, but not an activist per se; her ambition for her work is actually larger. “So much of the environmental movement to me is grounded in fear,” she explains. “And we have a lot to be afraid about—let’s not ignore that—but what I really wanted to do was to help people really love the land again. Because I think that’s why we are where we are: that we haven’t loved the land enough.”
25/08/23·27m 14s

Tessa Hadley on What Decades of Failure Taught Her About Writing

The New Yorker first published a short story by Tessa Hadley in 2002. Titled “Lost and Found,” it described a friendship between two women who had been close since childhood.  Hadley’s fiction is often consumed with relationships at this scale: tight dramas close to home. She captures, within these relationships, an extraordinary depth and complexity of emotion. The New Yorker recently published its thirtieth story from Hadley—a higher count than any other fiction writer in recent times. That figure is particularly remarkable because Hadley had such a late start to her career, publishing her first work of fiction in her forties. She talks with the New Yorker fiction editor Deborah Treisman about her long struggle to stop imitating the writing of others, instead telling stories authentic to her own experience and voice. “I was just a late developer, and I was trying to write other people’s novels for all that time,” she says. Treisman also asks Hadley about why her work has been labelled “domestic fiction” by many critics. The term is disproportionately applied to female writers, and “tends to have a bit of condescension to it,” Hadley says. But she is willing to at least consider whether her work is too focussed on certain kinds of bourgeois-family relationships. “I almost completely accept the challenge,” she tells Treisman. “I think one should feel perpetually slightly on edge as to whether your subject matter justifies the art.”
22/08/23·19m 9s

Talking to Conservatives about Climate Change

Even in a summer of record-breaking heat and disasters, Republican Presidential candidates have ignored or mocked climate change. But some conservative legislators in Congress recognize that action is necessary. David Remnick talks with a leader of the Conservative Climate Caucus about her party’s stance on climate change, her belief that fossil fuels cannot be rapidly phased out, and the problems she sees with the Inflation Reduction Act. Then, the authoritative climate reporter Elizabeth Kolbert talks with Ben Jealous, who was recently named executive director of the Sierra Club, about his strategy for building support in Republican-led states.
18/08/23·31m 13s

The Novelist Esmeralda Santiago on Learning to Write After a Stroke

The author Esmeralda Santiago has been writing about Puerto Rico and questions of immigration and identity since the early nineties. But, in 2008, she suffered a stroke that left her unable to decipher words on a page. In the months that followed, she relied on some of the same strategies she’d used to teach herself English after moving to the United States as a young teen-ager—checking out children’s books from the library, for example, to learn basic vocabulary. Santiago’s latest book, “Las Madres,” includes a character named Luz who goes through a similar experience after a traumatic brain injury. “That sense stayed with me long after I was over that situation—that feeling between knowledge and ignorance,” she tells the staff writer Vinson Cunningham. “For me, Luz is almost representative of Puerto Rico itself. We have this very long history that we don’t necessarily have access to. . . . Those of us who live outside of the island, we live the history but we don’t really know it.”
15/08/23·19m 31s

Will the End of Affirmative Action Lead to the End of Legacy Admissions?

The practice of legacy admissions—preferential consideration of the children of alumni—has emerged as a national flash point since the Supreme Court banned affirmative action in June. Even some prominent Republicans are joining the Biden Administration in calling for its end. David Remnick speaks with the U.S. Education Secretary, Miguel Cardona, about the politics behind college admissions. Cardona sees legacy preference as part of a pattern that discourages many students from applying to selective schools, but notes that it is not the whole problem. How can access to higher education, he asks, be more equitable when the quality of K-12 education is so inequitable?    Plus, Jeannie Suk Gersen, a professor at Harvard Law School, looks at the problems facing admissions officers now that race cannot be a consideration in maintaining diversity. Gersen has been reporting for The New Yorker on the legal fight over affirmative action and the movement to end legacy admissions. She speaks with the dean of admissions at Wesleyan University, one of the schools that voluntarily announced an end to legacy preference after the Supreme Court’s decision on affirmative action. “So far, the responses have been overwhelmingly positive,” Amin Abdul-Malik Gonzalez tells her. “But we’re obviously some time removed from the results of the decision. . . . I think it’s both symbolic and potentially substantive in terms of signalling our value to not have individually unearned benefits.”
11/08/23·30m 58s

James McBride on His New Novel, “The Heaven & Earth Grocery Store”

James McBride’s new novel, “The Heaven & Earth Grocery Store,” centers on the discovery of a skeleton at the bottom of a well in a small town in Pennsylvania. What unfolds is the story of a young Black boy raised by a Jewish woman decades earlier, a story that has been closely held secret among the communities that call the area home. McBride has been writing at the intersection of race, Blackness, whiteness, and Judaism in America since his 1995 memoir “The Color of Water,” a tribute to his own Jewish mother. He speaks with the staff writer Julian Lucas. “I want to read a book that makes me feel good about being alive,” McBride says. “If I want the bad things to happen, I’ll just read the New York Times. I want a book to take me to a place that I like to be.”
08/08/23·14m 1s

Emily Nussbaum on the Culture Wars in Country Music

Last month, the country singer Jason Aldean released a music video for “Try That in a Small Town,” a song that initially received little attention. But the video cast the song’s lyrics in a new light. While Aldean sings, “Try that in a small town / See how far ya make it down the road / ’Round here, we take care of our own,” images of protests against police brutality are interspersed with Aldean singing outside a county courthouse where a lynching once took place. Aldean’s defenders—and there are many—say the song praises small-town values and respect for the law, rather than promoting violence and vigilantism. The controversy eventually pushed the song to No. 1 on the Billboard Hot 100 chart. The staff writer Emily Nussbaum has been reporting from Nashville throughout the past few months on the very complicated politics of country music. On the one hand, she found a self-perpetuating culture war, fuelled by outrage; on the other, there’s a music scene that’s diversifying, with increasing numbers of women, Black artists, and L.G.B.T.Q. performers claiming country music as their own. “I set out to talk about music, but politics are inseparable from it,” Nussbaum tells David Remnick. “The narrowing of commercial country music to a form of pop country dominated by white guys singing a certain kind of cliché-ridden bro country song—it’s not like I don’t like every song like that, but the absolute domination of that keeps out all sorts of other musicians.” Nussbaum also speaks with Adeem the Artist, a nonbinary country singer and songwriter based in East Tennessee, who has found success with audiences but has not broken through on mainstream country radio. “I think that it’s important that people walk into a music experience where they expect to feel comforted in their bigotry and they are instead challenged on it and made to imagine a world where different people exist,” Adeem says. “But, as a general rule, I try really hard to connect with people even if I’m making them uncomfortable.”
04/08/23·36m 52s

A Trip to the Boundary Waters

Alex Kotlowitz is known as a chronicler of Chicago, and of lives marred by urban poverty and violence. His books set in the city include “An American Summer,” “There Are No Children Here,” and “Never a City So Real.” Nevertheless, for some 40 years he has returned to a remote stretch of woods, summer after summer. At a young age, he found himself navigating a canoe through a series of lakes, deep in the woods along Minnesota’s border with Canada. This stretch of country is known as the Boundary Waters Canoe Area Wilderness. Larger than Rhode Island, it is a patchwork of more than a thousand lakes, so pristine you can drink directly from the surface. Now in his late sixties, Kotlowitz finds the days of paddling, the leaky tents, the long portages, and the schlepping of food (and alcohol) harder than before, but he will return to the Boundary Waters as long as he can. Last summer, he took a recorder with him on his annual canoe trip, capturing what has kept him coming back year after year.  This segment originally aired on August 6, 2022.
01/08/23·17m 8s

Regina Spektor on “Home, Before and After”

Twenty years ago, Regina Spektor was yet another aspiring musician in New York, lugging around a backpack full of self-produced CDs and playing at little clubs in the East Village—anywhere that had a piano, basically. But anonymity didn’t last long. She toured with the Strokes in 2003, and, once she had a record deal, her ambitions grew beyond indie music: she began writing pop-inflected anthems about love and heartbreak, loneliness and death, belief and doubt. Her 2006 album “Begin to Hope” went gold.   “Home, Before and After” was released in 2022, six years after her previous studio album. To mark the occasion, Spektor sat down at a grand piano with Amanda Petrusich to play songs from the record and talk about the role of imagination in her songwriting and vocals. “I think that life pushes you—especially as an adult and especially when you’re responsible for other little humans—to be present in this logistical sort of way,” she says. “I try as much as possible to integrate fun, because I love fun. And I love beauty. And I love magic. . . . I will not have anybody take that away.” Spektor performed “Loveology,” “Becoming All Alone,” and the older “Aprѐs Moi,” accompanying herself on piano. The podcast episode for this segment also features a bonus track, “Spacetime Fairytale.”  This segment originally aired on June 10, 2022.
28/07/23·43m 17s

Colson Whitehead on “Crook Manifesto”

Colson Whitehead is one of the most lauded writers working today. His 2016 novel “The Underground Railroad” won the National Book Award and the Pulitzer Prize for fiction; he won the Pulitzer again for his next novel, “The Nickel Boys,” in 2020.  His career is notable for hopping from genre to genre. As an artist, he tells David Remnick, “it seemed like, if you knew how to do something, why do it again?” Whitehead is again trying something new: a sequel. He’s following up “Harlem Shuffle,” his 2021 heist novel, bringing back the furniture salesman and stolen-goods fence Ray Carney. He talks to David Remnick about how he mined the language of mid-century furniture catalogues, and his interest in teasing out the nuance in his characters. “I’m exploring different ways of being a criminal and trying to think about who actually is bad,” Whitehead says. “Carney has this secret self, this criminal self. But I think all of us have these different uncivilized impulses in us that we have to tame in order to function in society.”
25/07/23·23m 22s

Adapting Robert Oppenheimer’s Story to Film, Plus Greta Gerwig on Becoming a Director

In making “Oppenheimer,” which opens in theatres this weekend, the director Christopher Nolan relied on a Pulitzer Prize-winning 2005 biography of the father of the atomic bomb, “American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer,” by Kai Bird and the late Martin J. Sherwin. Bird is credited as a writer of Nolan’s movie, and he spoke with David Remnick about the ambivalence that the scientist expressed publicly about the use of the bomb, which led to a McCarthyist show trial that destroyed his career and reputation.  “What happened to him in 1954 sent a message to several generations of scientists, here in America but [also] abroad, that scientists should keep in their narrow lane. They shouldn’t become public intellectuals, and if they dared to do this, they could be tarred and feathered,” Bird notes. “The same thing that happened to Oppenheimer in a sense happened to Tony Fauci.” Plus, Greta Gerwig talks about her path to directing. Like “Barbie,” Gerwig’s two previous films as a director and writer are concerned with coming of age as a woman. Once criticized as a “bossy girl,” Gerwig recalls, she tamped down her instinct to direct, focusing early in her career on acting and then screenwriting. She told David Remnick how she finally gave herself permission to be a filmmaker.
21/07/23·27m 22s

Donovan Ramsey on “When Crack Was King”

“When people think of the crack epidemic, they think of crime,” the journalist Donovan X. Ramsey tells David Remnick. “But they don’t necessarily know the ways that it impacted the most vulnerable—the ways that it changed the lives of people who sold it, who were addicted to it, who loved people who sold it or were addicted to it.” Ramsey’s new book, “When Crack Was King: A People’s History of a Misunderstood Era,” weaves the stories of four people who survived the epidemic into a historical analysis of how crack led to the erosion of dozens of American cities—but also of how the crack epidemic eventually ended. “I didn't know what life was like before crack,” Ramsey, who was born in Columbus, Ohio, in 1987, says. “I wanted to understand the ways that it shaped our society.”
18/07/23·23m 41s

A Mysterious Third Party Enters the Presidential Race

No Labels, which pitches itself as a centrist movement to appeal to disaffected voters, has secured a considerable amount of funding and is working behind the scenes to get on Presidential ballots across the country. The group has yet to announce a candidate, but “most likely we’ll have both a Republican and Democrat on the ticket,” Pat McCrory, the former governor of North Carolina and one of the leaders of No Labels, tells David Remnick. Senators Joe Manchin and Kyrsten Sinema are reportedly under consideration, but McCrory will not name names, nor offer any specifics on the group’s platform, including regarding critical issues such as abortion and gun rights. That opacity is by design, Sue Halpern, who has covered the group, says. “The one reason why I think they haven’t put forward a candidate is once they do that, then they are required to do all the things that political parties do,” she says. “At the moment, they’re operating like a PAC, essentially. They don’t have to say who their donors are.” Third-party campaigns have had significant consequences in American elections, and, with both Donald Trump and Joe Biden historically unpopular, a third-party candidate could peel a decisive number of moderate voters away from the Democratic Party.  Plus, three New Yorker critics—Doreen St. Félix, Alexandra Schwartz, and Inkoo Kang—discuss why so many scripted and reality shows use psychotherapy as a central plotline.
14/07/23·27m 27s

How to Buy Forgiveness from Medical Debt

Nearly one in ten Americans owe significant medical debt, a burden that can become crippling as living costs and interest rates rise. Over the past decade, a nonprofit called RIP Medical Debt has designed a novel approach to chip away at this problem. The organization solicits donations to purchase portfolios of medical debt on the debt market, where the debt trades at steeply discounted prices. Then, instead of attempting to collect on it as a normal buyer would, they forgive the debt. The staff writer Sheelah Kolhatkar reports on one North Carolina church that partnered with RIP Medical Debt as part of its charitable mission. Trinity Moravian Church collected around fifteen thousand dollars in contributions to acquire and forgive over four million dollars of debt in their community. “We have undertaken a number of projects in the past but there’s never been anything quite like this,” the Reverend John Jackman tells Kolhatkar. “For families that we know cannot deal with these things, we’re taking the weight off of them.” Kolhatkar also speaks with Allison Sesso, the C.E.O. of RIP Medical Debt, about the strange economics of debt that make this possible.
11/07/23·14m 31s

The Conspiracies of Robert F. Kennedy, Jr.

Robert F. Kennedy, Jr., the son of a former Attorney General and the nephew of President John F. Kennedy, has announced that he’s running for the Democratic Presidential nomination. He is nearly seventy years old, and has never held public office. “There’s nothing in the United States Constitution that says that you have to go to Congress first and then Senate second,or be a governor before you’re elected to the Presidency,” he tells David Remnick. With no prominent elected Democrat challenging President Biden, Kennedy is polling around ten to twenty per cent  among Democratic primary voters—enough to cause at least some alarm for Biden. He is best known as an influential purveyor of disinformation: that vaccines cause autism; that SSRIs and common anxiety medication might be causing the increase in school shootings; that “toxic chemicals” in the water supply might contribute to “sexual dysphoria” in children. He wrote a book accusing Anthony Fauci of helping to “orchestrate and execute 2020’s historic coup d’état against Western democracy.” He seems not at all concerned that Donald Trump, Roger Stone, Tucker Carlson, and Alex Jones—all of whom would like to see Biden bruised in a primary challenge—have praised him. “I'm trying to unite the country,” he says to Remnick. “You keep wanting to focus on why don't I hate this guy more? Why don't I hate on this person more?” Kennedy, who regularly attends recovery meetings for addiction to drugs including heroin, says that “the recovery program is an important part of my life, is an important part of keeping me mentally and physically and spiritually fit. . . . And my program tells me not to do that. I’m not supposed to be doing that.”
07/07/23·32m 53s

Beyoncé Takes the Stage

This summer, the most anticipated tour (in close contest with Taylor Swift) is Beyoncé’s tour for her seventh studio album, “Renaissance,” which came out in 2022. Her previous record “was about the turbulence of [her] marriage and was in some ways a monument to marriage as an institution,” The New Yorker’s music critic Carrie Battan tells David Remnick. “Renaissance”—a homage to club music and queer culture—“is about breaking free of all of those chains. It’s about going to the club, and quitting your job and dancing and experiencing the ultimate freedom.” Battan talks through her favorite tracks on the record.
04/07/23·9m 27s

Russia’s No-Good, Very Failed Coup, and Jill Lepore on Amending the Constitution

Yevgeny Prigozhin’s march on Moscow last weekend, which killed more than a dozen Russian soldiers, fizzled as quickly as it began, but its repercussions are just beginning. The Wagner Group commander issued a video from Belarus claiming that he did not attempt a coup against Putin but a protest against the Defense Ministry.  David Remnick talks with Masha Gessen and the contributor Joshua Yaffa, who has written on the Wagner Group, about what lies ahead in Russia. Both feel that by revealing the reality of the war to his own following—a Putin-loyal, nationalist audience—Prigozhin has seriously damaged the regime’s credibility. If an uprising removes Putin from power, “there will be chaos,” Gessen notes. “Nobody knows what happens next. There’s no succession plan.”  Plus, Jill Lepore on amending the Constitution: suggesting a constitutional amendment these days is so far-fetched, it’s almost a punch line, but the Framers intended the document to be regularly amended, the historian Jill Lepore tells David Remnick. She argues that the failure to ratify the Equal Rights Amendment sank the country into a political quagmire from which it has not arisen, and her latest historial project brings awareness to the problem of amendability.
30/06/23·41m 18s

Jonathan Mitchell, a Prominent Anti-Abortion Lawyer, on Restraining the Power of the Supreme Court

In recent years, the attorney Jonathan Mitchell has become a crucial figure in the anti-abortion movement. Advising a Texas state senator, Mitchell developed Texas’s S.B. 8 legislation, which allows for civil lawsuits against individuals who have helped facilitate an abortion—acts like driving a patient to an appointment. The law was crafted to evade review by the Supreme Court in the period before Dobbs ended the precedent of Roe v. Wade. Opponents of the law have called it state-sponsored vigilantism. Mitchell is now representing a man seeking millions of dollars in civil damages from friends of his ex-wife—who helped her access abortion medication—in a wrongful death lawsuit. And yet, despite his conservative politics, Mitchell has something in common with some legal thinkers on the left: a critique of the Supreme Court and its extraordinary power. As an opponent of the belief in judicial supremacy, Mitchell asks, “Why should it be the Supreme Court and not Congress?” to have the last word on what the Constitution means. “Why should it be the Supreme Court and not a state legislature that might have a different view?” Mitchell rarely gives interviews, but he agreed to speak with The New Yorker’s contributor, Jeannie Suk Gersen, a professor at Harvard Law School who clerked for the former Supreme Court Justice David Souter.
27/06/23·17m 4s

A Year of Change for a North Dakota Abortion Clinic, and the Composer John Williams

A year ago, the staff writer Emily Witt visited Fargo, North Dakota, to report on the Red River Women’s Clinic—the only abortion provider in the state. The Supreme Court’s Dobbs decision had just come down, and the clinic was scrambling to move across state lines, to the adjacent city of Moorhead, Minnesota. This spring, Witt returned to talk with Tammi Kromenaker, the clinic’s director. Kromenaker says the clinic’s new home has had some notable upsides—a parking lot that shields patients from protestors, for example—but North Dakota patients are increasingly fearful as they reach out for care, afraid even to cross the state line for an abortion. Plus, The New Yorker’s Alex Ross discusses John Williams, who has written scores for generations of blockbusters, including “Jaws,” “Star Wars,” “Harry Potter,” and many films of Steven Spielberg. Ross considers him the last practitioner of Hollywood’s grand orchestral tradition, and his retirement will mark the end of an era in music: at ninety-one years old, Williams has said that his score for “Indiana Jones and the Dial of Destiny” may be his last.
23/06/23·31m 58s

Singer-songwriter Joy Oladokun, Plus Bryan Washington

The singer-songwriter Joy Oladokun recently released her fourth album, called “Proof of Life.” Raised near Phoenix, Oladokun had aspirations of becoming a preacher before turning to music in earnest. Like many of the great songwriters, she has a way of staring down the hardest parts of life with an offbeat sort of wit. The New Yorker’s Hanif Abdurraqib calls her a “writer’s writer,” someone “interested in the lyric as an opportunity to build narrative worlds.” Oladokun talked with him about seeing a video of Tracy Chapman performing in a Nelson Mandela tribute concert: “I was ten years old, watching someone who looked like me play the guitar,” she recalls. “I asked my parents for a guitar that Christmas.” Chapman remained a lasting influence on her as an artist. “You could just tell that what drove her to open her mouth in the first place was conviction. Belief in her values and belief that if people would only think about this, it would change the world.” While in New York on tour, Oladokun performed “Trying” and “Keeping the Light On”—both from her new record—live at WNYC. Plus, the fiction writer Bryan Washington on the joys of a Houston ice house.
20/06/23·26m 39s

Dexter Filkins on the Dilemma at the Border

Dexter Filkins has reported on conflict situations around the world, and recently spent months reporting on the situation at the U.S.-Mexico border. In a recent piece, Filkins tries to untangle how conditions around the globe, an abrupt change in executive direction from Trump to Biden, and an antiquated immigration system have created a chaotic situation. “It’s difficult to appreciate the scale and the magnitude of what’s happening there unless you see it,” Filkins tells David Remnick. Last year, during a surge at the border, local jurisdictions struggled to provide humanitarian support for thousands of migrants, leading Democratic politicians to openly criticize the Administration. While hardliners dream of a wall across the two-thousand-mile border, “they can’t build a border wall in the middle of a river,” Filkins notes. “So if you can get across the river, and you can get your foot on American soil, that’s all you need to do.” Migrants surrendering to Border Patrol and requesting asylum then enter a yearslong limbo as their claims work through an overburdened system. The last major overhaul of the immigration system took place in 1986, Filkins explains, and with Republicans and Democrats perpetually at loggerheads, there is no will to fix a system that both sides acknowledge as broken. 
16/06/23·23m 40s

From “On the Media”: Seditious Conspiracy

On January 6th, 2021, “On the Media” reporter Micah Loewinger recorded the secret communications of the Oath Keepers on a walkie-talkie app called Zello. After reporting on the findings, Loewinger received a subpoena calling on him to testify in the first Oath Keepers criminal trial last year. In conversations with “On the Media” host Brooke Gladstone, “Death, Sex & Money” host Anna Sale, and Roger Parloff, a senior editor at Lawfare, Loewinger grapples with the consequences of his reporting, and explores what happens when a journalist is forced to testify in court. Plus, Loewinger looks at the nineteen-seventies Supreme Court case United States v. Caldwell to understand the legal precedents for journalists being called on to testify in federal investigations, the limits of First Amendment privileges for the press, and the sometimes tenuous relationship between journalists and the government.  This episode originally aired on “On the Media” on May 26, 2023. 
13/06/23·35m 45s

The New York Times’ Publisher on the Future of Journalism, and the Poet Paul Tran

Over the past several years, as more democratic institutions and norms have come under attack, many journalists have raised the question of whether it is ethical to adhere to journalism’s traditional principles of non-bias, objectivity, and political neutrality. In May, A. G. Sulzberger, the publisher of the New York Times, staked out his position in the traditionalist camp in an essay for the Columbia Journalism Review. “The traditionalists in the ranks have long believed that their long-standing view speaks for itself. I became increasingly convinced that the argument doesn’t make itself,” he tells David Remnick. Sulzberger shies away from the term objectivity, instead describing the “posture of independence” as one that prizes “an open mind, a skeptical mind,” and a clear-eyed pursuit of truth––even if it leads to uncomfortable conclusions. Sulzberger, whose family has owned the paper since 1896, says he wants to push back on a culture of “certitude” in journalism. “In this hyper-politicized, hyper-polarized moment, is society benefiting from every single player getting deeper and deeper, and louder and louder, about declaring their personal allegiances and loyalties and preferences?” he asks. Plus, this week’s issue of The New Yorker features a new poem by Paul Tran, a young writer whose début collection was named one of the best books of 2022. The poem, “The Three Graces,” takes its name from a rock formation near Colorado Springs. “I was curious: what would these three rocks have to say about the nature of love,” Tran tells the producer Jeffrey Masters. Tran’s poetry explores their personal history—their family immigrated to the United States from Vietnam—as well as their trans identity. 
09/06/23·50m 6s

A Gay Russian, Exiled in Ireland

Evgeny Shtorn and Alexander Kondakov were living together in St. Petersburg when Vladimir Putin began his crackdown on the L.G.B.T.Q. movement in Russia, passing laws that prevented gay “propaganda.” Kondakov is a scholar of the movement, and Shtorn has studied the sociology of hate crimes against gay men. The couple also worked for an N.G.O. that received foreign funding, which made them appear particularly suspicious to Russian authorities. After Shtorn’s citizenship was rescinded, he became vulnerable to pressure from the F.S.B., the Russian security agency, which tried to make him an informant. Finally Shtorn decided to flee, seeking refuge as a stateless person in Ireland, where Masha Gessen spoke with him. Gessen says that Putin’s recent targeting of L.G.B.T. people is perfectly in line with his methods. “[We] make the perfect scapegoat, because we stand in for everything,” she says. “We stand in for the West. We stand in all the things that have changed in the last quarter century that make you uncomfortable. And, of course, no Russian thinks they’ve ever met a gay person in person—so that makes it really easy to create that image of ‘the villainous queer people.’ ” This segment originally aired June 10, 2019. Since that time, Shtorn received refugee status, and was reunited with Kondakov in Ireland. They married in 2023.   
06/06/23·18m 47s

Should We, and Can We, Put the Brakes on Artificial Intelligence?

Sam Altman, CEO of OpenAI, which created ChatGPT, says that AI is a powerful tool that will streamline human work and quicken the pace of scientific advancement  But ChatGPT has both enthralled and terrified us, and even some of AI’s pioneers are freaked out by it – by how quickly the technology has advanced.  David Remnick talks with Altman, and with computer scientist Yoshua Bengio, who won the prestigious Turing Award for his work in 2018, but recently signed an open letter calling for a moratorium on some AI research until regulation can be implemented. The stakes, Bengio says, are high. “I believe there is a non-negligible risk that this kind of technology, in the short term, could disrupt democracies.” 
02/06/23·32m 39s

The Director Rob Marshall on Halle Bailey as “The Little Mermaid”

The live-action remake of Disney’s classic “The Little Mermaid” is out this weekend. The performance of Halle Bailey as Princess Ariel has been widely praised, but some on the right lambasted the casting of a Black actress in the role as an example of—of course—wokeness on the part of Disney. The film’s director, Rob Marshall, dismisses the notion as quickly as he can. “It was never: ‘Let’s do a woke version of ‘Little Mermaid,’ ” he tells Naomi Fry. “It was: ‘Let’s just do the best version.’ ” Marshall took an unusual path toward directing: he began his career as a dancer on Broadway, moving to film only after becoming injured while performing in “Cats.” Since then, he has directed “Chicago,” “Memoirs of a Geisha,” and “Mary Poppins Returns.” For “The Little Mermaid,” he drew inspiration from the original Hans Christian Andersen text, which he says is a coming-of-age story about a young girl who breaks down barriers to understand herself and the world around her. “I just felt, wow, isn’t that the world we live in?,” he says. “I mean for me, the whole time I was doing this movie, it felt really like an antidote to the times we’re living in, the divisive world we live in.”
30/05/23·16m 10s

E. Jean Carroll and Roberta Kaplan on Defamatory Trump, and Dexter Filkins on Ron DeSantis

Earlier this month, E Jean Carroll won an unprecedented legal victory: in a civil suit, Donald Trump was found liable for sexual abuse against her in the mid-nineteen-nineties, and for defamation in later accusing her of a hoax. But no sooner was that decision announced than Trump reiterated his defamatory insults against her in a controversial CNN interview. Carroll has now filed an amended complaint, in a separate suit, based on Trump’s continued barrage. But can anything make him stop? “The one thing he understands is money,” Carroll’s lawyer, Roberta Kaplan, tells David Remnick. “At some point he’ll understand that every time he does it, it’s going to cost him  a few million dollars. And that may make a difference.” Carroll acknowledges that Trump will keep attacking her to get a laugh—“a lot of people don’t like women,” she says simply—but she is undaunted, telling Remnick, “I hate to be all positive about this, but I think we’ve made a difference, I really do.”  Plus, the staff writer Dexter Filkins on Ron DeSantis, who finally announced his Presidential candidacy this week. In 2022, Filkins profiled the Florida governor as his national ambitions were becoming clear. “He’s very good at staking out a position and pounding the table,” Filkins notes, “saying, ‘I’m not giving in to the liberals in the Northeast.’ ”
26/05/23·33m 55s

Jill Lepore on the Joy of Gardening

It’s the time of year when many people feel an overpowering urge to dig—to plant their back yard or vegetable garden, or even the flowerpots on the fire escape. “I just love the whole process. I love the muck of it,” Jill Lepore tells David Remnick. “You’re kind of entrapped in a completely different rhythm, and it’s all so entirely out of your control. … It’s a never-ending process of education.” Lepore, a professor of history as well as a staff writer, wrote recently on her passion for seed catalogues, and shares a couple of things she’s excited about growing this year.
23/05/23·10m 33s

Behind the Scenes with Tom Hanks

Tom Hanks has been a constant presence on the American movie screen for forty years. He has played a mermaid’s boyfriend, an astronaut, a soldier on D Day, an F.B.I. agent, an AIDS patient, a castaway, and a strange, innocent character running across America—among dozens of other roles. Hanks won the Academy Award for Best Actor two years in a row. Now in his sixties, Hanks has added another line to his résumé: novelist. “The Making of Another Major Motion Picture Masterpiece”—an overstuffed, often funny, work of fiction—captures what he’s learned from forty years in the business. Hanks describes the process of moviemaking as equal parts chaos and monotony. “If anybody who we call a noncombatant, or a civilian, wants to visit the making of a motion picture, they will be bored out of their skull,” he tells David Remnick, insisting that it’s impossible to know on set whether a production will be a masterpiece or a flop. “You do not know if it is going to work out. You can only have faith.”   Hanks spoke with Remnick onstage at Symphony Space as part of The New Yorker Live to kick off his book tour.
19/05/23·37m 48s

How Climate Change Is Impacting Our Mental Health

In June, a first-of-its-kind lawsuit will go to trial in Montana. The case, Held v. Montana, centers on the climate crisis. Sixteen young plaintiffs allege their state government has failed in its obligation, spelled out in the state constitution, to provide residents with a healthful environment. The psychiatrist Dr. Lise Van Susteren is serving as an expert witness and intends to detail the emotional distress that can result from watching the environmental destruction unfolding year after year. “Kids are talking about their anger. They’re talking about their fear. They’re talking about their despair. They’re talking about feelings of abandonment,” she tells David Remnick. “And they don’t understand why the adults in the room are not taking more action.” Dr. Van Susteren is a co-founder of the Climate Psychiatry Alliance, a network of mental-health providers concerned with educating colleagues and the public about the climate crisis.
16/05/23·16m 58s

Michael Schulman on the Writers’ Strike, and Samantha Irby with Doreen St. Félix

The last time the Writers Guild of America hit the picket line was fifteen years ago, with a strike that lasted a hundred days and cost the city of Los Angeles hundreds of millions of dollars. This year’s strike has the potential to drag on even longer. At the core of the dispute is the question of who deserves to profit from the revenue generated by streaming services. “[Studios] tell us that they can’t afford the cost of us,” Laura Jacqmin, a veteran TV writer and a W.G.A. strike captain tells the staff writer Michael Schulman. “And simultaneously they’re on their public earnings calls, trumpeting bright financial futures to their shareholders.”  Plus, the comedian and essayist Samantha Irby talks with the staff writer and critic Doreen St. Félix. Irby is beloved by fans for her particularly unvarnished truth-telling. She recently started writing for television on shows like Hulu‘s “Shrill” and HBO’s “And Just Like That . . .,” the “Sex and the City” reboot, which returns for a second season in June. But she has also maintained her memoir-writing practice, and is out with a new essay collection, “Quietly Hostile,” in May.
12/05/23·33m 50s

Germany’s Traumatized Kriegskinder Speak Out

A troubling question looms over the Kriegskinder, Germans who were children during the Second World War: Was my father a mass murderer? These innocent Germans carried the guilt of their nation while their families often remained silent. The New Yorker’s Burkhard Bilger, whose grandfather was a Nazi, speaks with Sabine Bode, a journalist who encourages the now-elderly Kriegskinder to speak about their unacknowledged trauma. Bilger’s new book, “Fatherland: A Memoir of War, Conscience, and Family Secrets,” chronicles his years-long quest to understand the truth behind his family history.  This segment originally aired October 14, 2016.
09/05/23·20m 21s

Have State Legislatures Gone Rogue? And Joshua Yaffa on Evan Gershkovich

Just a month ago, the story of two lawmakers expelled from the Tennessee legislature captured headlines across the country. Their offense wasn’t corruption or criminal activity— instead, they had joined a protest at the statehouse in favor of gun control, shortly after the Nashville shooting at a Christian school. Earlier this week, Representative Zooey Zephyr, of Montana, was barred from the House chamber after making a speech against a trans health-care ban. In the past few years, in Arizona, Wisconsin, and North Carolina, legislatures have worked to strip powers from state officials who happen to be Democrats in order to put those powers in Republican hands.  Jacob Grumbach, a political-science professor and the author of “Laboratories Against Democracy,” talks about how state politics  has become nationalized. “If you’re a politician, and you’re trying to rise in the ranks from the local or state level in your party,” he notes, “your best bet is to join the national culture wars”—even at the expense of constituents’ real concerns. Plus, the contributing writer Joshua Yaffa talks with David Remnick about Evan Gershkovich, the first American reporter imprisoned in Russia on charges of espionage since the nineteen-eighties. “Evan was not sanguine or Pollyannaish or naïve about the context in which he was working,” Yaffa notes, but he returned to Russia again and again to tell the story of that country’s descent into autocracy.
05/05/23·31m 9s

King Charles III Takes the Throne

On May 6th, King Charles will become the oldest person to ascend the throne of the United Kingdom. He is a bit of an odd duck to be the king, Rebecca Mead thinks. Charles has “long made clear that he considers his birthright a burden,” she writes. In fact, many things are a burden: during the ceremonies following the death of Queen Elizabeth, the new king “got into not one but two altercations with malfunctioning pens. . . . As his biographer Catherine Mayer puts it, ‘The world is against him—even inanimate objects are against him. That is absolutely central to his personality.’ ” Mead—a subject of the king, as well as a staff writer—talks with David Remnick about Charles III’s coronation, the problem of Harry and Meghan, and the future of the British monarchy itself.
02/05/23·10m 21s

Harry Belafonte, the Pioneering Artist-Activist

We take it for granted that entertainers can—and probably should—advocate for the causes they believe in, political and otherwise. That wasn’t always the case: at one time, entertainers were supposed to entertain, and little else. Harry Belafonte, who died on April 25th at the age of ninety-six, pioneered the artist-activist approach. One of the most celebrated singers of his era, he had a string of huge hits—“The Banana Boat Song,” “Mama Look a Boo Boo,” “Jamaica Farewell”—while appearing as the rare Black leading man in the movies. At the same time, Belafonte used his platform to influence public opinion. He was a key figure in the civil-rights movement, a confidant of Martin Luther King’s; a generation later, he worked with Nelson Mandela to help bring down apartheid in South Africa. Belafonte joined The New Yorker Radio Hour in 2016, when the staff writer Jelani Cobb visited him at his office in Manhattan. This segment originally aired September 30, 2016. 
30/04/23·13m 28s

The Fall of Tucker Carlson, and the Making of Candace Owens

Once a Beltway neoconservative, Tucker Carlson came to embody the angry, forgotten white man—railing at “the élites” and propagating racist conspiracy theories and the lie of the stolen election. “Unlike a lot of his colleagues at Fox News, he made news, he set the agenda,” Kelefa Sanneh, who wrote about Carlson in 2017, says. “People were wondering, What is Tucker going to be saying tonight?” Sanneh joins Andrew Marantz and David Remnick to discuss Carlson’s demise, and what comes next. And Clare Malone reports on Candace Owens, the powerful right-wing influencer and provocateur who’s set her sights on the future of right-wing media—and on a younger and more female audience than that of Fox News.
28/04/23·39m 28s

The Bipartisan Effort to Rein in Presidential Military Power

Just three days after 9/11, Congress authorized a major expansion of executive power: the President could now wage war against terrorism without prior approval. The resolution was called the Authorization for Use of Military Force, and it passed almost unanimously. Its reauthorization, in 2002, brought our country to war with Iraq, and has been used to deploy American forces all over the world. More than twenty years later, the mood in the country has changed dramatically, and lawmakers in both parties are pushing to roll back the President’s discretion to use force. A bill to revoke the A.U.M.F. passed the Senate 66–30 a few weeks ago, and it is expected to pass the House as well. David Remnick talks with the senators who led that effort—Tim Kaine, a Virginia Democrat, and Todd Young, a Republican from Indiana—and with Representative Barbara Lee of California, who, in 2001, cast the sole dissenting vote in all of Congress.   Plus, David Remnick remembers the beloved cartoonist Ed Koren, a fixture of the magazine for more than half a century.
25/04/23·23m 13s

Jane Mayer on Justice Clarence Thomas, and the Music Critic Hanif Abdurraqib on Concert Merch

The cascade of revelations published by ProPublica concerning Justice Clarence Thomas—the island-hopping yachting adventures underwritten by a right-wing billionaire patron, the undisclosed real estate transactions—raises questions about his proximity to power and money. “I think it stretches common sense,” Jane Mayer tells David Remnick, “to think that a judge could be independent when he takes that much money from one person.” Mayer notes that other Justices, including the late Ruth Bader Ginsburg, have accepted large gifts from politically connected donors. A deepening public distrust in the integrity of the Supreme Court, Mayer thinks, is dangerous for democracy. “The glue that holds us together is the rule of law in this country,” she says. “People have to believe when they go in front of a court, and in particular the Supreme Court, . . . that it’s justice that’s going to prevail.”
21/04/23·27m 54s

The Playwright Larissa FastHorse on “The Thanksgiving Play,” Broadway’s New Comedy of White Wokeness

“The Thanksgiving Play” is a play about the making of a play. Four performers struggle to devise a Thanksgiving performance that’s respectful of Native peoples, historically accurate (while not too grim for white audiences), and also inclusive to the actors themselves. A train wreck ensues. “First it’s fun. . . . You get to have a good time in the theatre. I would say that’s the sugar, and then there’s the medicine,” the playwright Larissa FastHorse tells the staff writer Vinson Cunningham. “The satire is the medicine, and you have to keep taking it.” FastHorse was born into the Sicangu Lakota Nation, and was adopted as a child into a white family. She is the first Native American woman to have a play produced on Broadway. “When I was younger, it was very painful to be separated from a lot of things that I felt like I couldn’t partake in because I wasn’t raised on the reservation or had been away from my Lakota family so long,” she says. “But now I really recognize it as my superpower that I can take Lakota culture . . . and contemporary Indigenous experiences and translate them for white audiences, which unfortunately are still the majority of audiences in American theatre.”
18/04/23·17m 8s

What’s Behind the Bipartisan Attack on TikTok?

A ban of the Chinese social-media app TikTok, first floated by the Trump Administration, is now gaining real traction in Washington. Lawmakers of both parties fear the app could be manipulated by Chinese authorities to gain insight into American users and become an effective tool for propaganda against the United States. “Tiktok arrived in Americans’ lives in about 2018 . . . and in some ways it coincided with the same period of collapse in the U.S.-China relationship,” the staff writer Evan Osnos tells David Remnick. “If you’re a member of Congress, you look at TikTok and you say, ‘This is the clearest emblem of my concern about China, and this is something I can talk about and touch.’ ” Remnick also talks with the journalist Chris Stokel-Walker—who has written extensively about TikTok and argued against a ban—regarding the global political backlash against the app. “I think we should be suspicious of all social media, but I don’t think that TikTok is the attack vector that we think it is,” he says. “This is exactly the same as any other platform.”
14/04/23·33m 4s

The Country Singer Margo Price Talks with Emily Nussbaum

Margo Price moved to Nashville from rural Illinois at the age of nineteen. After struggling for years to break through in the country-music scene, she found success with her 2016 release “Midwest Farmer’s Daughter,” widely considered one of the best albums of the year. Since then, she’s established herself as one of music’s new stars, an artist in the outlaw-country lineage—and a free spirit not afraid to speak frankly. Price talks with the staff writer Emily Nussbaum, who is well known as a television critic and is also a fan of country music, about her fourth studio album, “Strays.” It was released earlier this year, around the same time as her memoir, “Maybe We’ll Make It,” which discusses her years of struggle before establishing herself as an artist. They also discussed Price’s drug use—she speaks proudly of using psilocybin and her stance in favor of gun control in the wake of a school shooting in Nashville.
11/04/23·18m 12s

Israel on the Brink: Understanding the Judicial Overhaul, and the Protests Against It

Prime Minister Benjamin Netanyahu’s proposed law changing the judiciary is described as a reform. To opponents, it’s a move to gut the independence of the Supreme Court as a check on executive power—and a move from the playbook of autocrats like Hungary’s Viktor Orbán. The protests that followed are the largest in the country’s history, and are now stretching into their third month. Ruth Margalit, who is based in Tel Aviv, covered the protests for The New Yorker, and she tells David Remnick that the strength and success of the protests so far has brought a sense of hope for many who were losing faith in the country’s political future. “I think there is a sign of optimism. There is this potential for a kind of political realignment,” she says. “I do have some friends who were thinking of leaving and suddenly are saying, ‘Well, let’s just see how this plays out.’ And they suddenly feel that they have a role.” Remnick also speaks with Margalit’s father, the political philosopher Avishai Margalit, about demographic and cultural factors driving Israeli politics. The nation has been moving to the right probably since the failure of the Oslo peace accords in the nineteen-nineties, but “the new element,” Avishai thinks, “is the strong fusion of religion and nationalism,” elements that were once kept separate in Israel. “The current government is utterly dependent on the votes of the religious and the ultra-religious,” he says. The big unknown, Ruth says, is whether the popular uprising will expand beyond the judicial reforms. “Let’s say the fight over democracy is won—what happens then?” she says. “Can we branch out this fight over democracy? Can it include the West Bank and bring an end to the occupation?”
07/04/23·32m 25s

Brooke Shields on the Sexualization of Girls in Hollywood

In the late nineteen-seventies and into the eighties, Brooke Shields was one of the most famous and most controversial people in America. At age eleven, she appeared in the film “Pretty Baby,” playing a child prostitute; by fifteen she was in the heavy-breathing desert-island love story “Blue Lagoon.” She was the face of a series of ads for Calvin Klein jeans featuring notoriously smutty innuendo. Yet Shields herself—rather than the filmmakers and ad men who developed her roles—became the object of fascination and public reproach, as the new documentary “Pretty Baby: Brooke Shields,” premièring on Hulu, demonstrates in detail. Yet, if she was exploited by adults around her when she was young, Shields denies any sense of being a victim. In a conversation with Michael Schulman, she calls hypocrisy on models who criticize their industry. “You’re making money, and you’re selling something, and, in most cases, sex sells,” she says. “ ‘Oh, I’m being objectified.’ You’re a model! That’s the point!”
04/04/23·20m 53s

Jon Meacham on How the Trump Fever Breaks

In 2018, at the midpoint of the Trump Presidency, the journalist and historian Jon Meacham wrote a book called “The Soul of America,” warning of the gravity of Trump’s threat to democracy. This was hardly a unique point of view, but Meacham’s particular way of putting things, steeped in a critical reverence for American history, hit home with one reader in particular: Joe Biden. In the years since, Meacham became an informal adviser to Biden, helping him recently with the State of the Union address. Meacham, who has written biographies of Thomas Jefferson, Andrew Jackson, George H. W. Bush, John Lewis, and, now, Abraham Lincoln, reflects on the vulnerability of American democracy in the current moment, with an overt autocrat as the leading Republican contender for the next Presidential election. “Having a dictatorial figure is not new either in human experience or American history. What is new is that so many people are willing to suspend their better judgment to support him,” he says. “I am flummoxed to some extent at the durability of partisan feeling.” Plus, the music critic Kelefa Sanneh on a fleet of artists bringing fresh sounds to what has become the least cool genre: mainstream rock. He shares tracks by HARDY, Giovannie & the Hired Guns, AVOID, and Jelly Roll.
31/03/23·30m 43s

Who Was H. G. Carrillo? D. T. Max on a Novelist Whose Fictions Went Too Far

H. G. Carrillo was a writer’s writer—not a household name, but esteemed in literary circles. He began writing later in life, and was in his mid-forties when his first novel, “Loosing My Espanish,” was published. The book, which describes a Cuban-immigrant experience, was hailed as a triumph of Latino fiction; Junot Díaz praised the author’s “formidable” talent, calling his “lyricism pitch-perfect and his compassion limitless.” Carrillo went on to literary positions in and outside of the academy. He was an early casualty of the COVID pandemic, dying in the spring of 2020 at the age of fifty-nine. But his obituary—instead of tying a bow on the historical record—unspooled in quite a different direction, revealing secrets that Carrillo had worked for decades to conceal. For two years, the staff writer D. T. Max has been trying to trace what happened, and why.
28/03/23·32m 55s

Jia Tolentino on the Ozempic Weight-Loss Craze

The prescription drug Ozempic was designed to help people with Type 2 diabetes manage their disease, and, under the name Wegovy, to treat obesity. But it has been embraced recently as a tool for weight loss, and many celebrities are rumored to use it in order to shed pounds. Known generically as semaglutide, the drug gives users the feeling of satiation—even to the point of uncomfortable fullness. “One doctor I spoke to compared it to a turkey dinner in a pen,” the staff writer Jia Tolentino tells David Remnick. Tolentino recently reported on the use and misuse of the drug, and what its prominence among celebrities says about our relationship to thinness today. After some years in which body culture seemed to become more accepting, Tolentino fears the drug will wind the clock back to the brutal insistence on thinness of decades past. “Like any technology, it’s very complicated,” she says. “For some people, this drug might save their lives. For others, it does not make sense to be used in any casual way.”
24/03/23·17m 23s

How the Culture Wars Came to the Catholic Church

The pontificate of Pope Francis, which just reached its tenth year, has brought a greater willingness to engage with modern issues. Francis has addressed Catholics on the climate emergency, arguing a religious position against consumerism and irresponsible development. Without changing the Church’s doctrines, he struck a very different tone than his predecessors Popes John Paul II and Benedict XVI on the inclusion of gay people and the involvement of women in Church leadership. The traditionalist reaction against Francis has also been unprecedented, with prominent figures in the Church openly seeking to discredit him. The New Yorker contributor Paul Elie, who recently wrote about this decade of Francis’s leadership, explores how tensions in the Church were overtaken by an American-style culture war. Elie speaks with Bishop Frank Caggiano, of Bridgeport, Connecticut, and M. Cathleen Kaveny, a prominent law professor and theologian at Boston College. “For John Paul,” Kaveny says, “the main challenge that the faith faced was moral relativism. The conservatives . . . are worried that [moral relativism] is not appreciated by Pope Francis.”
21/03/23·21m 58s

What if the Supreme Court Ends Affirmative Action?

In Students for Fair Admissions v. Harvard, the Supreme Court’s conservative majority appears likely to strike down affirmative action, in a decision expected by this summer. The practice of considering race as a tool to counteract discrimination has been in place at many colleges and universities, and in some workplaces, since the civil-rights era. But a long-running legal campaign has threatened the practice for decades. David Remnick talks with two academics who have had a front-row seat in this fight. Ruth Simmons tells him, “For me, it’s quite simply the question of what will become of us as a nation if we go into our separate enclaves without the opportunity to interact and to learn from each other.” Simmons was the Ivy League’s first Black president, and more recently led Prairie View A. & M., in Texas. Lee Bollinger, while leading the University of Michigan, was the defendant in Grutter v. Bollinger, a landmark case twenty years ago in which the Supreme Court upheld affirmative action. The Court’s current conservative majority is likely to overturn that precedent. Remnick also speaks with Femi Ogundele, the dean of undergraduate admissions at the University of California,Berkeley. Consideration of race in admissions at California state schools has been banned for nearly thirty years. “A lot of us are being kind of tapped on the shoulder and asked, ‘How are you doing what you’re doing in this new reality?’ ” he says. “I want to be very clear: I do not think there is any race-neutral alternative to creating diversity on a college campus,” Ogundele tells Remnick. “However, I do think we can do better than what we’ve done.”
17/03/23·28m 22s

Trans Activist Janet Mock Finds Her Voice

Janet Mock first heard the word “māhū,” a Native Hawaiian word for people who exist outside the male-female binary, when she was twelve. She had just moved back to Oahu, where she was born, from Texas, and, by that point, Mock knew that the gender she presented as didn’t feel right. “I don’t like to say the word ‘trapped,’ ” Mock tells The New Yorker’s Hilton Als. “But I was feeling very, very tightly contained in my body.”  Eventually, Mock left Hawaii for New York, where she worked as an editor for People magazine. “[Everyone was] bigger and louder and smarter and bolder than me,” she tells Als. “So, in that sense, I could kind of blend in.” After working at People for five years, she came out publicly as trans; since then, she has emerged as a leading voice on trans issues. She’s written two books, produced a documentary, and signed a deal with Netflix. In 2018, she became the first trans woman of color to be hired as a writer on a TV series—Ryan Murphy’s FX series “Pose,” which just concluded its final season. This story originally aired January 4, 2019
14/03/23·25m 12s

Masha Gessen on the Battle Over Trans Rights

Many culture-war politicians are attacking the rights of trans people, and making a regressive view of gender as biology the key to their platforms. In this episode, David Remnick talks to two people who’ve found themselves at the center of the battle over transgender rights. In Nebraska, a state senator has committed to filibustering every piece of legislation to ward off a vote on a Republican-sponsored bill that would ban gender-affirming care for trans people under age nineteen. Then Masha Gessen—who fled Russia years ago as an L.G.B.T. person targeted by government repression—explains why anti-trans messaging has been effective for the right, and why discussions of trans issues can be fraught even for those who support them.
10/03/23·49m 23s

Introducing: “In The Dark”

“In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show’s reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers’s conviction. Today, he is a free man. A third season of “In The Dark,” which will be the show’s most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show’s managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.
09/03/23·18m 48s

Chloe Bailey on Working Solo; and the Lost New Jersey Photos of Cartier-Bresson

When they were just thirteen and eleven years old, sisters Chloe and Halle Bailey started posting videos of themselves singing on YouTube and quickly built a following. Their covers often went viral—their version of Beyoncé’s “Pretty Hurts” even caught the attention of Beyoncé, who brought them on tour as her opening act.  Now, with two albums and five Grammy nominations behind them, the sisters are for the first time working on separate projects: Halle is starring as Ariel in an upcoming remake of “The Little Mermaid,” and Chloe is releasing a solo album, “In Pieces,” later this month. Chloe Bailey spoke with the contributing writer Lauren Michele Jackson at the New Yorker Festival in October about the mixed blessing of social-media stardom. “When we program our minds to think about being No. 1 … it really suffocates you and it stifles the process,” she says. “Right now, I’m just creating to be creating, and I have never felt more free.”  Plus, the lost New Jersey photographs of Henri Cartier-Bresson. In 1975, the French master photographer spent a month documenting New Jersey, which he called a “shortcut to America.” Why did the pictures disappear?
07/03/23·24m 44s

The Russian Activist Maria Pevchikh on the Fate of Alexey Navalny, and the Future of Russia

Well before launching the horrifying campaign against Ukraine a year ago, Vladimir Putin had been undermining Russia as well: normalizing corruption on a massive scale, and suppressing dissent and democracy.  One of the darkest moments on that trajectory was the poisoning of the opposition leader Alexey Navalny with the nerve agent novichok.  Navalny and a team of investigators had illustrated the corruption of Putin and his circle in startling detail, and Navalny began travelling the country to launch a bid for the Presidency.  “Every time when I heard Navalny giving an interview, I don’t think there was one interview where he wasn’t asked, ‘How come you’re still alive? How come they still haven’t they killed you?,’ ” recalls the Russian activist Maria Pevchikh, the head of investigations and media for Navalny’s Anti-Corruption Foundation. “And Navalny is rolling his eyes saying, ‘I don’t know, I’m tired of this question, stop asking. I don’t know why I’m still alive and why they haven’t tried to assassinate me.’ ”  Pevchikh was travelling with Navalny when he was poisoned, and helped uncover the involvement of the F.S.B. security services.  After surviving the assassination and recuperating abroad, Navalny returned to Russia only to be arrested and then detained in a penal colony. “I think Putin wants him to suffer a lot and then die in prison,” Pevchikh tells David Remnick. Still, she maintains hope. “The situation is so chaotic, specifically because of the war,” she says. “Is the likelihood of Navalny being released when the war ends high? I think it is almost certain.” Pevchikh also served as an executive producer of the documentary “Navalny,” which is nominated for an Academy Award.
03/03/23·26m 12s

Stephanie Hsu on “Everything Everywhere All at Once”; and the 2023 Brody Awards

“Everything Everywhere All at Once” is in a genre all its own, and is an extremely unlikely favorite for the Academy Award for Best Picture. It’s a loopy sci-fi quest that becomes a martial arts revenge battle, superimposed on a sentimental family drama. Stephanie Hsu plays both Joy, a depressed young woman struggling with her immigrant mother (played by Michelle Yeoh), and Jobu Tupaki, an interdimensional supervillain bent on sowing chaos, and possibly the end of the world.  “The relationship between Evelyn and Joy in its simplest terms is very fraught,” Hsu tells the staff writer Jia Tolentino. “It’s the story of a relationship of a daughter who’s a lesbian who is deeply longing for her mother’s acceptance . . . but they keep chasing each other around in the universe and they can just never find one another. Until, of course, they launch into the multiverse and become nemeses.” The film is nominated for eleven Academy Awards, including Best Supporting Actress, for Hsu’s performance.  Plus, in a New Yorker Radio Hour annual tradition, the incorruptible film critic Richard Brody bequeaths the awards that really matter: the Brody Awards, recognizing the finest performances and the best picture of 2022.
28/02/23·31m 55s

The Pandemic at Three: Who Got it Right?

As the COVID-19 pandemic approaches its fourth year, we can begin to gain some clarity on which countries, and which U.S. states, had the best outcomes over time. In a conversation with David Remnick, Dhruv Khullar, a contributing writer and a practicing physician in New York, explains some of the key factors. Robust testing was key for public-health authorities to make good decisions, unsurprisingly. What also seems clear from a distance, Khullar says, is that social cohesion was a decisive underlying condition. This helps explain why the United States did poorly in its pandemic response, despite a technologically advanced health-care system. Peer pressure, in other words, trumped mandates. Khullar also speaks to Dr. Rochelle Walensky, the head of the Centers for Disease Control and Prevention, about how misinformation and political polarization inhibit our country’s efforts on public health.
24/02/23·19m 5s

Angela Bassett on Playing Tina Turner and Queen Ramonda of Wakanda

It’s been almost three decades since Angela Bassett emerged in Hollywood as a “totem of empowered Black womanhood,” as Michael Schulman puts it—known for groundbreaking roles in films like “What’s Love Got to Do with It” and “How Stella Got Her Groove Back.” Now, at sixty-four, Bassett is nominated for an Oscar for her performance in “Black Panther: Wakanda Forever.” As the fierce, grieving Queen Ramonda, she is the first actor nominated for any Marvel movie. Bassett speaks with Schulman about her preparation for the film, and reflects on how a poetry recitation drove her to acting as a young person. “It was the first recognition for me, at fifteen, that drama, that theatre, that words, that passion from one human being could move another,” she says. “And that maybe I had a gift for it.”
21/02/23·20m 26s

A Year of the War in Ukraine

In the year since Russia’s invasion, Ukrainians have shown incredible fortitude on the battlefield. Yet an end to the conflict seems nowhere in sight. “Putin’s strategy could be defined as ‘I can’t have it—nobody can have it.’ And, sadly, that’s where the tragedy is right now,” Stephen Kotkin, a fellow at the Hoover Institution and a scholar of Russian history, tells David Remnick. “Ukraine is winning in the sense that [it] didn’t allow Russia to take that whole country. But it’s losing in the sense that its country is being destroyed.” Kotkin says that the standards for a victory laid out by President Volodymyr Zelensky set an impossibly high bar, and that Ukraine—however distasteful the prospect—may be forced to cut its losses. He suggests it could accept its loss of control over some of its territory while aiming to secure expedited accession to the European Union, and still consider this a victory. Remnick also speaks with Sevgil Musaieva, the thirty-five-year-old editor-in-chief of Ukrainska Pravda, an online publication based in Kyiv, about the toll that the war is taking on her and her peers. “We have to destroy the Soviet Empire and the ghosts of the Soviet Empire, and this is the goal of our generation,” Musaieva says. “People of my generation, they don’t have family. They don’t have kids. They just dedicate their lives—the best years of their lives—to country.” Kotkin says that the standards for a victory laid out by President Volodymyr Zelensky set an impossibly high bar, and that Ukraine—however distasteful the prospect—may be forced to cut its losses. He suggests it might need to accept its loss of control over some of its territory while aiming to secure expedited accession to the European Union, and still consider this a victory.
17/02/23·30m 21s

Martin McDonagh Talks with Patrick Radden Keefe

Martin McDonagh burst onto the London theatre scene as a young playwright in the nineteen-nineties. At one point, he had four plays running simultaneously on stages across London. But McDonagh also aspired to work in movies, and he eventually shifted his focus to directing films such as “In Bruges” and “Three Billboards Outside Ebbing, Missouri.” “When you sit down to write something, how do you know if it’s a movie or a play?” the staff writer Patrick Radden Keefe asked McDonagh at The New Yorker Festival. “If it has four characters, and it’s set indoors, it’s a play,” McDonagh replied—“if it doesn’t have any donkeys or dogs.” McDonagh’s new film, “The Banshees of Inisherin,” starring Colin Farrell and Brendan Gleeson, is his first feature set in Ireland, and it prominently features a donkey. “Banshees” traces the story of a friendship breaking apart in the beautiful, remote hills of the country’s west. “I just wanted this [movie] to be sort of plotless in a way,” McDonagh said. “Just to have the unravelling of this breakup be what the whole story was about.” The film is now nominated for nine Academy Awards, including Best Picture and Best Director.  This segment originally aired on October 21, 2022.
14/02/23·14m 50s

Chuck D on How Hip-Hop Changed the World

Forty years ago, Chuck D showed listeners how exciting, radical, and unpredictable hip-hop could be. His song “Fight the Power” became a protest anthem for a generation, and a Greek chorus in Spike Lee’s film “Do the Right Thing.” The Public Enemy front man talks with the staff writer Kelefa Sanneh about his life in music. “I wanted to curate, present, navigate, teach, and lead the hip-hop art, making it something that people would revere,” he says. Now, at sixty-two, Chuck D is an elder statesman of his genre, and also a critic of it and some of its more commercial impulses. His latest project is a four-part documentary, “Fight the Power: How Hip-Hop Changed the World,” which is airing now on PBS. “I’ve been to one hundred sixteen countries over thirty-eight years, so I’ve seen the changes,” he says. “People have made their way to me to say, ‘Chuck, this is what this art form has meant to me,’ in all continents except for Antarctica.”  Plus, Alex Barasch, who wrote about “The Last of Us,” joins David Remnick to talk about why adapting video games to film and television has been so challenging: for every “Tomb Raider,” there are dozens of forgotten shows and flops. “The Last of Us” has been years in the making, but it’s paid off for HBO, winning both critical and commercial success.
10/02/23·29m 13s

Salman Rushdie on Surviving the Fatwa

Thirty-four years ago, the Ayatollah Khomeini, the Supreme Leader of Iran, issued a fatwa calling for the assassination of the novelist Salman Rushdie, whose book “The Satanic Verses” Khomeini declared blasphemous. It caused a worldwide uproar. Rushdie lived in hiding in London for a decade before moving to New York, where he began to let his guard down. “I had come to feel that it was a very long time ago and, and that the world moves on,” he tells David Remnick. “That’s what I had agreed with myself was the case. And then it wasn’t.” In August of last year, a man named Hadi Matar attacked Rushdie onstage before a public event, stabbing him about a dozen times. Rushdie barely survived. Now, in his first interview since the assassination attempt, Rushdie discusses the long shadow of the fatwa; his recovery from extensive injuries; and his writing. It was “just a piece of fortune, given what happened,” that Rushdie had finished work on a new novel, “Victory City,” weeks before the attack. The book is being published this week. “I’ve always thought that my books are more interesting than my life,” he remarks. “Unfortunately, the world appears to disagree.”  David Remnick’s Profile of Rushdie appears in the February 13th & 20th issue of The New Yorker.
06/02/23·50m 26s

Bonnie Raitt Talks with David Remnick

You couldn’t write a history of American music without a solid chapter on Bonnie Raitt. From her roots as a blues guitarist, she’s created a gorgeous melange of rock, R. & B., blues, folk, and country—helping to establish a new category now known as Americana. But she’s far from resting on her laurels; her latest album, “Just Like That . . . ,” is nominated for four Grammy Awards this year, including Song of the Year—a category in which her competition includes Beyoncé and Adele, stars a generation younger than Raitt. She talks with David Remnick about her early career in the blues clubs of Boston; the relationship between older Black artists and the nineteen-sixties generation of younger white afficionados; and the state of the genre today. “The way that blues and R. & B. and soul music [are] interwoven with so many different styles now . . . the cross pollination of influences that streaming has made possible—it means that blues is always at the root of whatever funky music is out at the time,” she says. Raitt also reflects on how finding sobriety in her forties changed her music. “I think a lot of us are busy putting on a big persona—proving ourselves in the world—for the first two decades of our careers,” she says. “I became more who I really am at forty-one than I was at thirty-one.”
03/02/23·21m 40s

The Custody Battles Awaiting Mothers of Children Conceived in Rape

Exceptions in the case of rape used to be considered a necessity in abortion legislation, even within the pro-life movement. But today ten states have no rape exception in their abortion laws, and more will likely consider moving in that direction this year. “I think few people understand how common this scenario actually is,” the contributing writer Eren Orbey, who has reported on the issue, says; according to C.D.C. statistics, nearly three million women have become pregnant as a result of rape. With abortion laws changing, more and more women will be forced to carry these pregnancies to term. In some cases, they’ll find themselves tied to their assailants through the family-court system until their children turn eighteen. “Many states . . . require a conviction for first-degree rape—which is really hard to come by even if there’s a lot of evidence—in order to terminate parental rights,” Lucy Guarnera, a professor of psychiatry and neurobehavioral sciences at the University of Virginia, says. Orbey talks with Guarnera, one of a few researchers who have studied this issue in depth, and with a mother of twins about the challenges of parenthood under these conditions. “The reality is: these exceptions are far less effective than we assume they are,” Orbey says. “They create the false impression that we’re taking care of all rape survivors when we’re not.” 
31/01/23·21m 20s

What Exactly Does “Woke” Mean, and How Did It Become so Powerful?

Many on the right blame “wokeness” for all of America’s ills—everything from deadly mass shootings to lower military recruitment. Florida’s governor, Ron DeSantis, recently signed a so-called Stop WOKE Act into law, and made the issue the center of his midterm victory speech. In Washington, there has been talk in the House of forming an “anti-woke caucus.” “I think ‘woke’ is a very interesting term right now, because I think it’s an unusable word—although it is used all the time—because it doesn’t actually mean anything,” the linguist and lexicographer Tony Thorne, the author of “Dictionary of Contemporary Slang,” tells David Remnick.  Plus, the poet Robin Coste Lewis talks with the staff writer Hilton Als about how suffering a traumatic brian injury led her to a career in poetry. Her most recent book, “To the Realization of Perfect Helplessness,” was published last month.
27/01/23·29m 25s

Michael Schulman on Oscars History, and a Visit with “Annie” Composer Charles Strouse

Despite years of controversy, the Academy Awards and the other awards shows remain must-watch television for many Americans. The awards may be “unreliable as a pure measure of cinematic worth,” Schulman tells David Remnick. “But I would argue that the Oscars are sort of a decoder ring for cultural conflict and where the industry is headed,” Schulman says. “They are a way to understand where pop culture is.” With theatre attendance in continuing decline, the Academy is looking for solutions, Schulman believes, and that could result in a higher-grossing outlier winner for the coveted Best Picture award. Plus, a visit with the Broadway composer Charles Strouse, who is ninety-four and compiling his archives to donate to the Library of Congress. He reflects on his work with Jay-Z and his “friendly enemy” relationship with Stephen Sondheim: “He didn’t like me much. I didn’t like him less.” Still nimble at the piano, Strouse plays a rendition of his classic, “Tomorrow.”
24/01/23·27m 55s

A Local Paper First Sounded the Alarm on George Santos. Nobody Listened.

George Santos is hardly the first scammer elected to office—but his lies, David Remnick says, are “extra.” Most Americans learned of Santos’s extraordinary fabrications from a New York Times report published after the midterm election, but a local newspaper called the North Shore Leader was sounding the alarm months before. The New Yorker staff writer Clare Malone took a trip to Long Island to speak with the Leader’s publisher, Grant Lally, and its managing editor, Maureen Daly, to find out how the story began. “We heard story after story after story about him doing bizarre things,” Lally told her. “He was so well known, at least in the more active political circles, to be a liar, that by early summer he was already being called George Scamtos.” Lally explains how redistricting drama in New York State turned Santos from a “sacrificial” candidate—to whom no one was paying attention—to a front-runner. At the same time, Malone thinks, “the oddly permissive structure that the Republican Party has created for candidates on a gamut of issues” enabled his penchant for fabrication. “[There’s] lots of crazy stuff that’s popped up in politics over the past few years. I think maybe Santos thought, Eh, who’s gonna check?”
20/01/23·23m 18s

Deepti Kapoor Discusses “Age of Vice” with Parul Sehgal

Deepti Kapoor describes New Delhi, the setting of her novel “Age of Vice” as “extremely beautiful, but also violent. . . . It’s a place where you think you’re gonna get cheated and robbed until someone does something incredibly kind and breaks your heart.” The highly anticipated book, published simultaneously in twenty countries this month, is part crime thriller, part family saga centered on a reckless playboy who wants to break away from his mob family; a young man working as a servant to him; and a naïve young journalist. Kapoor, who spent a decade as a journalist herself, tells Parul Sehgal that she wrote the book while living abroad—needing the distance from her country in order to see it more clearly.
17/01/23·16m 30s

In Politics, How Old Is Too Old?

It wasn’t so long ago that Ronald Reagan was considered over the hill, too old to govern. Now a sitting President has turned eighty in office, and a Presidential contest between Joe Biden and Donald Trump would put two near-eighty-year-olds against each other. (Trump—while denying President Biden’s fitness—commented, “Life begins at eighty.”) Yet the question of age has not disappeared; even some of Biden’s ardent supporters have expressed concerns about him starting a second term. David Remnick talks with the gerontologist Jack Rowe, a professor at Columbia University who also founded Harvard Medical School’s Division on Aging, about how to evaluate a candidate’s competency for office; and with Jill Lepore and Jane Mayer, keen observers of the Presidency. Rowe argues that ageism underlies the public discourse; an occasional slip or unsteadiness, he thinks, is not consequential to the job. “If I give you a seventy-eight-year-old man with a history of heart disease, you don’t know if he’s in a nursing home or on the Supreme Court of the United States,” he tells Remnick. But Lepore and Mayer argue public opinion, and not only medical prognosis, should be considered seriously as we look at aging politicians. If Biden and Trump face off, Lepore says, “Age won’t be an issue between them. But age will be an issue for American voters. . . . I think of the young people that I teach everyday. They will be furious.” Mayer sees something anti-democratic in play as well. “Incumbency is such an advantage at this point,” she notes, that “it leads to gerontocracy,” because “it’s really hard to unseat someone.”
13/01/23·34m 1s

The Photographer Who Documented a Long-Forgotten Pan-African Festival

Forty-six years ago, a young photographer named Marilyn Nance got the opportunity of a lifetime. A student at the Pratt Institute, an art school in Brooklyn, Nance had never left the country. But she became one of the official photographers documenting a festival in Lagos, Nigeria, called FESTAC ’77. The monthlong festival featured artists from across Africa and the diaspora, and has been described as the most important Black cultural event of the twentieth century. But, on returning from the festival, Nance didn’t find any takers to publish her photos, and fifty years later, few people know it took place. “I thought I would be talking about FESTAC in 1978, not in 2022,” Nance told the staff writer Julian Lucas. “If some tragic thing had happened, everybody would remember. . . . But I guess maybe there was no investment in celebrating Black joy.” A collection of Nance’s photographs from the event was published late in 2022, in the book “Last Day in Lagos.” 
10/01/23·17m 42s

Bob Woodward on His Trump Tapes

Bob Woodward is not one to editorialize. But, during his interviews with Donald Trump at the time of the COVID-19 crisis, Woodward found himself shouting at the President—explaining how to make a decision and trying to browbeat him into listening to public-health experts. Woodward has released audio recordings of some of their interviews in a new audiobook called “The Trump Tapes,” which documents details of Trump’s state of mind, and also of Woodward’s process and craft. “I could call him anytime, [and] he would call me,” Woodward tells David Remnick. His wife, Elsa Walsh, “used to joke [that] there’s three of us in the marriage.” And, in the wake of Damar Hamlin’s accident, the staff writer Louisa Thomas talks with David Remnick about an uncomfortable truth: football’s danger to players is part of its singular popularity. 
06/01/23·32m 59s

“Giselle,” and What to Do with the Problematic Past – Part II

When the renowned choreographer Akram Khan was commissioned to update the classic “Giselle” for the English National Ballet, he couldn’t simply put new steps to a Romantic-era plot. Beautiful as it is, “Giselle” has a view of ideal womanhood that is insupportable in our century—and it didn’t reflect the women he knew.  In Khan’s 2016 “Giselle,” the title character doesn’t chastely expire from a broken heart; she is a strong woman victimized by more powerful men.  The story still culminates in an act of forgiveness, but in a way that resonates with the era of #MeToo. Vincenzo Lamagna composed the production’s new score. The producer Ngofeen Mputubwele describes the production as not simply a great modern ballet but a model for how to reimagine a story that doesn’t work anymore.
03/01/23·16m 41s

What to Do with the Problematic Past, Part I

We draw meaning and comfort from traditions, but when the world changes, traditions can stop reflecting our values and cause us pain. This episode features three people struggling against traditions that have become problematic.  The producer Ngofeen Mputubwele talks with Jeanna Kadlec, the author of “Heretic,” a memoir of leaving the evangelical church; and the actor Britton Smith, a leader of Broadway Advocacy Coalition, which seeks to make Broadway an equitable workplace for performers of color. “The fire was loud and the reckoning was very visible to everyone,” Smith tells Mputubwele. “The fire crumbled into ashes, and now the ashes are starting to settle.”
30/12/22·33m 49s

As Poet Laureate, Tracy K. Smith Hit the Road

Tracy K. Smith was named Poet Laureate in 2017, at the beginning of the fierce partisan divide of the Trump era. She quickly turned to her craft to address the deep political divisions the election laid bare, putting together a collection called “American Journal: Fifty Poems for Our Time.” Then she hit the road, visiting community centers, senior centers, prisons, and colleges, and reading poems written by herself and others for groups small and large. “It was exhausting, and exhilarating, and it was probably the best thing I could have done as an American,” she told The New Yorker’s poetry editor, Kevin Young.   This segment originally aired July 5, 2019.
27/12/22·22m 26s

Kirk Douglas, the Guitarist for the Roots, Revamps the Holiday Classics

As the guitarist for the Roots, the band for “The Tonight Show,” Kirk Douglas plays anything and everything. So David Remnick put him to the test on some holiday classics. And two longtime New Yorker staffers, Patricia Marx and Roz Chast, divulge their celebrated history playing together in a ukulele band. As the Daily Pukuleles, they claim, they influenced some of the biggest names in music in the sixties and beyond. But they were always a little too far ahead of the curve for the mainstream.
23/12/22·30m 53s

An Audiobook Master on the Secrets of Her Craft

You’ve probably never heard of Robin Miles, but you may well have heard her—possibly at some length. Miles is an actor who’s cultivated a particular specialty in recording audiobooks, a booming segment of the publishing industry. She has lent her voice to more than 400 titles in all sorts of genres—from the classic “Charlotte’s Web” to Isabel Wilkerson’s “Caste,” a deep analysis of race in America. “Telling a story, fully, all of it—from all the aspects of it—and creating the kind of intimacy between you and your listener is so satisfying,” she tells the New Yorker editor Daniel Gross. “Being in a great play means you have to have the money and the other actors and a script and a director. This is just me and my book, and I love that.”
20/12/22·23m 9s

Ina Garten: Cooking Is Hard; Plus an Essay from Susan Orlean

With the Food Network program “Barefoot Contessa,” Ina Garten became a beloved household name. Although she is a gregarious teacher and presence on television, Garten prefers to do her actual cooking alone. “Cooking’s hard for me. I mean, I do it a lot, but it’s really hard and I just love having the space to concentrate on what I’'m doing, so I make sure it comes out well.” Garten joins David Remnick to reflect on her early days in the kitchen, and to answer listener questions about holiday meals and more. Her latest book is “Go-To Dinners.” Plus, Susan Orlean joins with an installment from her column “Afterword.” She writes about the life of a Texas man who founded a rattlesnake handling business. He liked providing a service for his neighbors, and for whatever reason, he just loved rattlesnakes—a passion that proved fatal.
16/12/22·27m 24s

The poet John Lee Clark Translates the DeafBlind Experience to the Page

Although many hearing and sighted people imagine DeafBlind life in tragic terms, as an experience of isolation and darkness, the poet John Lee Clark’s writing is full of joy. It’s funny and surprising, mapping the contours of a regular life marked by common pleasures and frustrations. Clark, who was born Deaf and lost his sight at a young age, has established himself not just as a writer and translator but as a scholar of Deaf and DeafBlind literature. His new collection, “How to Communicate,” includes original works and translations from American Sign Language and Protactile. He speaks with the contributor Andrew Leland, who is working on a book about his own experience of losing his sight in adulthood.
13/12/22·25m 58s

Politico’s Mathias Döpfner, and Sam Knight Reports from Qatar

The staff writer Sam Knight was in Qatar recently, reporting on the World Cup, where, despite years of controversy, a familiar rhythm of upsets, triumphs, and defeats has taken hold. But he finds that the geographical shift toward an Arab nation may benefit the sport. Plus, David Remnick talks with Mathias Döpfner, the C.E.O. of the German news publisher Axel Springer, which acquired Politico for a billion dollars last year. Döpfner relishes taking provocative stances, but has been a vocal critic of media outlets that he says are increasingly catering to partisan audiences. “I think it is not about objectivity or neutrality,” he notes. “It is about plurality.” Politico, Döpfner says, is taking “a kind of contrarian bet: if everybody polarizes, the few who do differently may have the better future.”
09/12/22·25m 3s

Is Our Democracy Safe?

This year’s midterm elections were widely seen as a victory for democracy in the United States. Election deniers were defeated in many closely watched races and voting proceeded smoothly, even in areas where the Big Lie has taken a firm hold. But the threat of authoritarianism remains strong. David Remnick talks with Steven Levitsky and Daniel Ziblatt, authors of the best-seller “How Democracies Die” about recent political trends. “You can’t really live in a functioning democracy if you feel like each election is a national emergency,” Ziblatt says. “Because what it means is that we’re not confronting the major problems confronting our society.”
06/12/22·30m 37s

The Supreme Court Case That Could Upend Elections

J. Michael Luttig is a retired judge of the U.S. Court of Appeals and a prominent legal mind in conservative circles, close with figures including Clarence Thomas and William Barr. On January 5, 2020, he got a call from Vice-President Mike Pence’s then-lawyer asking Luttig to publicly back Pence’s decision not to attempt to overturn the election the next day. Luttig tweeted that the Vice-President had no constitutional authority to stop the election, and suddenly the judge was thrust into the center of the crisis. Now Luttig is siding with Democrats as co-counsel on the Supreme Court case Moore v. Harper, which he tells David Remnick is “the most important case, since the founding, for American democracy.” At the heart of the debate is the independent-state-legislature theory, a once-fringe legal concept that Donald Trump and his allies believe should have allowed Pence to reject the popular vote in 2020. If the court adopts the theory, it could grant legislatures essentially unfettered authority to run national elections; they could not be challenged even if the election violated the state constitution. Such power, in the hands of a gerrymandered legislature, could be used to bypass the popular vote and appoint a new slate of electors, effectively empowering state lawmakers to choose a winner. The court will hear the case on December 7th.
02/12/22·20m 13s

Why Christine Baranski Fought the Good Fight

The veteran stage and screen actress Christine Baranski first became a household name thanks to her Emmy-winning turn on the nineties sitcom “Cybill,” and her Tony-award winning work on Broadway. But “The Good Fight” took her to another level. As Diane Lockhart, a Chicago attorney and diehard liberal, Baranski captured the tensions of the political moment of Donald Trump, and the show ended its run this month. Emily Nussbaum could barely contain her excitement when sat down with Baranski at The New Yorker Festival in 2018 for a wide-ranging conversation about Baranski’s career and the timeliness of “The Good Fight.” This segment originally aired April 12, 2019.
29/11/22·18m 17s

Quinta Brunson, a “Child of the Internet,” Revives the Sitcom

Quinta Brunson made a name for herself as a master of meme comedy and is a self-described “child of the Internet,” yet her ABC mockumentary series “Abbott Elementary” is an unabashed throwback to the sitcoms of her youth. Doreen St. Félix talked with Brunson at the 2022 New Yorker Festival about her influences and the everyday comedy of the workplace. St. Félix believes that Brunson has found “freedom in formula” when it comes to “Abbott,” which documents the lives of the beleaguered staff at a Philadelphia public school. “There is nothing that I could do,” Brunson says, “or [that] anyone can do that is more triumphant than someone going to their shitty job.” Writing in the wake of shows like “Black-ish,” Brunson relishes being able to center her story on Black people without addressing topical issues about race; the school is its own self-enclosed world. Just surviving, she thinks, provides its own form of liberation. “So much has happened to Black people,” she says. “Why are we still here? . . . We really could have called it quits a long time ago, and somehow we just keep going. It’s crazy to me.”
25/11/22·32m 0s

Unpacking the Latino Vote, and Susan Orlean on the Queen of Tigers

In the lead-up to this year’s midterm elections, many pundits expected Republicans to make significant gains among Latino voters, further eroding a base of support that Democrats have arguably taken for granted for decades. “What happened instead, as you know, is a more complicated story,” the contributing writer Stephania Taladrid says, one that both parties will be examining closely as 2024 approaches. Taladrid speaks with two political consultants, Chuck Rocha and Mike Madrid, to unpack the results. Rocha and Madrid co-host “The Latino Vote” podcast. Rocha, a Democrat, was a senior adviser to Bernie Sanders and Madrid, a Republican, was a founding member of the Lincoln Project.  And Susan Orlean reads from one of her Afterword columns, about the long and fecund life of a tiger mother. “Unlike most tiger mothers,” she writes, “Collarwali was, in fact, a tiger.”
22/11/22·28m 28s

The Stories of #MeToo

Five years ago, reporting on the film producer Harvey Weinstein’s history of assault and misconduct opened the floodgates of the national reckoning with gender and power known as #MeToo. Three New Yorker critics—Alexandra Schwartz, Naomi Fry, and Vinson Cunningham—recently gathered to assess #MeToo’s impact on the culture more broadly. They discussed works like the new film “Tár,” the movie “The Assistant,” the fiction pieces “This Is Pleasure” and “Cat Person,” and more. Schwartz notes that #MeToo is not only an event in time but also a lens through which to tell stories about interpersonal relationships that have long been taken for granted.
21/11/22·39m 25s

How Qatar Took the World Cup

No self-respecting sports fan is naïve about the role that money plays in pro sports. But, by any standard, the greed and cynicism behind the World Cup are extraordinary. The cloud of scandal surrounding FIFA, the international soccer organization, has led to indictments and arrests on charges of wire fraud, racketeering, and money laundering around the globe. Headlines have been filled with reports of the deaths of workers who constructed the facilities. “People are normally careful enough not to leave a paper trail,” the contributor Heidi Blake notes. But she says, of investigating FIFA, “I’ve never seen graft and corruption documented in this kind of detail.” Blake speaks with David Remnick about “The Ugly Game,” which she co-authored with Jonathan Calvert, and how Qatar came to host the World Cup.
18/11/22·21m 58s

Safia Elhillo on Vulnerability and Anger in “Girls That Never Die”

The poet Safia Elhillo first found her voice onstage, performing in youth poetry slams in Washington, D.C., where she grew up, the child of Sudanese immigrants. She published her first collection in 2017, and in 2021 her novel in verse, “Home Is Not a Country,” was long-listed for the National Book Award. She’s now out with a new collection, “Girls That Never Die,” which she characterizes as her most personal and vulnerable work yet. It responds to some of the backlash she received online after her earlier work was published. “Before this book, I think I had really clear rules for myself about what I was and was not allowed to write poetry about. And my body was one of the things that I was not allowed to write poetry about,” Elhillo tells Dana Goodyear. “I think I really had to sit down and dismantle this idea that if I was polite enough, respectful enough, modest enough, quiet enough, silent enough—that nobody would ever want to do me harm.”

The Man Who Escaped from Auschwitz to Warn the World

Rudolf Vrba was sent to Auschwitz at the age of seventeen, and, because he was young and in good health, he was not killed immediately but put to labor in the camp. Vrba (originally named Walter Rosenberg) quickly discovered that the scale of the killing was greater than anyone on the outside knew or could imagine, and Jewish communities were being deported without understanding their fate. Jonathan Freedland chronicles Vrba’s story in his new book, “The Escape Artist.” The young Vrba had a “crucial realization, which is [that] the only way this machine is going to be stopped—this death machine—is if somebody gets the word out,” Freedland told David Remnick. Freedland recounts how, against terrible odds, Vrba managed to escape the camp, and provided direct testimony of the Holocaust that reached Allied governments. This interview was recorded at a live event at the Museum of Jewish Heritage—A Living Memorial to the Holocaust.
11/11/22·34m 56s

Mike White on the New Season of “The White Lotus” in Sicily

The first season of “The White Lotus” won ten Emmy Awards and was a critics’ favorite. A dark satire of the privileged, the show chronicled the visit to a luxurious Hawaiian resort of a tech mogul and her family, a pair of newlyweds, and a single woman—all having the worst time of their lives—while the hotel manager goes off the wagon in a way both hilarious and harrowing. In Season 2, creator Mike White has moved the action to Sicily, and is focussing on gender roles and masculinity. White speaks with the staff writer Naomi Fry about his upbringing as the child of a minister, in a modest family in a wealthy community. “I hope that I’m not writing this show for the rest of my career,” White says. “But it does feel like, if you’re taking a snapshot, I am being true to the things that I’m thinking about right now.”
08/11/22·18m 57s

Russell Moore on Christian Nationalism

Russell Moore, a prominent figure in the Southern Baptist Convention, resigned over the church’s response to racism—which Moore considers a sin—and documented sexual abuse allegations. The theologian sits down with David Remnick to reflect on the intersection of Christianity and American politics. “Jesus always refused to have his gospel used as a means to an end,” Moore says. “People who settle for Christianity or any other religion as politics are really making a pitiful deal.” Plus, the contributing writer Eliza Griswold reports on an energized movement of Christian nationalists aiming for statewide power in Pennsylvania. They believe that the authority to rule comes from God, not from a plurality of voters. “This isn’t about injecting Christian values into society,” Griswold notes, “this is about overthrowing secular democracy.”
04/11/22·30m 52s

Mayor Francis Suarez’s View from Miami

Francis Suarez, the Republican mayor of Miami, is popular in the city he governs, and increasingly prominent beyond it. Conservative voices as disparate as Kanye West and George Will have floated him as a 2024 Presidential candidate. Suarez is a proudly dissident Republican: he loves tech companies, welcomes migrants, and thinks his party can lead the fight against climate change. He’s no culture warrior, and, though he shares a state with Donald Trump and Ron DeSantis, he has kept both at arm’s length. So is he, Kelefa Sanneh wonders, a Republican at all? Suarez seems to be taking a long view. “Leadership,” he says, depends on whether “you have the talent to articulate a message, a vision, and a plan to get people to a place where people will follow—even if maybe they’re not so sure, maybe they’re not that comfortable with it.”
01/11/22·18m 9s

U2’s Bono Talks with David Remnick—Live

Last month, The New Yorker published a Personal History about growing up in Ireland during the nineteen-sixties and seventies. It covers the interfaith marriage of the author’s parents, which was unusual in Dublin; his mother’s early death; and finding his calling in music. The author was Bono, for more than forty years the lyricist and lead singer of one of the biggest rock bands on the planet. As U2 sold out arenas and stadiums, Bono held forth on a range of social causes; he became “the definitive rock star of the modern era,” as Kelefa Sanneh puts it. Bono joined David Remnick at the 2022 New Yorker Festival to talk about his new memoir, “Surrender.” “When I sang in U2, something got ahold of me,” Bono said. “And it made sense of me.” They discussed how the band almost ended because of the members’ religious faith, and how they navigated the Troubles as a bunch of young men from Dublin suddenly on the world stage. Bono shared a life lesson from Paul McCartney, and he opened up about the early death of his mother. “This wound in me just turned into this opening where I had to fill the hole with music,” Bono said. In the loss of a loved one, “there's sometimes a gift. The opening up of music came from my mother.”
28/10/22·31m 54s

The Playwrights Suzan-Lori Parks and Martin McDonagh, Live at The New Yorker Festival

This year’s New Yorker Festival featured two conversations with renowned playwrights: Suzan-Lori Parks and Martin McDonagh. Parks, the first African American woman to receive the Pulitzer Prize for drama, sat down with the staff writer Vinson Cunningham. “The marketplace is telling us that Black joy is what sells,” she said. “I’m very suspicious about what the marketplace wants me to create because I know in my experience where real Black joy resides—and sometimes that’s in the place where there might be some traumatic thing that also happened.” A revival of Parks’s groundbreaking play, “Topdog/Underdog,” just opened on Broadway.  And McDonagh, who is out with a new film, “The Banshees of Inisherin,” spoke with Patrick Radden Keefe. “The Banshees of Inisherin” traces the story of a friendship breaking apart in the beautiful, remote hills of western Ireland. “I just wanted this [movie] to be sort of plotless in a way,” McDonagh said. “Just to have the unravelling of this breakup be what the whole story was about.”
25/10/22·32m 57s

The Vulnerabilities of our Voting Machines, and How to Secure Them

The security of voting has become a huge topic of concern. That’s especially true after 2020, when it became an article of faith for Trump supporters that the election was somehow stolen by President Joe Biden. Alex Halderman, a professor of computer science and engineering at University of Michigan, has been studying voting machines and software for more than a decade. “We made a number of discoveries, including that [voting machines] had vulnerabilities that basically anyone could exploit to inject malicious software and change votes,” he tells the staff writer Sue Halpern. Conspiracy theories aside, he says, we must address those vulnerabilities in computerized voting. But hand counting of ballots, advocated by some election skeptics, is not a plausible solution. “Perhaps as time goes on we’ll get Republicans and Democrats to agree that there are some real problems in election security that we would all benefit from addressing. ”
21/10/22·17m 18s

In Defense of the Comic Novel: Andrew Sean Greer Talks “Less is Lost”

Arthur Less is a novelist—a “minor American novelist,” to be precise. He’s a man whose biggest talent seems to be taking a problem and making it five times worse. And he’s the hero of Andrew Sean Greer’s novel “Less,” which won the Pulitzer Prize for fiction, an especially rare feat for a comic novel.   Andrew Sean Greer is now out with a sequel, “Less Is Lost,” which takes Arthur on a road trip across the U.S. He talks with the staff writer Parul Sehgal.  Plus, for thirty years, the poet Ellen Bass has taken the same walk almost every day, on West Cliff Drive, a road along the ocean in Santa Cruz, California. Friends and family have teased her for being stuck in her ways, so she wrote the poem “Ode to Repetition,” about taking the same walk, listening to the same songs, and doing the same daily tasks, as life marches toward its end. (This segment originally aired May 26, 2017.)
14/10/22·24m 39s

Tom Stoppard on “Leopoldstadt,” and Geena Davis talks with Michael Schulman

Tom Stoppard has been a fixture on Broadway since his famous early play, “Rosencrantz and Guildenstern Are Dead,” travelled there in 1967. Stoppard is eighty-five years old, and has largely resisted the autobiographical element in his work. But now, in “Leopoldstadt,” a play that has just opened on Broadway, he draws on his family’s tragic losses in the Second World War. Stoppard talks with the contributor Andrew Dickson about his latest work.  And the Oscar- and Emmy Award-winning actor Geena Davis, best known for her role in “Thelma and Louise,” talks with the staff writer Michael Schulman about her life and career. Davis ascribes much of her early experience on- and offscreen to a certain level of politeness, a character trait ingrained in her from childhood. “I learned politeness from minute one, I’m sure,” she tells Schulman. “That was my family: very old-fashioned New Englanders.” She reflects on her childhood, her iconic roles in the eighties and nineties, and her “journey to badassery” in her new memoir, “Dying of Politeness,” out this month.
12/10/22·30m 59s

The New Abortion Underground

Since the reversal of Roe v. Wade, the contributor Stephania Taladrid has been following a network of women who are secretly distributing abortion pills across the United States. The network has its roots in Mexico, where some medications used for at-home abortion are available at a lower cost over the counter. Volunteers—they call themselves “pill fairies”—are sourcing the pills at Mexican pharmacies and bringing them over the border. The work is increasingly perilous: in states like Texas, abetting an abortion is considered a felony, carrying long prison sentences. But, to Taladrid’s sources, it’s imperative. “I mean, there’s nothing else to do, right?” one woman in Texas, who had an abortion using the medication she received from a pill fairy, said. “You can’t just lie down and accept it. You can’t.”  Note: The interview excerpts featured in this story (with the exception of Verónica Cruz) are not the actual voices of Taladrid’s subjects. To protect their anonymity, the excerpts were re-recorded by actors.   Read Stephania Taladrid’s full reporting at
10/10/22·25m 29s

Major Decisions Ahead for the Supreme Court

In its last term, the Supreme Court dropped bombshell after bombshell—marking major conservative advances on gun rights, separation of church and state, environmental protection, and reproductive rights. “The Court is not behaving as an institution invested in social stability,” the contributor Jeannie Suk Gersen wrote in July. She joins David Remnick to preview the Court’s fall term. Plus, after covering the landslide victory for pro-choice forces in Kansas this summer, the contributor Peter Slevin has been following midterm races in Michigan, where voters this fall will decide not only on state and congressional races but also on a constitutional amendment that would guarantee the right to an abortion in the state.
07/10/22·19m 9s

Joshua Yaffa on What’s Next for Ukraine

The contributor Joshua Yaffa, who was based in Moscow for years and has been reporting from Ukraine since the start of the war, speaks to David Remnick from Kyiv. There, Yaffa says, the latest news from Russia—including threats of nuclear attack and reports of political upheaval—has been treated with near-indifference. “Ukraine has been in the fight for its survival since the end of February, fully aware that Russia is ready to throw any and all resources at the attempted subjugation of the Ukrainian state,” he says. “And after things like the massacre in Bucha and other areas outside of Kyiv, earlier this spring, there’s not much that can surprise or shock or scare the Ukrainian public about what Russia is ready to do.”
03/10/22·14m 17s

Billy Eichner on “Bros” and Joyce Carol Oates on “Blonde”

One of the first queer rom-coms released in cinemas by a major studio, “Bros” is making movie history. But the film’s co-writer and star, the comedian Billy Eichner, tells David Remnick that the milestone has taken too long to achieve. “Culture and society at large, for the vast majority of human existence, [did] not want to talk about the private lives of gay people and L.G.B.T.Q. people,” he says. Plus, the staff writer Katy Waldman talks with the prolific novelist Joyce Carol Oates about the new film adaptation of her novel “Blonde,” which premières on Netflix this week. Directed by Andrew Dominick, it’s a fictionalized account of the life of Marilyn Monroe. Oates tells Waldman that she enjoyed the production but found it “extremely emotionally exhausting” and “not for the faint of heart.”
30/09/22·30m 52s

Why Play Music: A Conversation with Questlove and Maggie Rogers

Earlier this month, two acclaimed musicians—Questlove and Maggie Rogers—joined The New Yorker’s Kelefa Sanneh live onstage for a conversation that probed at an essential question for musicians and music lovers alike: How can music provide a spiritual experience, and how do we sustain that feeling in our lives? Questlove—the co-founder of the Roots and the musical director of the “Tonight Show”—was one of Rogers’s professors while she was an undergraduate at New York University, and the two have stayed in touch. Rogers received a 2019 Grammy nomination for Best New Artist, after the release of her début album, “Heard It in a Past Life.” Onstage, both musicians reflected on the space that the pandemic has given them to turn inward, finding a more sustainable path in their careers. “Music is not a job, it’s a way of being,” Rogers said, to which Questlove laughed. “I’m glad you know that at twenty, because I had to learn that at fifty,” he said. Rogers also performed songs off her new album, “Surrender.”
27/09/22·39m 50s

Roger Federer on Retirement and His Evolution in Tennis

Roger Federer is playing the last professional tennis match of his career this week. It’s the end of an incredible run. Over two decades, he has demonstrated an unmatchable court intelligence and temperament, winning twenty Grand Slam titles and spending three hundred and ten weeks as the top-ranked men’s player. In 2019, on the eve of playing in his nineteenth U.S. Open, Federer spoke with David Remnick about how he got over an early hot temper and predilection for throwing racquets on the court. At the advanced age of thirty-eight—and as a father of young children—Federer explained what he had to give up in order to keep playing professionally. “I think it’s nice to keep on playing, and really squeeze the last drop of lemon out of it,” he told Remnick, “and not leave the game of tennis thinking, Oh, I should have stayed longer.” This segment originally aired on August 23, 2019.
23/09/22·10m 6s

Will Voter Suppression Become the Law?

Now seven weeks away, the midterms are often cast as a referendum on the President and his party. But, this year, some see democracy itself on the ballot. One of those people is the attorney Mark Elias, who has made the fight for voting rights his mission. The Supreme Court will hear two of his cases in its upcoming term, which starts next month. Earlier this year, the staff writer Sue Halpern profiled Elias for The New Yorker, and she spoke with him again recently about the legal fight ahead. “I really believe that when the history books are written,” says Elias, “what they write about our generation will be whether or not we were able to preserve democracy.”
20/09/22·20m 40s

Andy Borowitz, and the Hunt for Invasive Lionfish

Not only are we living in a time where people are proud of their ignorance, argues the writer and comedian Andy Borowitz, but some of our most educated politicians are now playing down their intelligence as a strategy to get elected. Borowitz, the author of the long-running satirical column The Borowitz Report, examines this phenomenon in his new book, “Profiles of Ignorance: How America’s Politicians Got Dumb and Dumber.” “When Trump was elected, a lot of us supposedly knowledgeable people were taken by surprise,” he tells David Remnick. “But the more I researched the past fifty years, the more likely and plausible—and maybe even inevitable—his election was, because he actually had a great deal in common with his forebears."   Plus, native to the waters of the Indo-Pacific, lionfish have proven themselves incredibly well adapted to the Atlantic coast. In their original habitat, the fish are kept under control by natural predators: groupers, eels, and sharks. But, elsewhere, predators can’t compete, and lionfish—with their voracious appetite and high fecundity—are upending the equilibrium of reef life. The staff writer D. T. Max takes a stab at lionfish spearing off the coast of Florida and talks with one of the most passionate lionfish hunters diving today, Rachel Bowman.
16/09/22·29m 26s

How Sheryl Lee Ralph Is Reshaping Hollywood

Sheryl Lee Ralph has been a staple of Black entertainment for decades. She played Deena Jones in the original Broadway production of “Dreamgirls,” and was in “Sister Act 2” alongside Lauryn Hill and Whoopi Goldberg. She’s currently starring in the new ABC sitcom “Abbott Elementary,” for which she just won her first Emmy Award. Her decades-long career gives her a unique perspective on how the industry has changed since she started—and how it hasn’t. “I think that, sometimes in order for institutions like Broadway to truly make room for others, you’ve got to break it down,” she tells The New Yorker’s Vinson Cunningham. “Because you’ve got to help people see things differently, outside of their own vision. And, even if it’s 20/20, it’s not perfect.” This segment was originally aired on February 25, 2022.
13/09/22·27m 20s

Keeping Score: A Year Inside a Divided Brooklyn High School

Nearly seventy years after the Brown v. Board of Education decision, our public schools effectively remain segregated. And, by some measures, New York City has the most segregated system in the country. For a group of high schools in Brooklyn, change has long seemed impossible. But now those schools are putting their hopes in an unlikely place: sports. The John Jay Educational Campus in Park Slope, Brooklyn, houses four public high schools. Three of them have a student body with a Black-and-Latino majority; the fourth is disproportionately white and Asian. For a decade, students from all four schools shared a cafeteria and a gym but played on two separate sports teams—sometimes even competing against one other. Last year, the athletics programs merged, and the hope is that this change will break down some of the divisions between students. Angelina Sharifi, a student who plays volleyball, said that a team has to mesh in order to win. “And meshing is, like, the best feeling ever—having a pass, set, swing, that fits perfectly with one another,” she said. “That kind of unspoken connection that comes with volleyball is super-satisfying for me. This is a story of how students and adults grapple with enduring inequities, and how the merger is playing out on the girls’ varsity volleyball team. “I want this to work. I really do,” the student Mariah Morgan said, “because it has the potential to be incredibly anti-racist.” This reporting originally aired as part of the podcast “Keeping Score,” a co-production of WNYC Studios and The Bell.
09/09/22·49m 21s

Aimee Mann Live, with Atul Gawande

Aimee Mann, the celebrated Los Angeles singer and songwriter, recently released an album called “Queens of the Summer Hotel.” It was inspired in part by Susanna Kaysen’s best-selling memoir “Girl, Interrupted,” about Kaysen’s time in a psychiatric hospital. Mann sat down with Atul Gawande at The New Yorker Festival to talk about the new album, the lessons of living through a pandemic, and how liberated she felt when she broke her ties with major record labels. “When you’re at a record label and you’re trying to ascertain whether something can be a hit or a single, you listen in a different way—and then everything sounds like garbage,” she said. Mann decided that she didn’t “want to keep baring my soul to people who hate everything I’m doing.”  This segment was originally aired November 26, 2021.
06/09/22·23m 31s

Dave Grohl’s Tales of Life and Music

At The New Yorker Festival, Dave Grohl talked with Kelefa Sanneh about Grohl’s recent book, “The Storyteller: Tales of Life and Music.” Grohl, who was the drummer for Nirvana before becoming the front man of the Foo Fighters, recalled one of his earliest experiences of taking music seriously: harmonizing with his mom to Carly Simon on the car radio. He also talked about what it was like to collaborate with Kurt Cobain, who was known for his capricious genius, and about stepping out from behind the drums to lead his own band. “After Kurt died, I was, like, I’m not playing music anymore—it’s too painful,” he remembered. “And then I eventually realized that if music saved my life, my entire life, this is what’s going to save my life again.” This segment was originally aired November 26, 2021.
02/09/22·26m 39s

A New Civil War in America?

Since the F.B.I. raid on former President Donald Trump’s home, Mar-A-Lago, the phrases “civil war” and “lock and load” have trended on right-wing social media. The F.B.I. and the Department of Homeland Security are taking the threats seriously, and issued an internal warning that detailed specific calls for assassinating the judge and the agents involved in authorizing and carrying out the search. Where could this all be headed? David Remnick talks with Barbara F. Walter, the author of the new book “How Civil Wars Start: And How to Stop Them.” Walter is a political scientist and a professor at the University of California, San Diego, and a co-director of the online magazine Political Violence at a Glance. She has studied countries that slide into civil war for the C.I.A., and she says that the United States meets many of the criteria her group identified. In particular, anti-democratic trends such as increased voting restrictions point to a nation on the brink. “Full democracies rarely have civil wars. Full autocracies rarely have civil wars,” she says. “It’s the ones that are in between that are particularly at risk.” This segment was originally aired January 7, 2022. The segment also features an excerpt from “The Muddle,” a short story by Sana Krasikov. The full story is available on
30/08/22·32m 17s

The Actor Jenifer Lewis: Mother, Activist, Hurricane

Jenifer Lewis is known as the “Mother of Black Hollywood” for good reason; her screen progeny have included Whitney Houston, Angela Bassett, and Tupac Shakur. In her latest turn, she’s playing the alpha boss of a home-shopping network on the Showtime series “I Love That For You.” It’s no surprise that Lewis keeps getting cast as formidable ladies—the roles come naturally to her, as you’ll hear in her conversation with the New Yorker contributor Michael Schulman. Lewis’s new memoir is called “Walking in My Joy: In These Streets.”
26/08/22·17m 34s

What’s Driving Black Candidates to the Republican Party?

The Republican Party has recently attracted an almost unprecedented number of Black candidates to its fold—more than at any time since the Reconstruction era. “In a moment where the Party . . . has really wholeheartedly embraced white-grievance politics,” Leah Wright Rigueur tells David Remnick, “they are endorsing more Black candidates than they have in the past twenty-five years.” Rigueur is a historian at Johns Hopkins University and the author of “The Loneliness of the Black Republican.” The G.O.P., she argues, is exploiting a moment when the long-standing relationship between Black Americans and the Democratic Party is weakening, and it aims to capitalize on an “everyday conservatism” among voters. “It actually makes sense that in the aftermath of Barack Obama—with Black people’s levels of support and warmth for the Democratic Party in decline and the belief among a small sect of African Americans that [it] is just as racist as the Republican Party—that actually frees some people up to actually vote Republican.” Plus, the staff writer Emma Green, who covers the pro-life movement, discusses how individuals’ positions seldom reflect the furious partisan divide, and she shares some nuanced sources that have informed her reporting. 
23/08/22·30m 7s

Neil Gaiman on the Power of Fantasy in our Lives

Neil Gaiman, one of the great fantasy writers of our time, first started writing his comic series “The Sandman” in the nineteen-eightiess. Decades later, a TV adaptation is a huge hit on Netflix, topping the platform’s charts in countries across the globe. Gaiman talks with the producer Ngofeen Mputubwele about the powerful role that fantasy can play in helping audiences process real experiences in their lives. “You’re making things that aren’t true,” he says, “and you’re giving them to people in order to allow them to see—we hope—greater truths.” Though the Netflix début marks a major expansion of “The Sandman” ’s visibility, the series has long attracted audiences beyond ardent comic fans. Looking back to the early success of his comics, Gaiman recalls, “I would go to conventions and large, sweaty gentlemen would come over to me, grab my hands and say, ‘You brought women into my store. . . . Let me shake your hand.’ ”
19/08/22·18m 45s

Designing a Soundscape for the Cars of the Future

Electric cars, compared to cars with internal-combustion engines, are nearly silent, which can present a danger to cyclists and pedestrians. So car companies are turning to sound engineers to craft artificial soundtracks for things like backing up, or starting the engine. John Seabrook, who writes often about music, reported on the composers and designers who are building a new soundscape for the streets and highways of America. Plus, a visit with Ada Limón, who was recently named the twenty-fourth U.S. Poet Laureate. Limón lives in Kentucky, and in 2018 she took the Radio Hour to her favorite racetrack, and spoke about her lifelong love of horses.
16/08/22·22m 43s

Elizabeth Kolbert on a Historic Climate Bill, Plus a Lesson from Kansas

The Inflation Reduction Act now before Congress is being celebrated as the most important piece of climate legislation in the history of this country—which is “a pretty low bar,” the staff writer and Pulitzer Prize-winner Elizabeth Kolbert tells David Remnick, “because they’ve never really passed a piece of legislation on climate change.” The Inflation Reduction Act is a huge political victory for Democrats; will it help save the planet? And we look at how pro-choice messaging in Kansas delivered a surprise victory for reproductive choice by borrowing a classic conservative theme: government overreach.
12/08/22·27m 42s

A Trip to the Boundary Waters

Alex Kotlowitz is known as a chronicler of the city of Chicago, and of lives marred by urban poverty and violence. His books set in Chicago include “An American Summer,” “There Are No Children Here,” and “Never a City So Real.” But for some 40 years, he has returned to a remote stretch of woods summer after summer. At a young age, he found himself navigating a canoe through a series of lakes, deep in the woods along Minnesota’s border with Canada. The stretch of wilderness is known as the Boundary Waters Canoe Area. Larger than the state of Rhode Island, it is a patchwork of more than a thousand lakes, so pristine you can drink directly from the surface. At the age of sixty-seven, he finds the days of paddling, the leaky tents, the long portages, the schlepping of days’ worth of food (and alcohol) harder, but Kotlowitz will return to the Boundary Waters as long as he can. This spring, he brought a recorder with him on his annual canoe trip, capturing what has kept him coming back year after year. Plus, Susan Orlean remembers Ivana Trump, who died last month, at the age of 73.
09/08/22·24m 59s

Jane Mayer on Ohio’s Lurch to the Right

Last month, the story of a 10-year-old rape victim captured national headlines. The young girl was forced to travel out of state because of Ohio’s draconian abortion ban with no exceptions for rape or incest, which would have been nearly unthinkable until very recently. Jane Mayer took a deep dive into statehouse politics to learn how a longtime swing state—Ohio voted twice for President Barack Obama—ended up legislating like a radically conservative one. Its laws, she says, are increasingly out of step with the state’s voters, and this is owing to a sweeping Republican effort at gerrymandering. While familiar, gerrymandering “has become much more of a dark art,” Mayer tells David Remnick, “thanks to computers and digital mapping. They have figured out ways now to do it that are so extreme, you can create districts [in which the incumbent] cannot be knocked out by someone from another party.” Mayer also speaks with David Pepper, an Ohio politician and the author of “Laboratories of Autocracy,” who explains how a district is firmly controlled by one party, the representative is driven by the primary process inexorably toward extremism, until you have “a complete meltdown of democracy.”
06/08/22·25m 9s

Notes from a Warming World

Much of the globe has seen record-breaking temperatures in recent heat waves that seem increasingly routine. Dhruv Khullar, a contributor and a practicing physician, looks at the effects of extreme heat in India, where the capital, New Delhi, recorded a temperature this year of 122 degrees. “People are amazingly resilient,” he notes. “But I think we’re approaching that point where even the most resilient people, the type of lives that they have to live—because of climate change—are not going to be sustainable for very much longer.” And the climate activist Daniel Sherrell talks about his book “Warmth: Coming of Age at the End of the World” with Ngofeen Mputubwele. The book articulates Sherrell’s view that we can live now only by walking a tightrope between hope and despair.
02/08/22·32m 3s

Jamie Raskin on the Facts of January 6th, and the Danger Ahead

Jamie Raskin, a Democrat from Maryland, serves on Congress’s Select Committee to Investigate the January 6th Attack on the Capitol. He spoke with David Remnick about the effort to demonstrate Donald Trump’s culpability in the insurrection in a way that would resonate with voters, and about Trump’s political future. Trump is “guilty as sin, and everybody can see it,” Raskin says, and he is running low on patience for the Department of Justice to act. “As a citizen, I would hope and expect to see action,” Raskin notes, given the committee’s findings. “But I try to be careful not to browbeat the Attorney General of the United States.”
29/07/22·17m 54s

Jason Isbell on Songwriting While Sober

Jason Isbell got into the music business early; he had a publishing deal when he was twenty-one. But he really came into his own as a songwriter around ten years ago, as he was getting sober from years of alcohol and drug use. His record “Southeastern,” which comes in the tradition of musicians like Guy Clark, swept the Americana Music Awards in 2014. Isbell spoke with John Seabrook at The New Yorker Festival in 2016, shortly after his record “Something More than Free” was released, and he played a live set of songs including “Different Days,” “How to Forget,” and “Speed Trap Town.”   This segment first aired December 30, 2016.
26/07/22·36m 3s

New Mexico Is a “Safe Haven” for Abortion Between Texas and Arizona

In New Mexico, Governor Michelle Lujan Grisham has declared the state a “reproductive safe haven” between Arizona to the west, and Texas to the east. Already, she says, New Mexico’s few abortion clinics are seeing an influx of patients from outside its borders. “When you are a safe-haven state,” she says, “you put real stress on [the] current provider system.” Lujan Grisham speaks with David Remnick about her executive order—issued days after the Supreme Court decision in Dobbs—to prevent the extradition of abortion providers, a request that she expects to see from Texas law enforcement. Dobbs puts states at odds over one of the contentious issues of our time. “They’ve invited states now to fight with each other, sue each other,” she says; this is “the most despicable and horrible aspect, frankly, of this particular decision.”
22/07/22·13m 59s

The Nerdwriter Conquers the Internet, Plus Kelefa Sanneh on Country Radio

Evan Puschak, known on YouTube as the Nerdwriter, posts videos dissecting topics from Shakespeare and Tarkovsky to Superman; from Martin Luther King, Jr., and Bernie Sanders to Donald Trump. The videos are complex; he may spend weeks editing image, sound, and written narration. He spoke with the Radio Hour’s Ngofeen Mputubwele about what drew him to the essay form, and how he’s found success online. “The essay is not a treatise. It’s not a term paper. It’s not something systematically covering everything about a subject,” Puschak says. “It is an inquiry. . . . The cool thing about the video essay is that you are seeing these people’s thoughts articulated with a whole new toolbox.” As much as he loves the video form, Puschak is crossing over into print next month with a book of essays titled “Escape Into Meaning.” Plus, the writer Kelefa Sanneh highlights some notable tracks playing on country radio stations this summer.
19/07/22·27m 59s

The Writer Dmitry Bykov on Putin’s Russia, the Land of the “Most Free Slaves”

Until very recently, Dmitry Bykov was a huge presence on the Russian literary scene. He is a novelist, a poet, a biographer, and a critic. He was a frequent presence on Echo of Moscow, the liberal radio station that was closed after the invasion of Ukraine, and his blunt political commentary made him an enemy of the regime. Bykov was teaching in the United States, at the Institute for European Studies at Cornell University, when the invasion of Ukraine began, and because of his forthright opposition to it, he may not be able to return home as long as Putin remains in power. Bykov calls Putin’s dictatorship “the final stage of Russian decline.” He blames not only Putin himself but the Russian people for the failure of democracy to take root. “In Russia they have a choice: to change the country—change themselves—or to keep Putin. They prefer to keep Putin,” Bykov tells David Remnick. “They’re really ready to die, but not to change their mind.” Most Russians, he continues, seem content “to make Putin responsible for everything, exclaiming, ‘We didn’t know, we couldn’t prevent him.’ ”
15/07/22·22m 11s

The Comedian Hannah Gadsby Renounces Comedy, and Patricia Marx Tries to Relax

The comedian Hannah Gadsby has been touring this summer with a show called “Body of Work.” She came to wide attention in 2018, with the Netflix special “Nanette.” It was a full-length comedy show, and, at the same time, a carefully structured critique of standup comedy which argued that comedians have to distort personal experience for the sake of a joke, inflicting a kind of violence on themselves and their audiences. Gadsby recently published a memoir about her breakout moment called “Ten Steps to Nanette.” The New Yorker’s Emily Nussbaum talked with Gadsby back in 2018, when “Nanette” had just been released. Plus, Patricia Marx tries the trendy relaxation technique called flotation therapy—formerly known as a sensory deprivation tank. But relaxing, Marx found, is just too stressful, and her microphone was the only thing that found peace.
12/07/22·26m 57s

What Precedents Would Clarence Thomas Overturn Next?

Justice Clarence Thomas once was an outlier for his legal views. But Thomas is now the heart of the Court’s conservative bloc, and his concurring opinion in the recent abortion ruling calls out some other precedents the Court might overturn. Jeannie Suk Gersen teaches constitutional law at Harvard Law School and clerked for former Justice David Souter on the Supreme Court; she has been covering the end of Roe v. Wade for The New Yorker, and she spoke with David Remnick about Thomas’s concurrence. It articulates a view more extreme than Justice Alito’s majority opinion, saying that other rights derived from privacy—such as contraception and same-sex intimacy—are not constitutional rights at all. “We have to remember he’s been saying it out loud for quite some time,” Suk Gersen says. “This is not a new thing from Justice Thomas. It’s just that we normally—over decades—didn’t pay that much attention to him, because he was alone in his dissents and concurrences.”
08/07/22·23m 51s

Astrid Holleeder’s Crime Family

All her life, Astrid Holleeder knew that her older brother Willem was involved in crime. But she was stunned when, in 1983, Willem and his best friend, Cornelius van Hout, were revealed to be the masterminds behind the audacious kidnapping of the beer magnate Alfred Heineken. It was the beginning of a successful career for Willem, known as Wim. After a stay in prison, he became a celebrity criminal; he had a newspaper column, appeared on talk shows, and took selfies with admirers in Amsterdam. He got rich off of his investments in the sex trade and other businesses, but kept them well hidden. But when van Hout was assassinated and other associates started turning up dead, Astrid suspected that her brother had committed the murders. She decided to wear a wire and gather the evidence to put him away. If that didn't work, Astrid tells staff writer Patrick Radden Keefe, she would have to kill Willem herself. After Astrid testified against him, Willem was convicted of multiple murders. Living in hiding, and travelling in disguise, she tells Keefe the story of her complicity and its consequences.  Keefe’s New Yorker story about Astrid Holleeder appears in his new collection, “Rogues: True Stories of Grifters, Killers, Rebels, and Crooks.” This segment originally aired August 3, 2018.
05/07/22·31m 6s

Jia Tolentino and Stephania Taladrid on the End of Roe v. Wade

The Supreme Court’s ruling in the Dobbs case was not a surprise; given the draft opinion that was leaked in May, its decision to overturn Roe v. Wade and Planned Parenthood v. Casey was nearly a certainty. But the effects of the ruling have been rapid and chaotic. In some states, abortions stopped overnight; in others, there’s profound confusion over what qualifies as a legally acceptable reason for having an abortion. Far from settling the legal issue of abortion—by sending it back to the states—the Dobbs ruling opens an uncharted legal dimension where the health of a pregnant person is being pitted against the life of a fetus, with potentially fatal consequences. “Flat out, women will die in the course of ordinary pregnancy,” Jia Tolentino says, “because of physician fears about anything that might make them liable for felony changes of performing an abortion. It will make pregnancy significantly more dangerous for many, many people.” Tolentino and Stephania Taladrid have both reported extensively on abortion access, and they spoke this week with the New Yorker editor Tyler Foggatt.  A longer version of this conversation appears on The New Yorker’s Politics and More podcast. 
01/07/22·19m 8s

Why Do Conservatives Love Hungary’s Viktor Orbán?

When the New Yorker staff writer Andrew Marantz first heard that the Conservative Political Action Conference, the flagship event of the American conservative movement, was holding a meeting in Hungary, he thought it might be a joke. “A lot of people have worried for a few years now that the Republican Party is becoming more ambivalent about certain bedrock norms of American democracy,” Marantz told David Remnick. “To openly state, ‘We’re going to this semi-authoritarian country’ . . .  I thought it was maybe a troll.” But C.P.A.C. Hungary was very real, and the event demonstrated an increasingly close relationship between American conservatives and authoritarians abroad. Viktor Orbán wins elections and claims a democratic mandate, but his legislative maneuvers and rewrites to the constitution have rendered political opposition increasingly powerless. Marantz finds the admiration for him by many in America unsettling. “I couldn’t really imagine a Putin-style takeover” of power in America, Marantz says; but “this kind of technical, legalistic Orbán model” seems all too plausible.
27/06/22·20m 43s

Alan Alda, Podcaster

Alan Alda spent his early years in the burlesque theatres where his father, the actor Robert Alda, would perform. Those early years opened his eyes in more ways than one: “I was very aware of the naked women,” he told The New Yorker’s Michael Schulman, “but I was also aware of the comics.” Watching from the wings, Alda grew an appreciation for being funny, being creative, and being present. He put those skills to use for eleven years on “M*A*S*H” and in dozens of other performances on stage and screen—recently, as a divorce lawyer for Adam Driver’s character in “Marriage Story.” But it was only later in life that Alda realized his skills might be useful in another arena: science. Alda made it his crusade to help scientists communicate their ideas to a broad audience. “What occurred to me,” Alda told Schulman, “was that if we trained scientists starting from actually improvising, they would be able to relate to the audience the way they were relating to me.” He hosted a series of science programs and founded the Alan Alda Center for Communicating Science at Stony Brook University. He also started a podcast. On “Clear+Vivid with Alan Alda,” Alda interviews luminaries from the fields of science, politics, and entertainment, drawing on his training to make their specialist knowledge accessible to listeners. Interviewing, he thinks, isn’t unlike performing with a scene partner: “You have to relate to the other person,” says Alda. “You have to observe the other person. You have to be watching their face, their body and language” to determine what it is the guest “really means.” Plus, if you’re still looking for something for the kids to do this summer, have you considered Horse Camp? A comedy sketch by Emily Flake and Sarah Hutto. 
24/06/22·28m 57s

Forget Dating Apps—the “Marriage Pact” Goes for the Long Haul

A survey that started as a student project at Stanford University has become a popular dating and relationship tool on campuses across the country. Its goal is to delve deeper than the superficial information found on a typical dating-app profile, connecting people based on deeply held values rather than looks or sports teams.  Most apps, says Liam MacGregor, who created the Marriage Pact with a fellow-student, “were designed to solve really specific problems … if you want a short-term relationship. But because they’re the only tools out there, people have tried to use them to solve these other problems.”  The Marriage Pact “set out to solve this very specific problem at the beginning: If you need a backup plan for a 50-year-long relationship, who’s right for that?” Would you put an elderly relative in a nursing home? Do you keep people as friends because they might be useful to you later? Would you keep a gun in the house? More than 250,000 students across more than 75 campuses have taken the survey. The Radio Hour’s producer KalaLea talked to students at Princeton University, where the survey was being conducted, to find out what it was all about. Plus, perched high above the ice at Madison Square Garden, the organist Ray Castoldi has conducted the soundtrack of Rangers games and more for thirty years.
21/06/22·30m 13s

Dexter Filkins on the Rise of Ron DeSantis

Florida Governor Ron DeSantis has shown himself uniquely skilled at attracting attention beyond the borders of his home state.  Just this month, DeSantis blocked state funds for the Tampa Bay Rays stadium after players voiced support for gun control in the wake of the mass shooting in Uvalde, Texas.  He’s also continuing a fight to punish the Disney Corporation for criticizing Florida’s so-called Don’t Say Gay law.  An Ivy League-educated anti-élitist firebrand, he is willing to pick a fight with anyone—reporters, health officials, teachers, Mickey Mouse—to grab a headline. DeSantis “practically radiates ambition,” the staff writer Dexter Filkins tells David Remnick. “He sounds like Trump, except that he speaks in complete sentences. … He’s very good at staking out a position and pounding the table and saying, I’m not giving in to the liberals in the Northeast.” Yet despite having been anointed by Donald Trump in his primary election, DeSantis has refused to “kiss the ring,” and many see DeSantis as a possible opponent to Trump in a 2024 Republican primary.
17/06/22·20m 3s

Michael R. Jackson on “A Strange Loop,” His Black, Queer Coming-of-Age Musical

Michael R. Jackson’s Tony and Pulitzer Prize-winning musical “A Strange Loop” features a Black queer writer named Usher, who works as an usher, struggling to write a musical about a Black queer writer. Jackson’s work tackles the terror of the blank page alongside the terrors of the dating scene, and it speaks in frank and heartbreaking terms about Usher’s attempt to navigate gay life among Black and white partners. Hilton Als talked with Jackson about how he found inspiration in his own experience seeking identity and community. “I started writing the original monologue—building a sort of life raft for myself—to understand myself,” Jackson said. “It wasn’t until I got to a place of understanding that in my life I was caught up in a loop of self-hatred, that I could see what Usher’s problem was, and therefore what the structure of the piece was that would lead him out of that and into a better place.”   “A Strange Loop” is playing now at the Lyceum Theatre, on Broadway.
15/06/22·17m 19s

The Adrenaline Rush of Racing Drones

Ian Frazier, who has chronicled American life for The New Yorker for more than forty years, travelled to a house in Fort Collins, Colorado, where three roommates build, fly, and race drones. Jordan Temkin, Zachry Thayer, and Travis McIntyre were among the early professional drone racers in the sport, piloting the tiny devices through complex courses at upward of eighty miles an hour. Drones have had an enormous impact on military strategy, and the commercial applications seem limitless, but to these pilots drones exist in the strange overlap between pure adrenaline and big money that defines pro sports.   This piece originally aired on February 9, 2018.
14/06/22·16m 29s

Regina Spektor on Her New Album, “Home, Before and After”

Twenty years ago, Regina Spektor was yet another aspiring musician in New York, lugging around a backpack full of self-produced CDs, and playing at little clubs in the East Village—anywhere that had a piano. But anonymity in Spektor’s case didn’t last long.  She toured with the Strokes in 2003, and once she had a record deal, her ambitions grew outside indie music.  She moved into a pop vein, writing anthems about love and heartbreak, loneliness and death, belief and doubt.  Her 2006 album “Begin to Hope” went gold.   “Home, Before and After,” being released this month, is Spektor’s first new album in six years.  She sat down at a grand piano with Amanda Petrusich, who covers music for The New Yorker, playing songs from the record and talking about the role of imagination and playfulness in her songwriting and her vocals.  “I think that life pushes you—especially as an adult, and especially when you’re responsible for other little humans—to be present in this logistic[al] sort of way,” she says. “I try as much as possible to integrate fun, because I love fun. And I love beauty. And I love magic. … I will not have anybody take that away.” Spektor performed “Loveology,” “Becoming All Alone,” and the older “Aprѐs Moi,” accompanying herself on piano.  The podcast episode for this segment features a bonus track, “Spacetime Fairytale.” 
10/06/22·43m 21s

Masha Gessen on the Quiet in Kyiv

Masha Gessen is reporting for The New Yorker on the war in Ukraine, which is now in its fourth month. They checked in with David Remnick from Kyiv, which seems almost normal, with “hipsters in cafés” and people riding electric scooters. But the scooters, Gessen noted, are popular because prices have skyrocketed and gasoline is unaffordable. All the talk, meanwhile, is of war crimes—of murder, rape, torture, and kidnapping. (The Russian government has denied involvement in any war crimes.) And outside the city, in the suburbs, Gessen finds “unimaginable destruction,” comparable to what they saw in Grozny, Chechnya, “after the second war—after they’d had nearly ten years of carpet bombing.” The scale of atrocities, Gessen says, makes any diplomatic compromise over territory impossible for Ukrainians to accept. Plus, the head of the largest flight attendants’ union talks with the staff writer Jennifer Gonnerman about leading her members through turbulent times, with organized labor making a comeback, while unruly passenger behavior is reaching new heights.
07/06/22·20m 39s

“The Book of Queer,” and “Bob’s Burgers” Hits the Big Screen

While working on his Ph.D., the historian Eric Cervini (whose book “The Deviant’s War” was a finalist for the Pulitzer Prize) noticed the lack of popular histories on L.G.B.T.Q. issues. Researchers were publishing plenty of papers, but they were mostly in peer-reviewed journals and other academic outlets. His attempts to change that—first with his Instagram videos, and now with a series on Discovery+—bring to life key moments and figures in queer history, including the pharaoh Akhenaten and President Abraham Lincoln. “I would describe [the show] as a queer-history variety show,” Cervini told Michael Schulman. “The Book of Queer” is streaming on Discovery+, with new episodes each week in June. Plus,Loren Bouchard, the creator of “Bob’s Burgers,” resisted making a movie from his TV show—until now. He talked with The New Yorker’s Sarah Larson about the show’s surprising strain of optimism.
03/06/22·29m 44s

Remembering Roger Angell, and Fishing with Karen Chee

Roger Angell, who died last week, at the age of 101, was inducted in 2014 into the Baseball Hall of Fame in recognition of his extraordinary accomplishment as a baseball writer. But in a career at The New Yorker that goes back to the Second World War, he wrote on practically every subject under the sun; he also served as fiction editor, taking the post once held by his mother, Katharine White.  Angell “did as much to distinguish The New Yorker as anyone in the magazine’s nearly century-long history,” David Remnick wrote in a remembrance last week. “His prose and his editorial judgment left an imprint that’s hard to overstate.”  In 2015, Remnick sat down for a long interview with Angell about his career, and particularly his masterful late essays—collected in “This Old Man: All in Pieces”—on aging, loss, and finding new love. Plus, we join the comedian—a writer for “Late Night with Seth Meyers” and “Pachinko,” and a New Yorker contributor—on her favorite kind of outing: a fishing trip that doesn’t yield any fish.
31/05/22·23m 49s

What Makes a Mass Shooter?

In America, unthinkable violence has become routine.  In the wake of the Buffalo and Uvalde mass shootings, David Remnick speaks with the researchers Jillian Peterson and James Densley, whose book “The Violence Project” is the most in-depth study of mass shooters. Pro-gun politicians may continue to block any measures to reduce violence, but we can understand better a different side of the equation: what motivates these crimes. David Remnick speaks with two criminal-justice researchers who have studied mass killers, James Densley, of Metropolitan State University, and Jillian Peterson, of Hamline University. They point out that mass shootings have risen alongside deaths of despair, including overdoses and suicide.  “The perpetrator goes in with no escape plan,” Peterson points out.  “What we can learn from suicide prevention can teach us how to prevent some of these mass shootings.  We haven’t connected these two things.”  Remnick is also joined by Keeanga-Yamahtta Taylor, who wrote about the Buffalo attack for The New Yorker; and we hear from a 70-year-old resident of Uvalde, Texas, about the aftermath of the killings in a tight-knit community.
27/05/22·26m 47s

Florence and the Machine, Live at The New Yorker Festival

Across five studio albums, Florence and the Machine has explored genres from pop to punk and soul; the band’s most recent record, “Dance Fever,” just came out. Florence Welch, the group’s singer and main songwriter, is by turns introspective and theatrical, poetic and confessional. She sat down with John Seabrook at The New Yorker Festival in 2019 to reflect on her band’s rapid rise to stardom. She also spoke about her turn toward sobriety after years of heavy drinking. “The first year that I stopped, I felt like I’d really lost a big part of who I was and how I understood myself,” she says. “What I understood is that that was rock and roll, and, if you couldn’t go the hardest, you were letting rock and roll down.” But eventually getting sober let her connect more deeply with fans and with the music. “To be conscious and to be present and to really feel what’s going on—even though it’s painful, it feels like much more a truly reborn spirit of rock and roll,” she says.
24/05/22·21m 29s

The Attack on Gender-Affirming Medical Care

Across the United States, conservative politicians are leading a backlash against L.G.B.T.Q. identity, framing legal restrictions as protection of children. Several states have introduced laws to ban medical treatments known as gender-affirming care—including hormones and puberty blockers—prescribed to adolescents. Major medical organizations have approved the treatments, but Rachel Monroe, who has been following efforts to ban gender-affirming care in Texas, found that doctors wouldn’t speak out about the political furor because the resulting attention could endanger themselves, their clinics, and their patients. One specialist, however, was willing to go on the record: Dr. Gina Sequeira, a co-director of the Gender Clinic at Seattle Children’s. “I was growing so frustrated seeing the narrative around gender-affirming care provision for youth so full of misinformation and so full of blatant falsehoods that I couldn't in good conscience continue to stay quiet,” Sequeira told her. Doctors cite a body of data that gender-affirming care reduces the risk of suicide, which is high among trans youth. Sequeira’s Seattle clinic has been fielding calls from Texas families looking to relocate if the proposed ban in Texas prevents their children from accessing care. “If we were to stop care, I would be afraid that our child wouldn’t survive,” the mother of a trans girl told Monroe. “There’s no question that she’s not safe to herself.”
20/05/22·29m 7s

The Comedian Megan Stalter on Finding Inspiration in American Absurdity

Before the pandemic, Megan Stalter was an unknown comedian, trying to catch a lucky break at clubs in New York City. But with the arrival of COVID-19, social media became her only outlet, and she quickly found an audience with her short-form, D.I.Y. character videos,  portraying the “breadth of American idiocy,” as Michael Schulman puts it, with such accuracy and heart that it’s hard to turn away. After her rise to Internet fame—she was dubbed the “queen of quarantine”—Stalter was offered the part of Kayla, the overprivileged and clueless assistant, on HBO’s hit series “Hacks.”  It was her first acting job.  Plus, Helen Rosner joins the chef Andy Baraghani in his home kitchen for a lesson on cauliflower ragu. Baraghani, best known for his YouTube cooking videos for Bon Appetit, is out with a new cookbook called “The Cook You Want to Be.”
17/05/22·28m 18s

The Battle After Roe v. Wade

Assuming that Justice Samuel Alito’s final opinion in the Mississippi abortion case Dobbs v. Jackson Women’s Health Organization gets majority support, there will be profound social, political, and health-care implications across the United States.   Margaret Talbot, Peter Slevin and Jia Tolentino assess the world after Roe.  Opponents will surely not stop by leaving abortion at the state level but will try to ban it under federal law.  Tolentino discusses fetal personhood, the legal concept that a fertilized egg is entitled to full legal rights, which severely compromises the bodily autonomy of a pregnant woman.  There is already speculation that access to birth control and same-sex marriage could be challenged. “If people feel panicked about all those things, I wouldn’t invalidate that,” Tolentino says. But focussing on the immediate post-Roe future, she says, presents enough to worry about. “This is a universe of panic on its own.   
13/05/22·20m 51s

Stephanie Hsu on “Everything Everywhere All at Once”

“Everything Everywhere All At Once” is in a genre all its own—you could call it sci-fi-martial-arts-family-drama.  Stephanie Hsu plays both Joy, an angsty teen-ager struggling with her immigrant mother, and Jobu, an omnipotent, interdimensional supervillain.  “The relationship between Evelyn and Joy in its simplest terms is very fraught,” Hsu tells Jia Tolentino.  “It’s the story of a relationship of a daughter who’s a lesbian who is deeply longing for her mother’s acceptance … but they keep chasing each other around in the universe and they can just never find one another. Until of course they launch into the multiverse and become nemeses.”
10/05/22·20m 54s

The Last Abortion Clinic in Mississippi; and a Look at White Empathy

Last week, a draft opinion was leaked which suggests that a majority of Supreme Court Justices are ready to overturn the precedents of Roe v. Wade and Planned Parenthood v. Casey—the decisions that have guaranteed a right to abortion at the federal level.  The case in question is Dobbs v. Jackson Women’s Health Organization, in which Mississippi officials seek to close the state’s last remaining abortion clinic under a law that bans performing an abortion after the fifteenth week of pregnancy—a point well before the time of fetal viability.  In November, Rachel Monroe visited the Jackson abortion clinic, speaking to its director, Shannon Brewer; a physician who asked to remain anonymous, describing the risks to abortion providers; and a patient, who had driven all night from Texas, where she was not able to obtain an abortion. “Somebody else is telling me what I should do with my body, and it’s not right,” she said. “It’s my body. It’s my decision. It’s my choice. It’s my life. It’s my soul, if it’s going to Hell.” Produced with assistance from Ezekiel Bandy and Kim Green. This segment originally aired November 19, 2021.   Plus, the staff writer Alexis Okeowo talks with the producer Ngofeen Mputubwele about why the Ukrainian refugee crisis seems both familiar and startlingly different from conflicts in other parts of the world.
06/05/22·28m 58s

Rickie Lee Jones’s Life on the Road

Rickie Lee Jones emerged into the pop world fully formed; her début album was nominated for five Grammys, in 1980, and she won for Best New Artist. One of the songs on that record was “The Last Chance Texaco,” and Jones has made that the title of her recent memoir. The song evokes a service station on a long stretch of highway, and Jones’s book reflects on her almost obsessive need to travel and uproot herself at almost any cost. “All I wanted to do was leave” from a very young age, she says. “When I talk about it from here, it seems like it was so horribly dangerous.” She adds, “Suddenly I’ll [say], ‘I think I’ll go to Big Sur,’ and I’m in a car, going. But the chaos and trouble that brings to a life!” The producer Scott Carrier, who hosts the podcast “Home of the Brave,” interviewed Jones near her home in New Orleans. This story originally aired April 9, 2021.
03/05/22·21m 56s
Heart UK