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Filmspotting

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

SUBURBAKNIGHT: Act Three Walter Knope has spent most of his life avoiding confrontation. That is about to become difficult. Walter, Samantha and Bobby Joe cross the street armed with a sword, a crossbow, a mace, a revolver and one deeply impractical suit of medieval armor. Richard is waiting. So is the rest of the neighborhood. Inside Richard's house they discover the party has evolved into something considerably less HOA-approved. Music. Neon. Blood. An orgy full of succubi. Richard sitting above it all like Satan's sexiest homeowners association president. Samantha asks where her daughter is. Then shoots Richard through the eye with a crossbow. It barely slows him down. Written by Nick Bannister, SUBURBAKNIGHT reaches its gloriously unhinged conclusion as Walter's fight to save his family becomes a full-scale supernatural war over everything he thought he had already lost. Richard separates them. Walter gets beaten nearly unconscious. Samantha is pulled into a seductive nightmare built from everything she thinks she wants. And Bobby Joe does what any legendary demon hunter would do when confronted with actual demons. He runs. Unfortunately, Richard isn't finished with him either. Bobby Joe finds himself inside the greatest fantasy of his life: back on the set of Terror Vision, surrounded by beautiful women telling him he's brilliant. Even Bobby Joe eventually realizes something is wrong. When the illusion breaks, he finds Mia. Or at least something wearing Mia. One conveniently placed antique mirror later, Bobby Joe finally discovers that some of his monster-movie bullshit may actually be useful. For perhaps the first time in his life, Bobby Joe Williams earns the title: Demon Hunter. Mia is safe. Her parents aren't. So Bobby Joe locks her in his van and goes back inside. Walter and Bobby Joe reunite, fight their way through Richard's newly demonic neighbors and discover something hidden beneath the perfect suburban house. A passageway. An underground chamber. And portraits proving Richard has been doing this for centuries. At the end of the tunnel, Walter finds Samantha. Richard has already gotten to her. Now Walter has to do something harder than fighting a demon. He has to remind his wife why she loved him in the first place. College. Their first night together. Bringing Mia home. Losing his father. Twenty years of marriage, mistakes, resentment, forgiveness and everything that somehow survived underneath it. For once, Walter gets the words right. And Richard discovers that a disappointing middle-aged husband with an antique sword, a pissed-off wife and a washed-up horror host can be surprisingly difficult to kill. What follows involves swords, guns, fire, a full-size demon, one extremely unfortunate anatomical injury and Bobby Joe's panel van. Because sometimes saving your marriage takes work. Sometimes it takes therapy. And sometimes it takes blowing up an incubus. Starring Darin Toonder, Jim O'Heir, Jade Tailor, Jack Daniel, Rob Fitzgerald, Logan Laurel, Emily Brolin, Ashley Platz, and Zeke Alton. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell. Find The Show : Table Read Podcast See omnystudio.com/listener for privacy information.

Featuring: Table Read Podcast | SuburbaKnight - Act 3

With The Dog Stars in theaters, Adam and Josh invited Vulture’s Roxana Hadadi to the show for a Ridley Scott Draft. Picks one and two are easy: Alien or Blade Runner. But what about the third pick? And will divisive Scott films like Prometheus and Kingdom of Heaven get any love? Plus, a Golden Brick nomination for the new Filipiñana, thoughts on the passing of Dolly Parton and Tim Curry, and Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:08) Ridley Scott Draft, Pt. 1 (00:02:09-01:05:14) Filmspotting Family (01:05:15-01:11:14) Ridley Scott Draft, Pt. 2 (01:11:15-01:42:50) Brickspotting: Filipiñana (01:42:51-01:46:50) RIP Dolly Parton, Tim Curry (01:46:51-01:53:04) Massacre Theatre (01:53:05-01:59:42) Credits / Releases (01:59:43-1:48:48) Notes:  -Who won the Ridley Scott Draft? https://www.filmspotting.net/top-5-lists-archive/1079-ridley-scott-draft -"Eva Green rules the much longer, much better director’s cut of Kingdom of Heaven" https://www.avclub.com/eva-green-rules-the-much-longer-much-better-director-s-1846466625 -"Alexander Siddig Answers Every Question We Have About Kingdom of Heaven" https://www.vulture.com/article/alexander-siddig-tells-us-everything-about-kingdom-of-heaven.html Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus shows, archive access, and more. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠  ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Ridley Scott Draft with Roxana Hadadi and Filipiñana | #1079

With Ridley Scott's The Dog Stars in theaters and our own Ridley Scott Draft (with Vulture's Roxana  Hadadi) coming Friday, we're sharing this 2017 Sacred Cow review of Scott's sci-fi classic. Michael Phillips joined Adam and Josh. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. See omnystudio.com/listener for privacy information.

Blade Runner with Michael Phillips | Archive

When the story of a movie’s financing and troubled post-production are more compelling than the movie itself, you’ve got problems. And in this case, you’ve got Desert Warrior, a 7th-century, Saudi Arabia-set — and financed — epic starring Anthony Mackie along with Sir Ben Kingsley and Sharlto Copley. Matt and Jordan review the Rupert Wyatt-directed curiosity, and use the film to recommend an American desert-set indie from the early 2000s and another (undeservedly) unloved Rupert Wyatt film. Plus, a listener request for “sad man” movies on the Criterion Channel, and a game that has Matt and Jordan remembering — or trying to remember — summer movies from the year 2012.   Intro (00:00:00–00:04:10) Desert Warrior (00:04:11–00:31:57) Rec Seg! (00:31:58–00:48:14) Listener Request Seg! (00:48:15–01:08:01) Game: Mark My Words! (01:08:02–01:32:32) New to Streaming / Credits (01:32:33–01:42:15) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ The Best and Worst Movies of Summer 2012 (According to Us) https://screencrush.com/best-worst-movies-summer-2012/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠See omnystudio.com/listener for privacy information.

What Is Hulu’s Desert Warrior and Who Is It For? | SVU

The Platt family is barely surviving, and that’s before their neighborhood is inexplicably dropped millions of years into the past and overrun by hungry dinosaurs. The End of Oak Street isn’t nearly as concerned with explaining that premise or exploring its characters as it is with facilitating dino mayhem and nostalgia for the films of writer-director David Robert Mitchell’s youth. That can be to the film’s benefit and detriment, both of which we cover in this week’s discussion, before bringing Steven Spielberg’s War of the Worlds back in to see how these two family survival narratives compare in their respective ideas about flawed parents, imperiled children, and the universal human desire to not get eaten. Then in Your Next Picture Show we consider a couple of possible alternate pairing for Oak Street, one featuring aliens, one featuring dinosaurs, and both underrated. Please share your thoughts about War of the Worlds, The End of Oak Street, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Alexander Ullom’s It Ends and Andrei Tarkovsky’s Solaris This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

The Family That’s Prey Together, Pt. 2 — The End of Oak Street

Film critic Robert Daniels (⁠RogerEbert.com⁠, The New York Times) joins Michael Phillips to test one of Hollywood's most enduring bits of studio wisdom, attributed to producer Samuel Goldwyn: "Pictures are for entertainment, messages should be delivered by Western Union." From I Am a Fugitive from a Chain Gang, High Noon, and The Best Years of Our Lives to Origin, Don't Look Up, and Triangle of Sadness, Michael and Robert discuss why some films are elevated by their ideas while others collapse under them, and whether the most effective message movies are the ones that never look like message movies at all. Join the conversation by emailing ⁠movieracket@filmspotting.net⁠.See omnystudio.com/listener for privacy information.

"Pictures are for entertainment, messages should be delivered by Western Union" with Robert Daniels | The Movie Racket

Adam and Josh return with guest Rico Gagliano (MUBI Podcast) for Part 2 of their Top 5 Needle Drops. This episode brought to you by Anderson, Linklater, Fincher, and Scorsese.  Notes: -The Sigur Rós song “Starálfur” means "staring elf," not "little elf." Josh harmar mistökin. Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Use code “summer” for 20% off a Filmspotting Family membership (thru 8.31) http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠  ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Top 5 Needle Drops (Pt. 2)

SUBURBAKNIGHT: Act Two Walter Knope has finally discovered the one thing worse than suspecting your new neighbor is a sex demon. Being right. Inside Richard's immaculate house, Walter gets the confirmation he was looking for. The Maitlands are dead. Richard isn't human. And he isn't just interested in Samantha. He wants everything Walter has. Walter tries to warn Sam. It goes badly. What starts as an argument about Richard quickly becomes an argument about money, sex, failure, jealousy and every other thing a married couple has been politely not saying out loud. Sam packs a bag. Walter, terrified Richard will get to her, practically helps her leave. Written by Nick Bannister, SUBURBAKNIGHT is a wicked suburban horror-comedy about marriage, masculinity and what happens when your midlife crisis actually grows horns. Walter needs someone who understands monsters. Enter Bobby Joe Williams. Local horror host. Full-time drunk. Part-time monster expert. Possibly the least reassuring person you could want standing between your family and eternal damnation. Bobby Joe confirms the bad news. Richard is an incubus. He feeds on souls, controls his victims through desire and, unfortunately, appears to be immortal. Meanwhile, Richard has already started remaking the neighborhood. Walter goes looking for Andy and instead finds him dead in the bathtub, his wife Alli transformed into something considerably less neighborly. Walter barely escapes with his life. Then Samantha comes home. Richard is waiting. This time, Sam sees him too. When Richard finally drops the charm and shows them what he really is, he offers Walter everything he ever wanted. Money. Freedom. A fresh start. All he wants in return is Samantha. Walter says no. Then Mia introduces Richard's face to a medieval mace. For a moment, it feels like the Knopes may actually have this thing under control. Then Richard takes their daughter. Now Walter and Sam are done running. They need Mia back. They need help. Unfortunately, the closest thing they have to a professional is Bobby Joe Williams in boxer shorts drinking margarita straight from a blender pitcher. So they do what any responsible parents would do. They raid the failed antique business. Crossbow. Mace. Axe. Sword. Armor. Walter's junk has finally found a purpose. And across the street, Richard is waiting. Starring Darin Toonder, Jim O'Heir, Jade Tailor, Jack Daniel, Rob Fitzgerald, Logan Laurel, Emily Brolin, Ashley Platz, and Zeke Alton. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell. Find The Show: Table Read PodcastSee omnystudio.com/listener for privacy information.

Featuring: Table Read Podcast | SuburbaKnight - Act 2

Rico Gagliano (MUBI Podcast) joins Adam and Josh for the Top 5 Needle Drops, a conversation so robust we split it in half. Plus, the new It Ends earns a Golden Brick nomination, and listeners tell us the best third feature since 2020. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:37) Rico Gagliano Welcome / Top 5 Intro (00:02:38-00:24:52) Top 5 Needle Drops (#5-4) (00:24:53-01:02:51) Filmspotting Family (01:02:52-01:07:33) Golden Brickspotting: It Ends (01:07:34-01:18:20) Polls (01:18:21-01:33:27) Credits / Releases (01:33:28-1:37:57) Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Use code "summer" for 20% off a Filmspotting Family membership (thru 8.31) http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠  ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Top 5 Needle Drops (Pt. 1) and It Ends | #1078

David Robert Mitchell’s The End of Oak Street drops an ordinary family into extraordinary circumstances, forcing them to focus all their energy on surviving— and maybe, just maybe, learning to understand each other along the way. That structure, combined with Oak Street’s Spielbergian spectacle, pointed us toward 2005’s War of the Worlds, which fuses H.G. Wells’ 1898 novel to images and emotions that draw on the attacks of 9/11. How that approach holds up a quarter-century removed from the events that inspired it is up for discussion this week, along with where War of the Worlds falls on the Steven Spielberg Alien-Encounter Continuum, and just how close that sentimental ending comes to ruining the movie entirely. Then in Feedback, a listener, with an assist from Orson Welles, invites us to get galaxy-brained on the nature of homage as it relates to cinema generally and this podcast specifically.  Please share your thoughts about War of the Worlds, The End of Oak Street, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

The Family That's Prey Together, Pt. 1 — War of the Worlds (2005)

In 2023, Adam and Josh took another look at 1988's Midnight Run for its 35th anniversary. The Robert De Niro/Charles Grodin action comedy was an early and somewhat controversial inductee in the Filmspotting Pantheon, a decision they use their conversation to defend.   Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. Promo code: summer for 20% off through Aug. 31.See omnystudio.com/listener for privacy information.

Midnight Run | Archive

Happy Madison Productions is now cranking out movies starring two generations of Sandlers: paterfamilias Adam and daughters Sadie and Sunny. Earlier this year, Sadie starred in Netflix’s college-set Roommates, and now it’s Sunny’s turn in Don’t Say Good Luck, a tear-jerker that pairs family drama with high school musical drama. And it’s a pairing that Matt and Jordan agree works pretty well, thanks to the director Julia Hart (Fast Color, I’m Your Woman), solid work from Sandler, and a great performance by Melanie Lynskey as Sunny’s mom. Plus, a “Nepo Baby” streaming rec from Matt, and one from Jordan for a forgotten Oscar-winning Canadian film from the early 2000s. And Matt hosts another round of Portmanteau-to-Toe.   Intro (00:00:00–00:03:16) Don’t Say Good Luck (00:03:17–00:24:27) Rec Seg! Nepo Babies and Canadian Oscar-winners (00:24:28–00:39:07) Game: Portmanteau-to-Toe (00:39:08–00:58:57) Mailbag / New to Streaming / Credits (00:58:58–01:11:25) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠See omnystudio.com/listener for privacy information.

Don’t Say Good Luck and the Evolution of Happy Madison Productions | SVU

Film music historian and journalist ⁠Tim Greiving⁠, author of John Williams: A Composer's Life, joins Michael Phillips to explore one of the foundational dilemmas of movie music, courtesy of legendary composer Max Steiner: "The hardest thing in scoring is to know when to start and when to stop." From King Kong and The Adventures of Robin Hood to Jaws and Star Wars, Michael and Tim trace the history of film scoring through competing philosophies: wall-to-wall music versus strategic restraint, foreground versus background, spectacle versus psychology. And yes, even The Odyssey enters the conversation They discuss Williams's lasting influence, memorable director-composer partnerships, and whether the best movie music tells us what we're seeing or reveals what the characters themselves cannot say. Join the conversation by emailing ⁠movieracket@filmspotting.net⁠.See omnystudio.com/listener for privacy information.

"The hardest thing in film scoring is to know when to start and when to stop" with author Tim Greiving | The Movie Racket

Is The End of Oak Street the best Spielberg movie of 2026? Or is one of your hosts committing movie heresy? Adam and Josh review David Robert Mitchell's dinosaur-filled family adventure and consider whether there's more on its mind than blockbuster thrills. Plus: thoughts on the Anthony Bourdain biopic Tony, Willem Dafoe in Late Fame, and Adam's conversation with the creators of the Table Read podcast. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. ⁠Use code FILMSPOT26 to take 15% off.⁠ (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:23) The End of Oak Street (00:02:24-00:49:09) Spoiler Talk: The End of Oak Street (00:49:09-01:10:34) Filmspotting Family (01:10:35-01:17:04) Tony (01:17:05-01:22:22) Late Fame (01:22:23-01:41:26) MLB at Field of Dreams on Netflix (01:41:27-01:45:52) Introducing: Table Read Podcast (01:45:53-01:59:42) Massacre Theatre (01:59:43-02:08:57) Credits / Releases (02:08:58-2:11:44) Notes: -Myth of the American Sleepover Review | Ann Arbor Observer ⁠https://annarborobserver.com/myth-of-the-american-sleepover/⁠ Feedback: -Email us at ⁠feedback@filmspotting.net⁠⁠⁠ ⁠⁠⁠⁠-⁠⁠Ask Us Anything⁠⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Use code "summer" for 20% off a Filmspotting Family membership ⁠http://filmspottingfamily.com⁠ -Filmspotting Shop for T-shirts and more. ⁠⁠https://www.filmspotting.net/shop⁠⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠⁠https://youtube.com/filmspotting⁠⁠ -Adam/Filmspotting: ⁠⁠Letterboxd⁠⁠ |⁠⁠ Instagram⁠⁠ |⁠⁠ Facebook⁠⁠ |⁠ ⁠Bluesky⁠⁠ -Josh/LarsenOnFilm: ⁠⁠Letterboxd⁠⁠ |⁠ ⁠Instagram⁠⁠ |⁠⁠ Facebook⁠⁠ |⁠ ⁠Bluesky⁠See omnystudio.com/listener for privacy information.

The End of Oak Street, plus Tony and Late Fame | #1077

Kristen Stewart is back in theaters with The Wrong Girls, which is an excuse to share our Top 5 KStew Scenes from 2017.  Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. Promo code: summer for 20% off through Aug. 31. "Personal Shopper and the Movies That Haunt Us" Scott, Morris - Great Performances of 2016 Stewart: Hiding In Plain SightSee omnystudio.com/listener for privacy information.

Top 5 Kristen Stewart Scenes | Archive

It’s all fine and good to be sealed up in a house with Wagner Moura and Greta Lee, but the longer Netflix’s new The Last House keeps us there, the more time Matt and Jordan have for questions about the why and the how and… is that broccoli you’re growing in the floorboards, Greta? Matt and Jordan also discuss Netflix’s curious fascination with apocalyptic tales. Then, some Last House-inspired streaming recommendations (Universal Monsters! H.P. Lovecraft!) and a listener streaming request inspires recommendations for a forgotten Emma Thompson movie from the early 90s and a literary adaptation from Roger Corman. And Jordan hosts this week’s game: The Gaul of These People! Welcome/Intro (00:00:00–00:2:54) The Last House (00:2:55–00:27:17) H.P. Lovecraft and Universal Monsters (Rec Seg!) (00:27:18–00:44:30) Emma Thompson, Roger Corman, and Vincent Price (Listener Request Seg!) (00:44:31–01:03:16) MLB's Field of Dreams Game on Netflix  (01:03:17–01:09:26) Game: The Gaul of these People! (01:09:27–01:26:10) New to Streaming / Credits (01:26:11–01:31:04) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠See omnystudio.com/listener for privacy information.

The Last House and Netflix’s Apocalypse Obsession | SVU

Matt Johnson’s new biopic Tony sidesteps the infamous Walk Hard trap by narrowing its scope to a single summer that would end up shaping the rest of Anthony Bourdain’s life, but not necessarily defining it. Whether that approach is ultimately satisfying to fans of the late celebrity chef and author is up for debate this week, as we’re once again joined by Vulture critic Roxana Hadadi to discuss how Tony plays into and against our expectations of a Bourdain narrative. Then we bring Ratatouille back in for Connections, to compare how these two films introduce us to kitchen culture through the eyes of a newbie. Then for Your Next Picture Show, we recommend two more recent films to fill out a Matt Johnson triple feature. Please share your thoughts about Ratatouille, Tony, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: David Robert Mitchell’s The End of Oak Street and Steven Spielberg’s The War of the Worlds This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Anyone Can Cook, Pt. 2 — Tony

Screenwriter and producer David Kajganich (Suspiria, Bones and All) joins Michael Phillips to test a provocative rule of adaptation from filmmaker Whit Stillman: "You owe everything to the movie and nothing to the original [source]."But what about the opposite approach? As the Coen brothers once joked about adapting Cormac McCarthy's No Country for Old Men: "One of us types into the computer while the other holds the spine of the book flat." Between those two extremes lies the art of adaptation.Drawing on more than two decades of adapting novels, memoirs, plays, and films, Kajganich explores when fidelity serves a movie, when it becomes a trap, and why great adaptations sometimes have to break the bones of the original work. As you'd expect, Christopher Nolan's The Odyssey enters the conversation, along with Howards End, The Shining, The Zone of Interest, and Where the Wild Things Are.Is the best adaptation the one that faithfully recreates its source? Or the one that expresses something new? Join the conversation: email movieracket@filmspotting.netSee omnystudio.com/listener for privacy information.

"You owe everything to the movie and nothing to the original" with David Kajganich | The Movie Racket

Adam and Josh share their favorite discoveries, performances, and scenes from the recently completed Dissident Cinema Marathon, which included Chaplin’s The Great Dictator, Kurosawa's No Regrets for Our Youth, and Rossellini’s Rome, Open City. Links:-The Circle Ending Revealed | BFI⁠old.bfi.org.uk/sightandsound/review/1960⁠ -Filmspotting Marathonshttps://www.filmspotting.net/marathonsSee omnystudio.com/listener for privacy information.

Marathon Awards | Dissident Cinema

Jane Schoenbrun’s uncategorizable third feature, Teenage Sex and Death at Camp Miasma, marks the director as among the most assured and provocative filmmakers of their generation. Adam and Josh agree that it’s the film of the year so far. Plus, other notable third features this decade, listeners pick their favorite Spider-Man movie, and Adam reviews The Brink of War. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:38) Teenage Sex and Death at Camp Miasma (00:02:39-00:45:20) Filmspotting Family (00:45:21-00:51:21) The Brink of War (00:51:22-01:01:11) Polls (01:01:12-01:11:25) Credits / Releases (01:11:26-01:15:26) Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Teenage Sex and Death at Camp Miasma and The Brink of War | #1076

Anthony Bourdain, whose early experience working in a restaurant kitchen is chronicled in the new biopic Tony, once singled out Ratatouille as Hollywood’s best depiction of working in a restaurant kitchen, which is all the invitation we need to revisit Brad Bird’s 2007 Pixar classic. So this week, with the help of Vulture critic Roxana Hadadi, we consider how Ratatouille trusts its viewers to accept an audacious premise, and rewards them in emotional payoff; parse the nuances and contradictions of its “anyone can cook” mantra; and lament that its lone female character of consequence falls victim to Trinity Syndrome. And yes, of course this group of critics has some thoughts on Anton Ego and the film’s take on criticism. Then in Feedback, we discuss a short excerpt from a much longer, in-depth analysis we received in response to our O Brother Where Art Thou? episode. Please share your thoughts about Ratatouille, Tony, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Anyone Can Cook, Pt. 1 — Ratatouille

In 2015, Adam and Josh welcomed poster designer Sam's Myth on the show to talk shop and share their Top 5 Movie Posters. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. Promo code: summer for 20% off through Aug. 31.  See omnystudio.com/listener for privacy information.

Making Spidey Sense of Brand New Day’s Historic Box Office Haul | SVU

What can your body tell you about a movie? According to legendary Columbia Pictures chief Harry Cohn, everything.This week's Movie Racket explores Cohn's infamous rule for separating hits from flops. Joining Michael Phillips is Slate film critic Dana Stevens (Camera Man), who helps unpack what that deceptively simple dictum reveals about audiences, critics, attention spans, and streaming culture. Along the way, they cover The Odyssey, Jeanne Dielman, Citizen Kane, and whether laughter, tears, gasps, or simple restlessness can ever be trusted as measures of a film's success.See omnystudio.com/listener for privacy information.

"If my fanny squirms, it's bad. If my fanny doesn't squirm, it's good" with Dana Stevens | The Movie Racket

For the final film in the Dissident Cinema Marathon, Adam and Josh discuss Jafar Panahi’s formally ingenious 2000 film THE CIRCLE, an unflinching chronicle of Iran’s oppressive treatment of women.See omnystudio.com/listener for privacy information.

The Circle: Oppression Is an Endless Loop | Dissident Cinema

After a five-year hiatus, Tom Holland’s Peter Parker is back on the big screen with Spider-Man: Brand New Day, this time battling anonymity, a host of nemeses, and some arachnid-related changes. Adam and Josh have a review. Plus thoughts on the new doc Everybody to Kenmure Street and the latest from Pulse and Cloud director Kiyoshi Kurosawa, The Samurai and the Prisoner.     This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:22) Spider-Man: Brand New Day (00:02:23-00:44:22) Filmspotting Family (00:44:23-00:48:35) Everybody to Kenmure Street (00:48:36-01:08:32) The Samurai and the Prisoner (01:08:33-01:12:39) Massacre Theatre (01:12:40-01:20:03) Credits / Releases (01:20:04-01:24:02) Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Spider-Man: Brand New Day, Everybody to Kenmure Street, The Samurai and The Prisoner | #1075

It's been eight years since Adam and Josh did the Top 5 Superhero-Director Combos (We'd Like To See) and still somehow none of their pitches have been given the green light. Maybe that will change with this Archive edition. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. Promo code: summer for 20% off through August 31st https://filmspotting.supportingcast.fm/join?sc_promo=summerSee omnystudio.com/listener for privacy information.

Top 5 Superhero-Director Combos (We'd Like To See) | Archive

Chris Klimek presides over a multiversal showdown between two of the most beloved Spider-Man films: Sam Raimi’s Spider-Man 2 and the animated Spider-Man: Into the Spider-Verse. One is a live-action, early-2000s studio blockbuster that crystallized the modern superhero movie — grounded in practical effects, emotional melodrama, and a deeply human Peter Parker torn between responsibility and desire. The other is a radically stylized animated film that reimagines what superhero storytelling can look like, embracing comic book form itself as its visual language. Arguing for Spider-Man 2 is Matt Singer (Marvel's Spider-Man: From Amazing to Spectacular), who makes the case that Raimi’s film remains the definitive Peter Parker story. Arguing for Spider-Verse is Daisy Rosario, who contends that the film not only updates but expands the Spider-Man mythos.  Which one better captures the essence of Spider-Man — and why does that question remain so difficult to answer? Choose your winner at moviedeathmatch.com. More From Matt Official Site | ScreenCrush | “Funny Business” More From Daisy Death, Sex & Money | ICYMISee omnystudio.com/listener for privacy information.

Spider-Man 2 vs. Into the Spider-Verse  | Movie Death Match

With the world’s Spidey sense activated by Spider-Man: Brand New Day, Adam and Josh look back at the webslinger’s first 25 years on screen with their Top 5 Spider-Man Scenes. Yes, even Andrew Garfield gets a little love. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:35) Top 5 Spider-Man Scenes – Pt. 1 (00:02:36-00:43:30) Family Madness — Round 2 (00:43:31-00:51:22) Notes / Poll: Best Spidey Movie (00:51:23-01:05:38) Top 5 Spider-Man Scenes – Pt. 2 (01:05:38-01:36:46) Credits / Releases (01:36:47-01:40:12) Links: “When Mary Jane Kissed Spider-Man” | The Ringer https://www.theringer.com/2022/05/03/movies/spider-man-kiss-tobey-maguire-kirsten-dunst "Goodbye to the Lake Street Screening Room" | RogerEbert.com⁠https://www.rogerebert.com/features/a-home-away-from-home-goodbye-to-the-lake-street-screening-room Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Top 5 Spider-Man Scenes | #1074

Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain.   Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Home Sweet Homer, Pt. 2 — The Odyssey | Next Picture Show

Back in 2022, Adam and Josh gave Sam Raimi's Spider-Man the 20th anniversary Sacred Cow treatment.  Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Spider-Man (2002) | Archive

Jordan and Matt break format - and Zeus’s Law? - for an Odyssey-themed episode, including thoughts on the new blockbuster film, favorite Christopher Nolan films, and streaming recommendations inspired by the Homeric epic. And then a game, which Jordan dubs "My Big Fat Greek Filmspotting Game."    The Odyssey (00:00:00–00:23:33) #1 Nolans (00:23:34–00:47:08) Rec Seg: Odyssey-inspired recommendations (00:47:09–01:04:23) Game: My Big Fat Greek Filmspotting Game (01:04:24–01:24:05) New to Streaming / Credits (01:24:05–01:31:47) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠See omnystudio.com/listener for privacy information.

Odyssey Fever! | SVU

Story analyst Billy Mernit joins Michael Phillips to test one of Hollywood’s most enduring (and slippery) unofficial rules: Howard Hawks’ idea that a good movie is three good scenes and no bad ones.Mernit, an instructor and writer known as the “guru of rom-com,” brings nearly three decades of reading studio scripts and a working knowledge of how films get evaluated before they ever reach the screen. Together, they dig into what makes a “good scene” in the first place.Is Hawks’ dictum still useful? Or, like so many Hollywood rules, is it less a law of motion pictures than a reflection of how we choose to remember them?See omnystudio.com/listener for privacy information.

"A good movie is three good scenes and no bad ones” with Billy Mernit  | The Movie Racket

Is Christopher Nolan’s The Odyssey a cinematic gift, or is it a Trojan Horse filled with the director’s narrative obsessions? Maybe both. In their review, Adam and Josh talk about the ways Nolan diverges from Homer’s epic tale, and which of the director’s previous films offer the best insight into his latest. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

The Odyssey: Nolan Makes the Ancient Epic His Own

Considering The Odyssey is one of the most famous and influential stories of all time, there had been relatively few attempts to directly translate Homer’s epic poem to the big screen until Christopher Nolan came along to do it at a blockbuster scale. It’s been more common for filmmakers, such as Joel and Ethan Coen, to use it as the loose framework for a flawed hero’s journey home, such as the one undertaken by Ulysses Everett McGill in O Brother, Where Art Thou?, a Depression-era musical comedy that maps on to Homer’s version only in the broadest of strokes. But revisiting O Brother through the lens of its stated source material, as we’re doing this week, is a revealing lesson in the malleability of adaptation, as well as the Coens’ ability to make even one of the most familiar tales in all of storytelling uniquely theirs. Then in Feedback, we finally break our silence on the indie-horror phenomenon that is Obsession. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Home Sweet Homer, Pt. 1 — O Brother, Where Art Thou? | Next Picture Show

As part of 2020’s Christopher Nolan Oeuvre-view, Adam and Josh revisited The Prestige (2006), which – alongside his current The Odyssey – is among the rare Nolans adapted from existing material. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

The Prestige | Archive

Matt and Jordan give Hulu’s new multiverse revenge thriller Redux Redux a spin, crediting Kevin and Matthew McManus’s film for its low-budget stylishness and its central performance (by another McManus, sister Michaela). Then some Redux-inspired streaming recommendations, answers to a listener request for off-the-grid heist movies, and a game (“Multi-Box Letter-Verse”) hosted by Producer Sam. Intro / The Odyssey (00:00:00–00:11:36) Redux Redux (0:11:37–00:28:27) Rec Seg (00:28:28–00:45:35) Listener Request Recs: Off-the-Grid Heist Movies (00:45:36–01:02:42) Game: Multi-box Letter-verse (01:02:43–01:29:32) New to Streaming / Credits (01:29:33–01:38:12) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠See omnystudio.com/listener for privacy information.

Budget Multi-Verse: Hulu's Redux Redux | SVU

Film critic Amy Nicholson joins host Michael Phillips to test a set of unofficial Hollywood axioms: Preston Sturges’ 11 Rules for Box Office Appeal.Written (or so the story goes) in the early 1940s, the list is equal parts joke and provocation, a series of blunt, sometimes baffling claims about what makes movies work. But taken together, the rules point toward something more coherent: a theory of cinema built on movement, rhythm, and the constant opening of possibilities.Amy and Michael dig into what still holds up and what these rules reveal about the way comedy — and movies — create momentum. Is Sturges simply being playful? Or is there real wisdom hiding inside the punchlines?See omnystudio.com/listener for privacy information.

11 Rules for Box Office Appeal with Amy Nicholson | The Movie Racket

The Dissident Cinema Marathon continues with Marcel Ophuls’s towering 1969 documentary The Sorrow and the Pity, which challenged the so-called “Gaullist myth” that the French people had largely resisted Nazi occupation.See omnystudio.com/listener for privacy information.

The Sorrow and the Pity: Dismantling the Gaullist Myth | Dissident Cinema

Adam and Josh take stock of the movie year with their Top 5 Films of 2026 (So Far), making picks that reflect the strength of of the year’s genre offerings, comedies, and intimate dramas. Plus: Massacre Theatre, and Best of ‘26 poll results. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:03) Top 5 of 2026 (00:03:04-00:32:36) Filmspotting Family: ‘20s/’30s Madness (00:32:37-00:40:52) Poll: Best of ‘26 (So Far) (00:40:53-00:49:36) Top 5 of 2026, cont. (00:49:37-01:17:26) RIP Sam Neill / Massacre Theatre (01:17:27-01:26:54) Credits / Releases (01:26:55-01:28:56) Links: Alison Willmore on Blue Heron | Vulture https://www.vulture.com/article/review-the-masterful-blue-heron-uses-cinema-as-a-sance.html Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Top 5 Films of 2026 (So Far) | #1073

A good chunk of Supergirl’s DNA can be traced back to True Grit by way of the comics miniseries the film is adapting, which is why we paired it with Joel and Ethan Coen’s 2010 version of that story. But as our discussion of Craig Gillespie’s new entry in James Gunn’s revamped DC Universe details, Supergirl often feels less indebted to its space-western source material than to several other superhero films that preceded it, including some of Gunn’s. That makes it tough to balance a film we all consider okay-at-best against a stone-cold Coens classic, but we attempt to anyway in Connections as we consider these two films’ shared interest in vengeance, western tropes, and really, really bad guys with murky motivations. Then in Your Next Picture Show, we honorTrue Grit’s star-making performance with a recommendation for another Hailee Steinfeld film that’s a favorite of this podcast, The Edge of Seventeen. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Christopher Nolan’s The Odyssey and The Coen Brothers’ (yes, again) O Brother, Where Art Thou? This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Lady Justice, Pt. 2 — Supergirl | The Next Picture Show

For this week's Archive episode, we go back to 2014 for the Top 5 Movie Tattoos (That We'd Get). The "we" being Adam and Josh. 16 years later... no tats yet. But they're sticking by (most) of their picks. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Top 5 Movie Tattoos (That We'd Get) | Archive

Matt and Jordan deep-dive into the free, ad-supported streaming platform Tubi. They evaluate the platform across five distinct categories: library; playback/interface; reliability; originals; and price. Plus, recommended titles to watch on Tubi, and a recommendations for a listener who is looking for a hangout comedy like semi-obscure 2005 comedy. And Producer Sam hosts this week’s game: Tubi or Not Tubi. The State of Streaming: Tubi (00:00:00–00:49:36) Rec Seg: Watch on Tubi (00:49:37–01:01:23) Listener Request Recs: Hangout Comedies (01:01:24–01:17:23) Game: Tubi or Not Tubi (01:17:24–01:38:35) New to Streaming / Credits (01:38:36–01:45:49) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Alissa Quart’s “Hyperlink Cinema” in Film Forum https://static1.squarespace.com/static/549355e2e4b0a309c8cef596/t/556ca8c0e4b0ca905b2d74ef/1433184448821/QuartonHyperlink%281%29.pdf Hyperlink Cinema, a Letterboxd Listhttps://letterboxd.com/sc_elly/list/hyperlink-films/ Handmade Films, a Letterboxd List https://letterboxd.com/studio/handmade-films/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠See omnystudio.com/listener for privacy information.

The State of Streaming: Tubi | SVU

Welcome to The Movie Racket, a new Filmspotting production hosted by Michael Phillips. Each week, we’ll test a so-called "law" of cinema — a bit of received wisdom about how movies work, or don’t. For our debut episode, actor Michael Shannon joins the show to examine a provocative claim from François Truffaut: that every film about war ends up being pro-war. Is it true that a movie about combat, survival, and heroism can never escape the pull of spectacle and the way cinema inevitably renders violence compelling? Shannon reflects on that inherent tension and revisits his experience working on Michael Bay’s Pearl Harbor, a film that presents this question of representation head-on. So: was Truffaut right? Or does cinema allow for something more complicated than a binary verdict? Join the conversation at movieracket@filmspotting.net.See omnystudio.com/listener for privacy information.

"Every film about war ends up being pro-war" with Michael Shannon | The Movie Racket

Adam and Josh celebrate Fargo's 30th anniversary with a Pantheon Project review (the show’s longest ever) of the Coen Brothers' career-altering 1996 film. Plus, Olivia Wilde's The Invite, David Wain's Gail Daughtry's Celebrity Sex Pass, and listeners choose the best pair of '90s blockbusters. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:33) Fargo at 30 (00:03:34-01:16:58) Filmspotting Family (01:16:59-01:21:34) The Invite (01:21:35-01:25:46) Gail Daughtry’s Celebrity Sex Pass (01:25:47-01:33:56) Polls (01:33:57-01:41:34) Credits / Releases (01:41:35-01:44:08) Links: -Josh’s Fargo Video Essay https://www.youtube.com/watch?v=qaRRXpfTyfU Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Fargo: Lies, Myths, and Murder, plus The Invite | #1072

This week's archive episode is Adam and Josh's 2018 Sacred Cow review of the Coen Brothers' period gangster film Miller's Crossing.  Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Miller's Crossing | Archive

Matt and Jordan review Netflix’s new comedy Little Brother, which stars Eric Andre as a chaos agent who disrupts the life of a tightly wound real estate agent played by John Cena. Hijinx, nudity, and parabolas of urine ensue. Then, in Rec Seg, they offer some related streaming titles, including a musical dramedy about brothers and a classic '70s comedy. Plus, in reply to a listener streaming request, a pair of international films from the early '60s, and Producer Sam hosts a John Cena-inspired round of trivia.    Intro, Little Brother (00:00:00–00:24:16) Rec Seg: Little Brother-Inspired Streaming Recs (00:24:17–00:39:27) Listener Request Recs for an Artsy Down Under Movie Club (00:39:28–01:00:06) Trivia: So You’ve Cen-a Lotta Movies, Have You? (01:00:07–01:24:51) New to Streaming / Credits (01:24:52–01:32:35) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠See omnystudio.com/listener for privacy information.

Little Brother: Chaos Agent vs. Real Estate Agent | SVU

The new Supergirl isn’t an outright adaptation of the comic-book miniseries Woman of Tomorrow, but it retains enough of its shape that it evokes that comic’s own source of inspiration, True Grit. Either of the two film adaptations of Charles Portis’ 1968 Western novel about a young girl enlisting a reluctant, drunken hero to help her enact revenge would have provided plenty of connections to Supergirl, but we opted for Joel and Ethan Coen’s 2010 version starring Hailee Steinfeld and Jeff Bridges. So this week we’re discussing what distinguishes True Grit as both a Coens movie and a Western, the film’s overlapping notions of vengeance and justice, and how it utilizes two frequently abused elements — sincerity and voiceover narration — sparingly and effectively. Then in Feedback, we respond to a listener’s misgivings about accepting Disclosure Day’s premise at a time when conspiracy theories don’t feel as harmless as they once did. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Lady Justice, Pt. 1 — True Grit (2010) | The Next Picture Show

Welcome to the sophomore installment of Movie Death Match. Host Chris Klimek presides as two Christopher Nolan films go head to head in anticipation of The Odyssey. Arguing for Inception is Bilge Ebiri (Vulture), while Abigail James (@popculturescientist) advocates for Interstellar. Which film offers the more emotionally resonant lead performance and better captures Nolan’s vision of time — its dilation and psychological weight? Vote now at moviedeathmatch.com. Intro (00:00:00-00:12:22) Opening Statements (00:12:23-00:23:21) In Their Time (00:23:22-00:48:11) In Our Time (00:48:12-01:07:36) For All Time (01:07:37-01:22:20) The Verdict / Close (01:22:21-01:29:45) LINKS – ABI -The biggest plot hole in Interstellar? -Can We Escape Gravity? | Interstellar’s Biggest Lie Explained LINKS – BILGE -The Hidden ‘Inception’ Within Inception  -When to hit the Bathroom During Inception -Six New Things We Learned From the Inception Blu-ray -How Many Times Each Inception Character Dies -You Can Hate Inception All You Want LINKS – CHRIS -'Interstellar': Stunning And Bold, With Lots Of Corn | NPR, Nov. 6, 2014) -Interstellar’s Scientific Fact-Checker | Air & Space / Smithsonian, Nov. 13, 2014) -Wartime Terror And Valor Thread Together In Nolan's Gripping 'Dunkirk' | NPR, July 20, 2017) -A Degree Absolute! | An Entire Podcast Series About The Prisoner, the cult British spy-fi series Nolan has periodically threatened to adapt for the [very] big screen.)See omnystudio.com/listener for privacy information.

Inception vs. Interstellar | Movie Death Match

Adam and Josh celebrate the holiday weekend with a "Blind Cow" review of Independence Day, the #1 movie at the box office back in '96. Thirty summers after its release, Adam catches up with Roland Emmerich's alien-invasion spectacle, and Josh (originally a fan) sees if it holds up. Plus, a summer-themed edition of Massacre Theatre and a recap of last weekend's 2nd annual Filmspotting Fest, which featured appearances from Trey Edward Schultz (Krisha), Marguerite Moreau (Wet Hot American Summer), Agnés Varda biographer Carrie Rickey, and Michael Phillips. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:02:06) Independence Day at 30 (00:02:07-00:52:41) Filmspotting Family (00:52:42-00:56:03) Filmspotting Fest II: Recap (00:56:04-01:08:26) Notes (01:08:27-01:14:07) Massacre Theatre (01:14:08-01:21:34) Credits / Releases (01:21:35-01:25:07) Links: -Filmspotting Fest https://www.filmspotting.net/filmspotting-fest Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Independence Day at 30: America Saves the Universe | #1071

As part of their 2020 Christopher Nolan "Oeuvre-view," Adam and Josh revisited 2014's Interstellar, a film they'd split on six years earlier.  Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Interstellar | Archive

Matt and Jordan check out Julian Schnabel’s In The Hand of Dante, a rare midsummer Netflix prestige picture with a stacked cast that includes Oscar Isaac, Al Pacino, Gerard Butler, John Malkovich, Jason Momoa, and Martin Scorsese as a bearded medieval sage. Despite the talent and the reliably gorgeous cinematography, Schnabel’s film might be the worst thing Matt and Jordan have had to endure through the show’s first 12 episodes. Also on the show, some Dante-inspired streaming recommendations and guidance for a listener who shares little in common (movie-wise) with his spouse. Plus the debut of “What’s In A Name,” a new movie trivia game. (#012) Intro, In The Hand of Dante (00:00:00–00:34:55) Rec Seg (00:34:56–00:50:32) Listener Request Recommendations (00:50:33–01:06:44) Trivia: What’s In A Name (01:06:45–01:22:34) New to Streaming / Credits (01:22:35–01:31:14) Show Notes -Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ -The Starlog Podcast hosted by Jordan https://www.youtube.com/watch?v=YwWNy9zLV0k⁠ -Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming Oct. 6):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠See omnystudio.com/listener for privacy information.

In The Hand of Dante: Pussycats and Purple Prose | SVU

Is Toy Story 5 an inspired reorienting of the venerable Pixar franchise, or a tired rehash? Adam and Josh offer differing takes. Plus, Adam reviews Michael Sarnoski's bleak but intriguing The Death of Robin Hood, Josh recommends Mark Jenkin’s Rose of Nevada, an avant-garde ghost story set in a UK fishing village, and an "evil genius" ‘90s blockbuster poll question. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:05:44) Toy Story 5 (00:05:45-00:37:28) Filmspotting Family (00:37:29-00:43:14) Polls (00:43:15-00:57:35) The Death of Robin Hood (00:57:36-01:22:25) Rose of Nevada (00:57:36-01:22:25) Credits / Releases (01:22:26-01:25:35) Links: -Filmspotting Fest II: June 27-28, 2026⁠ ⁠ ⁠https://www.filmspottingfest.com⁠ -Movie Death Match Podcast: Close Encounters vs. E.T.⁠ ⁠ ⁠https://www.filmspotting.net/episodes⁠ Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Toy Story 5 and The Death of Robin Hood, plus Rose of Nevada | #1070

When the fourth Toy Story installment came to theaters in the summer of 2019, Adam invited the Blank Check podcast's Griffin Newman to join him for the Top 5 Toy Story Scenes.  Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Top 5 Toy Story Scenes with Griffin Newman | Archive

Matt and Jordan review Netflix’s generically titled but surprisingly witty Office Romance. Co-written by and starring Brett Goldstein alongside JLo, the workplace rom-com rises just above the streaming giant’s usual output by delivering actual jokes, real talent, and a surprising level of NSFW content. Plus, some deep-cut streaming recommendations, this week’s streaming releases, and a new game courtesy of Matt called “Portmanteau to Toe.” (Ep. #177) Intro, Office Romance (00:00:00–00:29:37) Streaming Recommendations (00:29:38–00:43:53) Personalized Recs (00:43:54–01:00:33) Game: Portmanteau To Toe (01:00:34–01:15:41) New to Streaming / Credits (01:15:42–01:26:30) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.

Office Romance: Generic Title, Real Juice | SVU

Adam and Josh review Steven Spielberg’s Disclosure Day, praising star Emily Blunt and the impeccably staged action while questioning whether Spielberg and screenwriter David Koepp’s spiritual sequel to Close Encounters of the Third Kind captures the same sense of wonder. Then, Adam (finally) reviews the hit live-action/CGI hybrid The Sheep Detectives, plus Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:50) Disclosure Day (00:01:51-00:45:09) Filmspotting Family (00:45:10-00:51:34) The Sheep Detectives (00:51:35-00:57:35) Notes (00:57:36-00:59:40) Massacre Theatre (00:59:41-01:03:32) Credits / Releases (01:03:33-01:05:53) Links: -Filmspotting Fest II: June 27-28, 2026⁠ ⁠ ⁠https://www.filmspottingfest.com⁠ -Movie Death Match Podcast: Close Encounters vs. E.T.⁠ ⁠ ⁠https://www.filmspotting.net/episodes⁠ Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Disclosure Day: Can Spielberg Make Us Believe Again? | #1069

In 2020, Adam and Josh used the 45th anniversary of Jaws to Power Rank the Spielberg Decades — from the Close Encounters ’70s to the Lincoln 2010s. With the release of Disclosure Day, the question now is whether it’s already time to do it again and include the 2020s. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Power Ranking Spielberg Decades | Archive

Matt and Jordan review HBO’s Sundance acquisition Miss You Love You. And while Jordan finds it to be a handsome, moving, and well-acted "filmed play", Matt finds too modest and predictable. For Rec Seg, Matt revisits the grueling, ice-cold dread of corporate culture with a 2019 workplace thriller, while Jordan counters with a classic 1982 Sidney Lumet thriller packed with more twists, turns -- and smooches! Finally, Jordan takes the reins as Dungeon Master for a game called On a Wing and a Prayer. Chapters / Timecodes (Timecodes/chapters may not be precise with ads.) Intro (00:00:00–00:7:27) Miss You Love You (00:7:28–00:26:54) Rec Seg!: (00:26:55–00:43:49) Personalized Recs (00:43:50–01:04:34) Game: On a Wing and a Prayer (01:04:35–01:23:04) Wrap-Up & Credits (01:23:05–01:35:02) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Matt's appearances on our sister podcast, The Next Picture Show, discussing Shogun Assassin and The Mandalorian and Grogu. https://www.filmspotting.net/nextpictureshow Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.

HBO’s Miss You Love You Belongs On Stage | SVU

Adam and Josh reach a definitive milestone in Filmspotting’s Dissident Cinema Marathon with Costa-Gavras’s Oscar-winning 1969 masterpiece, Z. A thinly veiled account of a political assassination and subsequent government cover-up in Greece, the film stands as a foundational text for the modern paranoid thriller.See omnystudio.com/listener for privacy information.

Z: Costa-Gavras’s Jolting Anti-Fascist Thriller | Dissident Cinema

Adam and Josh catch up with the summer's surprise hit Obsession, the “monkey’s paw” update from YouTube creator turned first-time feature-director Curry Barker. Then, it’s John Carney’s Power Ballad, with Paul Rudd as a down-on-his-luck wedding singer who has a chance encounter with a former boy band star played by Nick Jonas. Plus, poll results and listener feedback on Rudd's best supporting roles. Intro (00:00:00-00:01:57) Obsession (00:01:58-00:41:33) Filmspotting Family (00:41:34-00:47:17) Notes / New Poll (00:47:18-00:55:42) Poll Results: Paul Rudd (00:55:43-01:01:34) Power Ballad (01:01:35-01:22:38) Credits / Releases (01:22:39-01:25:15) Links: -Filmspotting Fest II: June 27-28, 2026⁠ ⁠ ⁠https://www.filmspottingfest.com⁠ -Movie Death Match Podcast: Close Encounters vs. E.T.⁠ ⁠ ⁠https://www.filmspotting.net/episodes⁠ Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Obsession and Power Ballad: Be Careful What You Wish For | #1068

From amps cranked up to eleven, to the sweet, soulful harmonies of a dynamic rhythm and blues revival, Adam and Josh count down their Top 5 (Fictional) Movie Bands. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Top 5 Movie Bands | Archive

Matt and Jordan review Netflix's massive true crime tabloid horror hit, The Crash, a direct-to-streaming look at the tragic Mackenzie Sherilla case. Jordan walks away feeling like he needs a shower for his soul, while Matt thanks his lucky stars that social media didn't exist when he was a youngster. For Rec Seg, Matt challenges the "drek" of the true crime genre by recommending an Oscar-nominated Netflix doc and Jordan counters with a 2018 indie drama that offers a nuanced take on the endless scroll. Listener requests yield recommendations for a 1945 "hardcore British" romance and 2012 Sundance indie featuring an ex-con who hangs out with a robot. Finally, Producer Sam steps in to host a true crime-inspired game called If You Can't Do the Time, Don't Watch the True Crime (on Amazon Prime). Plus, dabbing, dad jokes, and brief thoughts on box office phenomenons Backrooms and Obsession, and Masters of the Universe. (Ep. #175)Chapters / Timecodes (Timecodes/chapters may not be precise with ads.) Backrooms, Obsession, Masters of the Universe (00:00:00–00:7:45) The Crash (00:7:46–00:24:14) Rec Seg!: Good True Crime, Online Teens (00:24:15–00:40:11) Personalized Recs: British Romance, Sundance Dramedy (00:40:11–01:05:31) Game: If You Can’t Do The Time… (01:05:32–01:20:34) New to Streaming / Credits (01:20:35–01:29:18) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Matt's appearances on our sister podcast, The Next Picture Show, discussing Shogun Assassin and The Mandalorian and Grogu. https://www.filmspotting.net/nextpictureshow Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.

Netflix’s The Crash is an Ethical Sinkhole | SVU

Adam and Josh continue Filmspotting’s Dissident Cinema Marathon with Akira Kurosawa’s 1946 drama No Regrets for Our Youth. Released in the immediate aftermath of WWII, the film stands out as a blatantly political entry in Kurosawa's catalog — and notably, his only film featuring a sole female protagonist.See omnystudio.com/listener for privacy information.

No Regrets for Our Youth: Kurosawa’s Bold Post-War Melodrama | Dissident Cinema

Adam and Josh step into the uncanny world of eerie, empty spaces to ask whether 2026 is the year of liminal horror. First up: YouTube curiosity turned box office phenom Backrooms. Then, Exit 8, an inspired video game adaptation from Japan that’s equal parts Groundhog Day and The Shining. Plus, Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes reflect the raw transcript audio tracks and may vary slightly with ads.) Intro (00:00:00-00:01:55) Backrooms: (00:01:56-00:30:36) Backrooms: Spoiler Talk (00:30:37-00:40:11) Filmspotting Family (00:40:12-00:47:22) Exit 8 (00:47:23-01:00:26) Filmspotting Fest II / Poll (01:00:27-01:05:22) Massacre Theatre (01:05:23-01:11:55) Credits/Releases (01:11:56-01:15:44) Links: -Filmspotting Fest II: June 27-28, 2026 https://www.filmspottingfest.com -Movie Deathmatch Podcast: Close Encounters vs. E.T. https://www.filmspotting.net/episodes Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: Join the Filmspotting Family for bonus episodes and archive access. https://filmspottingfamily.com Filmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.

Backrooms and Exit 8: Liminality vs. Narrativity | #1067

From the manic, diaper-stealing chaos of the American Southwest, to the timeless charm of a classic fairy tale, Adam and Josh count down their Top 5 Films of 1987. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Top 5 Films of 1987 | Archive

Matt and Jordan review Prime Video’s Tom Clancy’s Jack Ryan: Ghost War, a straight-to-streaming title they are branding "movie Toferky." For Rec Seg, the duo finds comfort in the Paramount Plus vaults, with Jordan revisiting the Tom Clancy masterpiece that started it all, and Matt countering with a series sequel featuring Harrison Ford's bookworm Boy Scout desk-jockey. Then, a personalized recommendation request from listener Patrick sparks a highly volatile intra-pod war. While Jordan goes with a ‘70s screwball classic, Matt goes full "Muppet Radical" with his recommendation for a late-period Muppet movie over the Jim Henson-produced originals.  Finally, Producer Sam hosts a trivia game called The Sum of All Jack Ryans, which ignites a flurry of deep pulls, culminating with a classic Jordan anecdote featuring Star Trek's Gates McFadden desperately trying to escape a cruise ship at the outbreak of the pandemic. (Ep. #174) Intro, Jack Ryan: Ghost War Review (00:00:00–00:34:37) Rec Seg! (00:34:38–00:52:31) Personalized Recs (Theater Kids, Streisand, & Muppet Radicals) (00:52:32–01:10:44) Game: The Sum of All Jack Ryans (01:10:45–01:32:36) New to Streaming / Credits (01:32:37–01:43:14) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Matt's appearances on our sister podcast, The Next Picture Show, discussing Shogun Assassin and The Mandalorian and Grogu. https://www.filmspotting.net/nextpictureshow Check out Jordan's guest spot on Keith Phipps' sci-fi podcast The Laser Age discussing the killer-bunny classic Night of the Lepus https://www.iheart.com/podcast/269-the-laser-age-285296395/ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.

Jack Ryan: Ghost War is a Simulacrum of Cinema | SVU

In anticipation of Disclosure Day, Steven Spielberg’s two most beloved alien films face off in the inaugural Filmspotting Movie Death Match. Representing Close Encounters of the Third Kind is Dr. Margaret A. Weitekamp, Chair of Space History at the National Air and Space Museum. Making the case for E.T. the Extra‑Terrestrial is longtime critic and author Jen Chaney. Host Chris Klimek presides. Which film better captures Spielberg’s vision of alien contact — and his ideas about the nuclear family? Vote at ⁠moviedeathmatch.com⁠. Movie Death Match is a new Filmspotting podcast that determines which one of a pair of linked movies — each championed by a passionate and highly credentialed advocate — shall be preserved in perpetuity, and which one shall be lost to history. Through opening statements, formal debate rounds, and closing arguments, a single cinematic judge renders an irreversible verdict. One movie survives. One is erased. Listeners may disagree — but there are no appeals. Intro & Meeting the Advocates (00:00:00-00:04:40) The Matchup (00:04:41-00:06:21) Opening Statements (00:06:22-00:10:26) Rd. 1: The Movies in Their Time (00:10:27-00:28:49) Rd. 2: The Movies in Our Time (00:28:50-00:45:39) Rd. 3: The Movies for All Time (00:45:40-01:01:57) Closing Arguments & The Verdict (01:01:58-01:04:22) Credits (01:04:23-01:08:40) *** Follow Chris: Instagram | Bluesky | X More From Margaret Weitekamp -Space Craze: America’s Enduring Fascination with Real and Imagined Spaceflight -Right Stuff, Wrong Sex: America's First Women in Space Program More From Jen Chaney -On E.T. and Why the Spielberg Classic Endures -As If! The Oral History of Clueless, As Told by Amy Heckerling, the Cast, and the Crew -Instagram | BlueskySee omnystudio.com/listener for privacy information.

Close Encounters of the Third Kind vs. E.T. | Movie Death Match

Vulture critic Roxana Hadadi joins Adam to break down the first theatrical Star Wars feature in eight years, The Mandalorian and Grogu. They discuss whether its wall-to-wall action reveals true character, how the helmet creates a literal performance straitjacket, and if the film works for anyone walking into the theater without three seasons of television homework. Then, they pivot to a very different kind of crew in Boots Riley’s politically uncompromising sophomore feature I Love Boosters. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will vary with ads.) Intro (00:00:00-00:02:11) The Mandalorian and Grogu (00:02:11-00:35:33) Filmspotting Family (00:35:34-00:41:54) Poll: Paul Rudd's MVP Supporting Role (00:41:55-00:49:05) '20s/'30s Madness, Filmspotting Fest II (00:49:06-00:54:52) I Love Boosters (00:54:53-01:27:53) New Releases / Outro (01:27:53-01:34:43) Links: -Roxana Hadadi at Vulture https://www.vulture.com/author/roxana-hadadi/ -Matt Singer’s review of The Mandalorian and Grogu  https://screencrush.com/mandalorian-and-grogu-review/ -Filmspotting Fest II: June 27-28, 2026 https://www.filmspottingfest.com -Roxana on the ending of I Love Boosters https://www.vulture.com/article/i-love-boosters-ending-and-skins-explained.html Feedback: -Email us at feedback@filmspotting.net⁠⁠. ⁠⁠⁠⁠-Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. https://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.

The Mandalorian and Grogu and I Love Boosters | #1066

From the suffocating tension of open-ocean survival and alcohol-fueled marital warfare, to the isolated terrors of demonic cabins and haunted bedrooms, Adam and Josh break down their Top 5 Single Location Movies. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Top 5 Single Location Movies | Archive

Matt and Jordan punch their tickets to an alternate reality to review Ladies First, the new Netflix comedy starring Sacha Baron Cohen and Rosamund Pike. They break down the film's (mostly good!) relentless barrage of gags, its terrifyingly plausible marketing pitches, and whether it successfully navigates the edgy tightrope of workplace comedy. But before they talk Ladies First, they have to talk about leaving the couch. Matt recounts his mind-bending, leaf-in-the-face trip to the Las Vegas Sphere watching The Wizard of Oz, while Jordan counters with an equally dramatic story about his allergy-inflicted screening ofThe Mandalorian and Grogu at his local AMC. For Rec Seg!, the multiversal madness continues as the duo pairs Ladies First with Jet Li martial arts mayhem and surrealist cinema from Fellini. Plus, a listener writes in looking for a sleek, under-the-radar romantic thriller, prompting two very different caper recommendations. Finally, Producer Sam takes over the board as "Dungeon Master" to premier a brand-new, slow-teasing visual trivia game called Strip Poster. (Ep. #173) (Timecodes/chapters may not be precise with ads.) Intro, Wizard of Oz at Sphere, The Mandalorian & Grogu (00:00:00–00:15:05) Ladies First (00:15:06–00:35:26) Rec Seg! (00:35:27–00:50:23) Personalized Recs (00:50:24–01:02:16) Game (01:02:17–01:16:36) New to Streaming / Credits (01:16:37–01:29:00) Notes: Matt on “The Wizard of Oz” at Sphere https://screencrush.com/wizard-of-oz-sphere-review/ Now Streaming on Bazooga - A Filmspotting: SVU Archive ⁠⁠https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠⁠ Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" comes to bookstores everywhere on October 6th. Pre-Order now! ⁠⁠https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠⁠ The Flop House Podcast: “The One” https://www.flophousepodcast.com/2025/11/episode-467-the-one-with-michael-shanks/ Feedback: -Email us at feedback@filmspottingSVU.com⁠⁠ Follow: ⁠⁠https://www.instagram.com/superpulse/⁠⁠ ⁠⁠https://www.facebook.com/FilmspottingSvu⁠⁠ ⁠⁠https://letterboxd.com/superpulse/⁠⁠ ⁠⁠https://letterboxd.com/jhoffman6/⁠⁠ ⁠⁠https://bsky.app/profile/mattsinger.bsky.socialSee omnystudio.com/listener for privacy information.

Ladies First: Sacha Baron Cohen Takes on the Matriarchy | SVU

Adam sits down with legendary actor Tony Leung (In the Mood for Love, Chungking Express) to discuss his brilliant career and his new starring role in Ildiko Enyedi’s Silent Friend. Then Adam and Josh share their thoughts on the meditative multi-era drama itself, followed by reviews of Alberto Vasquez’s Spanish animated feature Decorado and Olivier Assayas's The Wizard of the Kremlin, which features Jude Law's terrifyingly charismatic portrayal of Vladimir Putin. Plus, Massacre Theatre! This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. Intro (00:00:00-00:04:34)Interview: Tony Leung (00:04:35-00:18:33)Filmspotting Family (00:18:34-00:23:59)Silent Friend (00:24:00-00:48:25)Decorado (00:48:26-01:02:23)The Wizard of the Kremlin (01:02:24-01:10:40)Massacre Theater (01:10:41- 01:19:31)Credits/New Releases (01:19:32- 01:23:48) Note: -Gary Jules, of course, performs a cover of Tears for Fears' “Mad World” in Donnie Darko. Links: -Filmspotting Fest II: June 27-28, 2026https://www.filmspottingfest.com -Josh's photo of the holm oak at University of St. Andrews: https://www.instagram.com/p/DYXUjKgjcPt/?img_index=1 Feedback: -Email us at feedback@filmspotting.net⁠⁠. ⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: Join the Filmspotting Family for bonus episodes and archive access. https://filmspottingfamily.comFilmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.

Tony Leung Talks Silent Friend, Plus Decorado and The Wizard of the Kremlin | #1065

From the timeless, unadorned perfection of early cinematic icons to the textured, battle-tested tactical gear of modern blockbusters, Adam and Josh (and some special guests) share their Top 5 Superhero Costumes and explore what makes a costume truly legendary. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Top 5 Superhero Costumes | Archive

In the first installment of a semi-regular series, Matt and Jordan take a break from reviewing a single film in order to interrogate an entire streaming platform: the industry juggernaut, Netflix. They dissect it across five crucial categories—library size, playback interface, reliability, originals, and price. The goal? Nothing less than determining the greatest service of all time.  Then for Rec Seg, Jordan attempts to track down a forgotten, star-studded 2020 musical drama buried deep in the Netflix sub-basement, while Matt stakes a claim for Adam Sandler's finest 2020s streaming achievement. Plus, they answer a listener mailbag question with two exceptional, music-centric recommendations currently streaming on Mubi. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:02:23) The State of Streaming: Netflix (00:02:24-00:43:09) Rec Seg! (00:43:09-00:57:30) Personalized Recs: Music Movies on MUBI (00:57:31-01:08:25) Game: Netflix Capacitor (01:08:26-01:16:13) New to Streaming / Credits (01:16:14-01:23:09) Notes: Now Streaming on Bazooga - A Filmspotting: SVU Archive ⁠⁠https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠⁠ Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" comes to bookstores everywhere in October. Pre-Order now! ⁠⁠https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠⁠ Jordan at Foreign Policy Magazine https://foreignpolicy.com/author/jordan-hoffman/ Matt at ScreenCrush https://screencrush.com/author/mattsinger/ Feedback: -Email us at feedback@filmspottingSVU.com⁠⁠ Follow: ⁠⁠https://www.instagram.com/superpulse/⁠⁠ ⁠⁠https://www.facebook.com/FilmspottingSvu⁠⁠ ⁠⁠https://letterboxd.com/superpulse/⁠⁠ ⁠⁠https://letterboxd.com/jhoffman6/⁠⁠ ⁠⁠https://bsky.app/profile/mattsinger.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

The State of Streaming: Netflix | SVU

15 years after its release, Adam and Josh return to the 1950s Waco of Terrence Malick’s The Tree of Life. They discuss Malick’s bold attempt to voice the divine, mapping the books of Job and Genesis onto his narrative, and his attempt to reconcile the beauty of creation with the reality of suffering. Plus, details about Filmspotting Fest II: 68 Weeks Later, and a new poll that attempts to gauge listeners' enthusiasm for the upcoming Mandalorian and Grogu. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:32) The Tree of Life at 15 (00:03:33-00:55:50) Filmspotting Family (00:55:51-01:00:07) Next Week / Cannes Film Festival (01:00:08-01:04:44) Polls (01:38:17-01:13:15) Credits / New Releases (01:13:16-01:17:20) Correction: -Adam actually saw The Thin Red Line upon its release in 1998, making it his first Malick. The New World, then, was the first Malick he got. Links: -Filmspotting Fest II: June 26-27, 2026 https://www.filmspotting.net/filmspotting-fest -Jake Cole on The Tree of Life https://letterboxd.com/jakepcole/film/the-tree-of-life-2011/ -Cannes Film Festival https://www.festival-cannes.com/en/ Feedback: -Email us at feedback@filmspotting.net⁠⁠. -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.https://www.filmspotting.net/shop⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.

The Tree of Life at 15: Malick’s Cosmic Masterpiece Revisited | #1064

Adam and Josh review Sophy Romvari’s debut feature Blue Heron, a semi-autobiographical "memory piece" that follows a Hungarian immigrant family on Vancouver Island in the late 1990s. They discuss Romvari’s distinct "observational elegance," the film’s striking meta-elements, and how it stacks up against other recent memory-focused masterworks like Aftersun. Plus, a look at why this is already a frontrunner for the 2026 Golden Brick.See omnystudio.com/listener for privacy information.

Blue Heron: A Lyrical Debut — and an Early Golden Brick Contender

From the outlaw poetry of Badlands to the cosmic spirituality of The Tree of Life, this week's Archive episode has Adam and Josh counting down the five most indelible moments from one of cinema's most elusive auteurs. Expect plenty of hushed voiceovers and magic-hour cinematography. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Top 5 Terrence Malick Scenes | Archive

This week, Matt and Jordan flip for the conch to discuss the BBC’s new four-part adaptation of The Lord of the Flies, now streaming on Netflix. The duo dives deep into Jack Thorne’s "cinematic" take on the classic novel, debating the effectiveness of its character-focused structure and its haunting visual palette. For Rec Seg!, they've got Flies-inspired recommendations that range from the whimsical to the harrowing, and in response to listener emails, a deep-cut horror recommendation and an experimental short (that may just scratch that jam-band itch). Plus, Matt faces his fears as Producer Sam takes over as "Dungeon Master" for this week's game, The Streaming Limited, testing the hosts’ knowledge of literary-inspired miniseries. (Ep. #172) (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:02:50) Lord of the Flies (00:02:51-00:35:19) Rec Seg! (00:35:20-00:55:40) Personalized Recs: Deep Cut Horror, Jam Band Scores (00:55:41-01:13:13) Game: The Streaming Limited (01:13:14-01:35:42) New to Streaming / Credits (01:35:43-01:49:17) Notes: Now Streaming on Bazooga - A Filmspotting: SVU Archive ⁠⁠https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠⁠ Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" comes to bookstores everywhere in October. Pre-Order now! ⁠⁠https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠⁠ Feedback: -Email us at feedback@filmspottingSVU.com⁠⁠ Follow: ⁠⁠https://www.instagram.com/superpulse/⁠⁠ ⁠⁠https://www.facebook.com/FilmspottingSvu⁠⁠ ⁠⁠https://letterboxd.com/superpulse/⁠⁠ ⁠⁠https://letterboxd.com/jhoffman6/⁠⁠ ⁠⁠https://bsky.app/profile/mattsinger.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Lord of the Flies: The BBC Brings Art to Netflix | SVU

Adam and Josh continue Filmspotting’s Dissident Cinema Marathon with its second entry, Roberto Rossellini’s Rome, Open City. Made in the immediate aftermath of Nazi occupation and against the backdrop of a country still in crisis, the film merges neorealist observation with the tension and structure of a spy thriller. The conversation explores how the movie captures resistance not as myth but as lived experience, examining its radical immediacy and why the film stands as a blueprint for what revolutionary cinema could become.See omnystudio.com/listener for privacy information.

Rome, Open City: The Blueprint for Revolutionary Cinema | Dissident Cinema

Meryl Streep is back as Miranda Priestly in The Devil Wears Prada 2, and what better way to pay tribute to the best to ever do it than with a Top 5 devoted exclusively to her? Adam and Josh attempt to narrow down five decades of legendary work into a handful of essential scenes, ranging from Streep’s emotional precision in Sophie's Choice and Kramer vs. Kramer to her charming looseness in Adaptation. Plus, the long-awaited return of Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:16) Top 5 Streep Scenes – Pt. 1 (00:03:17-00:32:19) Filmspotting Family (00:32:20-00:37:48) Top 5 Streep Scenes – Pt. 2 (00:37:49-01:25:21) Next Week / Notes (01:25:22-01:38:17) Massacre Theatre (01:38:17-01:41:20) Credits / New Releases (01:41:21-01:44:05) Links: -Chicago Critics Film Festival https://www.chicagocriticsfilmfestival.com/ -Filmspotting Fest https://www.filmspotting.net/filmspotting-fest -Filmspotting Madness https://www.filmspotting.net/madness/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.https://www.filmspotting.net/shop⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.

Top 5 Meryl Streep Scenes | #1063

Adam and Josh discuss how The Devil Wears Prada 2 softens Miranda Priestly’s edges and why, despite mealy‑mouthed social commentary, the legacy sequel mostly works as comfort viewing. Along the way, they make the case that Meryl Streep is still the movie’s true luxury item. Plus: is it time for a Fitspotting spinoff?  Links -Andy’s Best Dress  -Chanel's Haute Couture Spring 2020 CollectionSee omnystudio.com/listener for privacy information.

The Devil Wears Prada 2: With a Defanged Miranda, What's Left?

As the 2019 edition of Madness – Best of the 2000s wrapped up, Adam and Josh took a break from the heavy hitters to highlight the gems that didn't make the 64-film bracket, including underseen comedies from Jack Black and Seann William Scott, an ambitious "docu-fantasia" from Guy Maddin, and even some deeper cuts from A-list directors like Ridley Scott and Robert Zemeckis. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Top 5 Overlooked Movies of the 2000s | Archive

Matt and Jordan see if Netflix’s massive rom-com hit People We Meet on Vacation (starring "generational talent" Emily Bader) lives up to its 50-million-stream hype. Does the film successfully invert the When Harry Met Sally formula, or is it just a beautiful travelogue hampered by a "charisma vacuum"? Later, Jordan recommends an under-seen 2023 indie mafia drama, and Matt invites us to fall in love with a 1963 French New Wave short. Plus, a pair of listener-requested recommendations inspired by 1975's The Taking of Pelham One Two Three.  Finally, Producer Sam challenges Jordan’s 3-0 winning streak in a high-stakes game of "Full Service." (Ep. #171) (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:45) People We Meet On Vacation (00:03:46-00:27:02) Rec Seg! (00:27:03-00:47:50) Personalized Recommendations Inspired By 1974's The Taking Of Pelham One Two Three (00:47:51-01:03:14) Game: Full Service (01:03:15-01:20:51) New to Streaming / Credits (01:20:52-01:33:48) Notes: Now Streaming on Bazooga - A Filmspotting: SVU Archive ⁠⁠https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠⁠ Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" comes to bookstores everywhere in October. Pre-Order now! ⁠⁠https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠⁠ Feedback: -Email us at feedback@filmspottingSVU.com⁠⁠ Follow: ⁠⁠https://www.instagram.com/superpulse/⁠⁠ ⁠⁠https://www.facebook.com/FilmspottingSvu⁠⁠ ⁠⁠https://letterboxd.com/superpulse/⁠⁠ ⁠⁠https://letterboxd.com/jhoffman6/⁠⁠ ⁠⁠https://bsky.app/profile/mattsinger.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

People We Meet on Vacation: Rom-Coms Have a New Star | SVU

First up in Filmspotting’s Dissident Cinema Marathon, Adam and Josh discuss Charlie Chaplin’s 1940 satire The Great Dictator. They explore how comedy becomes a weapon against fascism, the film’s surprising prescience and moral clarity, and the risks Chaplin took by calling out authoritarian power before much of the world was willing to do so. Links: -Filmspotting Marathons https://www.filmspotting.net/marathons Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.https://www.filmspotting.net/shop⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.

The Great Dictator: Chaplin’s Act of Artistic Nobility | Dissident Cinema

Adam and Josh draft their way through the summer movie slate, weighing everything from major studio events like The Odyssey and Disclosure Day to director-driven wild cards such as Teenage Sex and Death at Camp Miasma and Power Ballad. Also, the Filmspotting '40s Madness champion and plans for Madness '27 (and beyond). This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:39) Summer Preview – Pt. 1 (00:03:40-00:21:11) Filmspotting Family (00:21:12-00:26:56) Summer Preview – Pt. 2 (00:26:57-00:52:43) Poll / Notes (00:52:44-01:01:47) '40s Madness: Champion (01:01:48-01:24:58) Credits / New Releases (01:24:59-01:30:29) Links: -Chicago Critics Film Festival https://www.chicagocriticsfilmfestival.com/ -Summer Movie Draft Results https://www.filmspotting.net/lists -Filmspotting Fest https://www.filmspotting.net/filmspotting-fest -Filmspotting Madness https://www.filmspotting.net/madness/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.https://www.filmspotting.net/shop⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.

Summer Movie Preview 2026 and ’40s Madness Champion | #1062

Adam and Josh discuss Mother Mary, the new film from David Lowery starring Anne Hathaway and Michaela Coel. Part ghost story, part concert film, part chamber drama, the film traces the fraught creative and emotional bond between a pop star and her longtime collaborator as questions of art and control blur together. The conversation explores the film’s woozy dream-logic filmmaking and the moments where its ideas feel most arresting — and most difficult to reconcile. Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Mother Mary: More Than Religio-Goth Gestures?

The transition from spring to summer has long meant more than just a change in the weather; it marks the arrival of the definitive movie‑going season. In May 2022, Adam and Josh looked back at the most significant stretches of cinematic history for their Top 5 Movie Summers, ranked by the strength of their legendary slates, their cultural impact, and that unmistakable feeling of a sweltering July afternoon at the multiplex. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Top 5 Movie Summers | Archive

This week on Filmspotting: SVU, Matt and Jordan tackle the new Netflix action-thriller Apex, starring Charlize Theron and Taryn Egerton. Inspired by Matt Damon’s recent comments on "the Netflix note," the duo investigates whether this Australia-set survival story is better than the average streaming title or another victim of Netflix's "house style" that caters to people doing the dishes. Plus, Jordan uncovers a bizarre cinematic trend involving beef jerky, Matt pays homage to the "undisputed queen of Netflix action," and the guys launch their first-ever Personalized Recommendation segment to help a listener find some deep-cut noirs. The episode wraps with a high-stakes, all-Charlize edition of "Letterboxd-ing," where producer Sam attempts to break his losing streak. (Ep. #170) (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:02:00) Apex (00:02:01-00:27:10) Rec Seg! (00:27:11-00:39:35) Radical Streaming Honesty (00:39:36-00:53:33) Personalize Recommendations: Deep Cut Noir (00:53:34-01:03:58) Game: Letterboxd-ing (01:03:59-01:22:40) New to Streaming / Credits (01:22:41-01:31:03) Notes: Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" comes to bookstores everywhere in October https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Feedback: -Email us at feedback@filmspottingSVU.com⁠⁠ Follow: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu https://letterboxd.com/superpulse/ https://letterboxd.com/jhoffman6/ https://bsky.app/profile/mattsinger.bsky.socialSee omnystudio.com/listener for privacy information.

Apex and The Netflix House Style | SVU

Adam is joined by critic Chris Klimek to discuss Steven Soderbergh's latest, The Christophers. Starring Ian McKellen and Michaela Coel, the film centers on the uneasy power dynamic between a once-celebrated artist and the forger drawn into his orbit. The conversation focuses on McKellen’s bracing late-career performance, Coel’s controlled counterpoint, and Soderbergh and screenwriter Ed Solomon’s refusal to resolve the film’s ideas into sentiment. Links: Follow Chris: Instagram | Bluesky | X Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

The Christophers: Art Is Hard. People Are Harder.

Is Casablanca the best film of the 1940s? Adam and Josh put it to the test in a head‑to‑head showdown with its fiercest competitor: Citizen Kane. As part of the Filmspotting Pantheon Project — and on the occasion of Kane’s 85th anniversary — the conversation digs into what each film says about America, power, and the promise (or illusion) of individualism. They also trace how the ’40s Madness bracket led to this championship matchup. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:53) Kane vs. Casablanca (00:01:54-00:46:28) Filmspotting Family (00:46:29-00:50:57) Notes / Filmspotting Fest On Sale (00:50:58-00:59:42) '40s Madness: Final (00:59:43-01:10:06) Credits / New Releases (01:10:07-01:13:17) Links: -Filmspotting Pantheon https://www.filmspotting.net/pantheon -Filmspotting Fest https://www.filmspotting.net/filmspotting-fest -Social Media Asst. Role https://www.filmspotting.net/social -Filmspotting Madness https://www.filmspotting.net/madness/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Citizen Kane vs. Casablanca and '40s Madness Final | #1061

A24 may have launched modestly in the early 2010s, but it didn’t take long for the indie distributor to reshape American cinema. To mark the company’s first decade — spanning Spring Breakers and The Bling Ring through Moonlight, Lady Bird, The Florida Project, and more — Adam and Josh convened the debut Filmspotting Draft in August 2022: ten A24 titles each, no shared picks, no trades, no fighting. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

A24 Draft | Archive

Matt and Jordan return with a review of Balls Up, debating if the Peter Farrelly formula still works on the small screen and whether they can actually recommend a movie involving cocaine-addicted crocodiles. Later, Matt revisits Empire Records, Jordan goes back to 1935 with The 39 Steps, and the team plays the first-ever round of "Key Chain." (Ep. #169) (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:02:58) Balls Up (00:02:59-00:34:13) Rec Seg + Radical Streaming Honesty (00:34:14-01:11:40) Game: Key Chain (01:11:41-01:29:18) New to Streaming / Credits (01:29:19-01:37:28) Notes: Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" comes to bookstores everywhere in October https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ The Reddit thread that explains how the poster for Nirvana The Band The Show The Movie ripped off Marty Supreme (and how this all related to the Balls Out poster): https://www.reddit.com/r/blankies/comments/1qk7av1/marketing_for_nirvanna_the_band_the_show_the/ Feedback: -Email us at matt@filmspottingSVU.com⁠⁠ Follow: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu https://letterboxd.com/superpulse/ https://letterboxd.com/jhoffman6/ https://bsky.app/profile/mattsinger.bsky.socialSee omnystudio.com/listener for privacy information.

Balls Up: The High Stakes of Low-Brow Comedy | SVU

Adam and Josh honor the late Robert Duvall with a Top 5 discussion of the scenes that best capture his range, authority, and restraint. From iconic bravura moments to quieter displays of control and vulnerability, the conversation traces performances that continue to define Duvall’s place in American cinema. Plus, the ’40s Madness bracket narrows to its Final 4 contenders. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:48) Top 5 Robert Duvall Scenes (00:01:49-01:21:05) Filmspotting Family (01:21:06-01:30:10) Notes / Filmspotting Fest Announcement (01:30:11-01:47:45) '40s Madness: Final 4 (01:47:46-02:00:12) Credits / New Releases (02:00:12-02:02:30) Links: -Sidney Lumet watches Network https://www.youtube.com/watch?v=z3zsLMUHhLo -Filmspotting Fest https://www.filmspotting.net/filmspotting-fest -Filmspotting Madness https://www.filmspotting.net/madness/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Top 5 Robert Duvall Scenes and '40s Madness Final 4 | #1060

After reviewing The Godfather in 2022 for the film's 50th anniversary, Adam and Josh devoted a bonus show to — arguably — its even greater sequel. For the first time, we're sharing that review in the main Filmspotting feed. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

The Godfather Part II Review | Archive

Not a dream, not a hoax — SVU is back. After an eight-year hiatus and a “miracle leap forward in technology,” Matt Singer returns with new co-host Jordan Hoffman. To christen the new era, they tackle Jonah Hill’s Apple TV original Outcome, starring Keanu Reeves as the neurotically obsessed movie star (and former heroin addict) Reef Hawk. The duo debates whether the film is a fascinating failure — or just a “transcendentally bad” piece of garbage. Plus, Jordan takes us on the grossest space-related tangent in podcast history, Matt provides some radical streaming honesty, including a recommendation for Netflix’s new Pizza Movie, and producer Sam Van Hallgren joins the fray for the inaugural edition of Letterboxding. (Ep. #168) (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:57) "Outcome" (00:03:58-00:44:02) Radical Streaming Honesty (00:44:03-01:14:01) Game: Letterboxding (01:14:02-01:28:56) New to Streaming / Credits (01:28:57-01:36:31) Feedback: -Email us at matt@filmspottingSVU.com⁠⁠ Follow: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu https://letterboxd.com/superpulse/ https://letterboxd.com/jhoffman6/ https://bsky.app/profile/mattsinger.bsky.socialSee omnystudio.com/listener for privacy information.

Apple TV’s Outcome: Testing the Limits of Keanu’s Likability | SVU

Michael Phillips talks with author Paul Fischer about The Last Kings of Hollywood and the fragile, collaborative moment that brought Coppola, Lucas, and Spielberg together before success hardened into mythology. From near-misses and rivalries to the system they helped build—and later found themselves up against—the conversation asks what was possible then, what was lost, and why none of it happens without people pushing one another. Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Coppola, Lucas, and Spielberg: How Success Changed the System — and Them

Adam and Josh review The Drama, Kristoffer Borgli’s provocative relationship experiment starring Zendaya and Robert Pattinson, and split on whether its formal games around perception, narrative, and moral judgment deepen the emotional stakes. They then break down the Elite 8 matchups in ’40s Madness and size up what’s left of the bracket. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:02:06) The Drama (00:02:07-00:43:21) Filmspotting Family (00:43:22-00:47:01) Next Week/Notes (00:47:02-01:00:43) '40s Madness: Elite 8 (01:00:44-01:18:51) Credits / New Releases (01:18:52-01:21:40) Links: -Filmspotting Madness https://www.filmspotting.net/madness/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠  See omnystudio.com/listener for privacy information.

The Drama: A Split Decision and '40s Madness Elite 8 | #1059

Adam and Josh officially induct two films into the Filmspotting Pantheon, the show’s eclectic movie Hall of Fame, welcoming a pair of foreign‑language classics from two of the show’s most admired filmmakers. They walk through the Pantheon voting process, reflect on this year’s nominees, and explain how the final selections rose to the top.They also announce the lineup for the upcoming Dissident Cinema Marathon — a new series focused on films that confront political power and state abuse. This episode is presented by Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:15) Dissident Cinema Marathon (00:01:16-00:18:57) Pantheon Induction (00:18:58-00:37:45) Credits (00:37:45-00:38:43) Links: -Filmspotting Pantheon overview and full list of inducted films https://www.filmspotting.net/pantheon -Dissident Cinema Marathon hub https://www.filmspotting.net/marathons Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Pantheon Inductions and Dissident Cinema Marathon Announcement

Originally recorded ten years ago during a conversation sparked by David Robert Mitchell’s It Follows, Adam is joined by Michael Phillips for a Top 5 about standout horror films from the 21st century. The conversation captures a moment tied to a film whose influence remains strong, with a sequel set to begin filming this summer. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Top 5 Horror Movies of the 21st Century | Archive

After two rounds entirely dominated by top seeds, could the first upset of ’40s Madness be brewing between Bicycle Thieves and Brief Encounter? Plus — thanks to the Filmspotting Bump™ — does The Best Years of Our Lives have what it takes to go toe‑to‑toe with It’s a Wonderful Life? Adam and Josh dig into the Sweet 16. This episode is presented by Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.)Intro (00:00:00-00:03:30) Round 2 Results (00:03:31-00:33:55) Sweet 16 Matchups (00:33:56-00:40:43) Bracket Challenge (00:40:44-00:45:15) Credits / New Releases (01:13:01-01:18:01) Links:-Filmspotting Madness https://www.filmspotting.net/madness/ Feedback:-Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support:-Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.