Heart UK

Street Photography Magazine Podcast

The Official Journal of Street and Documentary Photography

John Rosenmiller didn't set out to become a photographer. In fact, it wasn't until later in life that he realized something was missing: he'd done a lot of things, but he'd never done anything purely creative. Photography changed that. And Cuba gave him a place to explore it.
In this conversation, John joins Street Photography Magazine's Bob Patterson and Ashley Riffo to talk about the many trips that have taken him deep into Cuban life and eventually led to his striking Carboneros de Cuba series. When John first arrived in Havana, its chaos, characters and raw energy reminded him of the New York he knew in the 1970s and '80s. He kept going back, building relationships, following his curiosity and learning photography along the way. Upon seeing his photos one photographer wrote in to tell us, “This is more than good, this is a labor of love.” 
John is refreshingly candid about that learning process. He talks about the years it took him to feel comfortable calling himself a photographer, why realizing his early work wasn't very good actually helped him improve, and why photographers should be ruthless about what they choose to show.
We also dig into how he creates his nighttime portraits with surprisingly simple lighting, the value of honest criticism, photographing people without turning them into a performance, and the personal rules he follows when deciding whether a photograph should be made at all.
But some of the most interesting parts of this conversation aren't really about photography. John talks about what years of returning to Cuba have taught him about people, generosity and community, and how a search for creative fulfillment became something much bigger than he expected.

John Rosenmiller on Cuba, Self-Editing and Becoming a Better Photographer

What can street photographers learn from an independent filmmaker? Quite a lot, it turns out.
In this episode of the Street Photography Magazine Podcast, we sit down with filmmaker and professor James Choi, whose recent return to South Korea after nearly five decades inspired both a feature film and a striking body of street photography.
Discovered through Trope Publishing, James brings a unique perspective to photography, one shaped by years of visual storytelling through cinema. We talked about how filmmaking and street photography overlap, why simplicity often leads to stronger work (and why keeping things simple can be a challenge), and how creative limitations can become your greatest advantage.
Along the way, James shares thoughtful insights on:
• Returning to his birthplace after 46 years
• Photographing the feeling of a place rather than simply documenting it
• Why authentic art requires vulnerability
• How simplifying your gear and your process can help you grow faster
• Lessons filmmakers and photographers can learn from one another
• Independent film recommendations that every visual storyteller should see

James Choi: What Street Photographers Can Learn from an Independent Filmmaker

Watch on YouTube
This month’s podcast guest might surprise you. Most street photographers thrive on unpredictability. They head out with a camera, trust their instincts, and let the world unfold in front of them. Kantaya New does that. She also spends days, sometimes weeks, carefully planning conceptual photographs where every element is intentional. On paper, those two approaches couldn’t be more different. But as you’ll hear in this conversation, each one has made her better at the other.
Kantaya, who is also a newly minted X-Creator with Fujifilm, joins Bob Patterson and me to talk about balancing street photography with conceptual work, using humor to explore serious subjects, and why some of her most personal projects have resonated with complete strangers. One of my favorite moments is hearing how her husband became the reluctant star of her ongoing series A Modern Day Affair, and the lengths she has to go to keep him motivated during shoots.
If you’re looking for a conversation about creativity, curiosity, and finding your own voice as a photographer, I think you’ll really enjoy this one.
A Selection of Kantaya’s Photos

Outdoor Closet


Backstage (2025)


Long Wait (2021)


From the series “Dare to Be You”





Where to Find Kantaya 

Website
Instagram

Current & Upcoming Exhibits

7th Annual FujiFanBoys Best of Show Touring Exhibition — Hong Kong,15 July to 14 August 2026, Fujifilm House of Photography
Ecos Cardinales Vol. V — San Luis Potosí, Mexico, 6 August 2026, Galería Germán Gedovius
RPL26 — Streets of the World, RomePhotoLab Festival, 2 to 4 October 2026, Villa Altieri Museum Complex, Rome



Kantaya New on Balancing Street & Conceptual Photography

When Sandra Catanio Adorno picked up a camera for the first time, she was 60 years old.
She had no photography background, no formal training, and by her own admission, took "horrible" photographs at first. But a workshop with Alex Webb and Rebecca Norris Webb sparked something that would completely reshape the way she experienced the world.
Today, Sandra is an internationally recognized street photographer, the author of four acclaimed photobooks, and the creator of a stunning solo exhibition at the 61st Venice Biennale.
Before we even began recording, Sandra insisted on giving me a tour of her exhibition. As she walked through shimmering silver prints, a fragmented mosaic, and fabric installations overlooking the canals of Venice, it became clear that her work isn't just about photographs. It's about curiosity, experimentation, and inviting people to see familiar things in new ways.
In this conversation, we talk about discovering creativity later in life, collaborating with artists and publishers, new ways of seeing, and why Sandra believes we all have far more potential than we realize.
Whether you've been making photographs for decades or are still waiting for the "right time" to begin, Sandra's story is a reminder that it's never too late to discover something that changes your life.
Music licensed through Soundstripe.
Code: WNIAYRXERNI7IJSK, DG8RDKJBNFDFSCWJ, 3C7DR8CJAKJYRS9J

Sandra Cattaneo Adorno: You Have More Potential Than You Think

Creating a photo book taught us far more than we ever expected. Creating a course about it taught us even more.
In this episode, Bob Patterson interviews Street Photography Magazine publisher Ashley Riffo about the making of our new self-publishing photo book course. We talk about why the course exists, some of the challenges of book making & course making, the lessons we learned from publishing "Where the Streets Lead", and what we'd do differently next time.
Along the way, Bob shares what he's been up to since retiring as SPM's publisher, offering up stories from his recent trip to Japan, a glimpse into his new Substack, "Beyond Street Photography", and reflections on creating a personal travel zine.
We also share thoughtful feedback and advice from a few photographers who have self-published books includeing Craig Litten, Debby Cole, and Wayne Campbell. They all agree: Self-publishing a book is a lot of hard work, but totally worth it.
If making a photo book has been sitting on your "someday" list, this conversation is for you.
Learn more about our self-publishing photo book course:
https://streetphotographymagazine.com/learn/
Read Bob's Substack: https://beyondstreetphotography.substack.com/
Guests:
Craig Litten - https://www.craiglitten.com/
Deborah Cole - https://www.deborahcolephotography.com/
Wayne Campbell - https://www.acelebrationofdemonstration.com/
Subscribe for more conversations with photographers from around the world.
Music licensed through Soundstripe.
Code: 4VJ8G2ENZ3NXC9BB, BY6JGQD8ZFZEZECP
#streetphotography #streetphotomag #photographypodcast #photographyeducation

The Making of a Photo Book Course

In this episode of the Street Photography Magazine Podcast, Bob Patterson and Ashley Riffo sit down with the photographers behind Three Cities Photography: Christer Björkman (Sweden), Jane Dee (Scotland), and Kitty de Jong (Netherlands). They told us how what started as a conversation during a Peter Turnley workshop in Paris grew into a years-long creative collaboration spanning books, zines, newspapers, countries, and countless photography discussions.

Three Cities, Three Perspectives, One Creative Collaboration

In this special episode, Ashley Riffo explores that question by speaking with photographers who attended four very different events: Dublin Street Photography Festival, Raw Photo Fest, Eyes on Main Street, and Photo London. Along the way, conversations about exhibitions and portfolio reviews quickly turn into something deeper: community, inspiration, and the joy of meeting the people behind the photographs. Whether you've attended dozens of festivals or never been to one, this episode offers a glimpse into why photographers keep coming back year after year.

Why Photography Festivals Matter

Documentary photographer and filmmaker Nagamitsu Endo joins us to talk about storytelling, street photography, and the patience required to document real life honestly. Raised between Japan, New York, India, and Pakistan, Naga shares how growing up across cultures shaped his perspective as both an observer and storyteller.
We discuss his years working in documentary television alongside Brent and Craig Renaud, the emotional process of editing documentary work, and why trust and empathy matter when photographing people. Naga also reflects on being mentored by renowned photographer Philip Perkis, shooting with a single lens, and the importance of persistence in both street photography and life.
This episode explores documentary storytelling, human connection, and what it means to keep showing up with a camera, even when you don’t know exactly what you’re looking for yet.

Stories Beyond the Headlines with Nagamitsu Endo

In this episode of the Street Photography Magazine podcast, Bob Patterson talks with documentary photographer, educator, and National Geographic contributor Michael O. Snyder.
Michael shares how street photography became the foundation for his larger documentary practice, why place matters just as much as people in storytelling, and how photographers can pitch their work more effectively to editors and publications.
They discuss the relationship between street photography and documentary photography, building long-term projects, photographing cultural heritage sites affected by climate change, and Michael’s new book Alleghenia: A Central Appalachian Folklore Anthology, a fourteen-year project preserving stories and traditions from Central Appalachia.
From ancient flood systems in Petra to forgotten presidential statues in Virginia to oral histories from the mountains of Appalachia, this conversation is a reminder that meaningful stories are everywhere, you just have to start where you are.
Topics covered:
• Street photography as a gateway to documentary work
• How to pitch photo stories to editors
• Why place matters in visual storytelling
• Working with National Geographic
• Climate change and cultural heritage
• Michael’s new book on Appalachian identity and folklore
• Why the best stories often begin at home

Michael O. Snyder: Why This? Why Now? Why You?

Listening to Bethany Jacobson talk about NYC in the 80s in our last episode was absolutely fascinating, but it was an unfamiliar world for me. This week, we relived a little 90s nostalgia with Kai Diaz, and I have to say, it took me back to my own teenage years, albeit an East Coast version.
Kai grew up on MTV, skate videos, and surf magazines and it was that kind of visual culture that shaped the way he sees, even now. As a kid, he became the unofficial documentarian of his friend group, filming skate sessions and documenting life on film. To this day, friends call him looking for old memories, and he’s usually got the photos stowed away, ready to scan and send. So, you can add archivist to the list of Kai’s abilities too. 
He said, “I just wanted to remember everything…that’s kind of how I got into photography.” And while he started shooting so he wouldn’t forget (Peter Pan syndrome, he calls it), over time, he’s honed his craft into something much deeper. These days, observation, storytelling and curiosity are at the heart of what he creates. “It’s just in me to document stuff,” he says.
Influenced by Film and Films
With just a few exceptions, Kai has stayed true to film photography over the years, both for the benefits that come from a slower process, and for the quality of work film produces. Film pushes him to get it right in-camera instead of fixing things later. Plus, he argues that there’s something about film that’s hard to explain but immediately noticeable, a quality that digital (even with filters) doesn’t quite replicate.
And when you look at his work, you can see it. His photos feel cinematic, which is a product of his approach, but also his early visual training, one that came from all those classic 90s films. Kai was (and still is, sounds like) obsessed by films from directors like Christopher Nolan, Steven Spielberg, and Stanley Kubrick. “They don’t have to explain anything… they just show it to you and you feel it,” he says. That same philosophy carries into his own photography: no over-explanation, no forced narrative, just images that make you feel something, and scenes that make you curious.
We dove into the creation of Kai’s upcoming book too, “Echoes of the Unseen,” which promises to be an incredible collection of work, and Kai talked candidly about the challenges that come with book-making. 
At the end of the day, Kai isn’t just making photographs, he’s leaving behind a record. Whether it’s a box of old prints, a future photo book, or an image hanging in someone’s home, it all serves the same purpose: to make sure something lasts.
And there’s something pretty powerful about that.
Watch this episode on YouTube
A Selection of Kai’s Photos









Where to Find Kai

Website
Instagram
Kai Diaz: Living Forever (SPM Feature)



Kai Diaz: Wired to Document

In this episode of the Street Photography Magazine podcast, Bob Patterson and Ashley Riffo sit down with photographer, filmmaker, and educator Bethany Eden Jacobson for a conversation that was part time capsule and part behind-the-scenes look at a creative life.
Bethany takes us back to the gritty, electric energy of 1980s downtown New York, which was an era where art, music, and rebellion collided. From photographing icons like Iggy Pop to documenting the underground scene shaped by figures like Jean-Michel Basquiat, her work captures a moment that was raw and unfiltered, and though she didn’t realize it at the time, transformative for the art world in general.
But it wasn’t just the nostalgia that made this conversation interesting. We also talk about what it means to revisit your archive decades later, how filmmaking influences photographic storytelling, and why editing—whether for film or a photo book—is where the real work begins. Bethany also shares her thoughts on creative identity, resisting the pressure to “niche down,” and embracing a multidisciplinary approach in a world that often demands labels. It’s a great conversation for anyone out there in the wild navigating their own creative path right now. 


Links from the show
Bethany’s Website
Kickstarter for “Another Time, Another Place” – LAUNCHING APRIL 14TH
Bethany’s Photo Book “Another Time, Another Place”






Inside the 1980s NYC Art Scene with Bethany Jacobson

Several months ago, after an editorial meeting with Bob, which was packed with beautiful and meaningful projects, I admitted that I often feel like I don’t know what I want to say with my camera.
I did not share this with Jorge Delgado-Ureña, photographer, writer, educator, and co-founder of The Raw Society, but it goes without saying that our conversation hit home for me personally. 
In this episode, Jorge and I talked, among other things, about intention in photography. Why it’s so hard to nail down, and why it matters more than we might like to admit.
Jorge shares his perspective on storytelling, responsibility, and the difference between simply taking photos and actually saying something with them. Plus, you’ll hear about how The Raw Society came to be, what a fantastic community it’s turned into, and what’s in store for the upcoming inaugural Raw Photo Fest. I loved hearing about a festival that will showcase photography in a way that is accessible to anyone and everyone, including kids, locals, and non-photographers. 
 “Raw Photo Fest is more than a festival. It is an invitation to slow down and connect — with photography, with stories, and with Menorca itself.” – Christelle Enquist, Co-founder of The Raw Society and Festival Director
This episode has plenty of food for thought, and it might just challenge the way you’ve been shooting. I know it gave me a little something to wrestle with. 
Links from the show
The Raw Society 
The Photographer’s Journal (Jorge’s Substack)
Raw Photo Fest

Watch this episode on YouTube


The Raw Society’s Jorge Delgado-Ureña on Why Intention Matters

In this episode of the Street Photography Magazine podcast, Bob and I had the chance to sit down with photographer Doug Bruns. And the conversation we had was the kind that sticks with you long after it’s over.
We talked about how growing up around cameras and photographers shaped his path, and how a formative trip abroad set him on a lifelong journey of travel and image-making. But this episode goes way beyond origin stories.
We talked about what it means to photograph for yourself instead of for validation, how stepping away from social media impacted Doug’s creativity, and why committing fully to black and white photography gave him a surprising sense of freedom. We also got into the realities of creative dry spells, discipline, and the long, often nonlinear relationship we have with our work.
Doug shared a few stories that really stayed with me too, especially one about discovering a sculpture deep in the Maine wilderness that reshaped how he thinks about creativity and purpose.
This isn’t just a conversation about photography. It’s about identity, intention, and figuring out how to stay connected to your creative voice over time.
If you’ve ever questioned why you make photos, or if you’ve ever felt stuck, distracted, or disconnected from your work, I think you’ll find something meaningful in this one.
Links from the show
Doug’s Website
Doug on PixelFed 
Doug on Glass
The photography of Alison Wright
A Selection of Doug’s Photos









P.S. You can also watch our conversation on YouTube.


Doug Bruns on Dry Spells, Discipline, and the Long Game

Street photography often begins with curiosity. For Carmina Ripolles, it also began with a moment in life when creativity became a necessity. 
In this episode of the Street Photography Magazine podcast, Bob Patterson and Ashley Riffo talk with Carmina, a street photographer and English teacher whose work celebrates what she calls the “beautifully ordinary.”  Her journey into photography began during the lockdown, a time when the world slowed down and many people found themselves searching for new ways to express and understand their experiences. 



What started as a creative outlet soon became something deeper. Inspired by photographers like Vivian Maier and Richard Billingham, Carmina began documenting everyday life with a keen eye for small gestures, fleeting expressions, and quiet moments that often go unnoticed. Her photographs remind us that meaningful stories don’t only exist in dramatic scenes, they are happening all around us. 



Throughout the conversation, Carmina talks about how photography helped her know herself better as a true people person. She also shares how listening, observing, and engaging with others can transform a simple moment into a photograph that resonates. 
Her goal isn’t to dramatize the street or focus only on hardship. Instead, she looks for humanity, humor, and joy in daily life. As she puts it, she wants her images to be “beautifully ordinary.”



Carmina in the February Issue








Beautifully Ordinary: The Street Photography of Carmina Ripolles


In a genre that sometimes gets defined by bravado or confrontation, Carmina’s photographs remind us of another path.


Read more





Links from the Show
“The Fugitives” by Carmina Ripolles (The Bee)
“When We’re Smiling” by Carmina Ripolles (The Bee)
Carmina on Instagram


Beautifully Ordinary Street Stories with Carmina Ripolles

In this episode of the Street Photography Magazine podcast, Bob Patterson sits down with Swiss photographer Michael Eugster. Though relatively new to the street photography scene, his photos are incredibly good, and have garnered him quite a bit of recognition in festivals and exhibits around the world. 
When Michael began experimenting more seriously with photography, he first focused on landscapes. (I mean, how could you not if you lived in Switzerland?) But when he started photographing in Zurich, something shifted. As people entered the frame, the images felt more alive. 

“Suddenly, people came into the pictures,” he says. “And I realized this is definitely a more interesting element.”
Street photography gave him emotions and stories that landscapes couldn’t.
Once he discovered that, he committed. Michael studied online resources, listened to podcasts, and spent as much time shooting as possible. Practice became the foundation of his progress. The more he photographed real life unfolding around him, the more confident he became in anticipating moments.

Today, Michael approaches street photography with the mindset of a collector. Rather than chasing a single perfect image, he looks for recurring themes that catch his attention over time. Matching colors across strangers, lost gloves abandoned on sidewalks, and even interesting backs, yes, backs, have become ongoing personal projects. These small visual puzzles give him direction while still leaving room for surprise. The street always has the final say, and part of the joy is staying open to whatever appears next.

Community has also played an important role in his growth. Photography festivals introduced him to other street photographers who share ideas, encouragement, and honest feedback. Those connections have helped turn a solitary practice into a shared experience.
Michael’s journey is relatable. He did not begin as an expert. He improved rapidly, simply by staying curious and practicing consistently. For anyone exploring street photography, his experience is a reminder that growth comes from intention and effort.

Links from the show
Michael’s Website
Instagram
Michael on Substack


Collecting Moments with Michael Eugster

In this episode, Bob and I had the chance to talk with photographer Xiomaro about a creative path that definitely didn’t start with photography.
Before he ever picked up a camera, Xiomaro’s world revolved around music and law. He performed, managed artists, and built a legal career working with musicians. Photography really only entered the picture after a prostate cancer diagnosis forced him to slow down and rethink what he wanted his life to look like moving forward.
What followed wasn’t some dramatic overnight pivot. It started quietly, with travel and time spent photographing national parks during his recovery. That period led to something pretty remarkable: acceptance into a National Park artist residency. Living and working in that environment gave him space to think, to create without pressure, and to reconnect with curiosity in a way that hadn’t been possible in his previous professional life. His park work grew into exhibitions and commissions, but more importantly, it helped him rediscover the joy of making something simply because he wanted to.
Street photography came later, almost accidentally.
While commuting to a legal job he had taken for financial stability, he began photographing daily life in New York City. Not with a grand vision or a long-term plan. Just as practice. Just to stay engaged creatively.
In our conversation, Xiomaro talks about how his background in music still shapes the way he works today. There’s a strong sense of improvisation in his approach, learning the craft, putting in the reps, and then letting instinct take over. Whether he’s photographing sweeping landscapes in a national park or fleeting moments on a city sidewalk, that same mindset carries through.
We also talk about how surviving cancer changed his relationship to time and to creative work itself. Photography became less about achievement and more about presence. Less about structure and more about play.
It’s a really thoughtful conversation about reinvention, creativity, and how sometimes the things that start as small personal practices end up reshaping your life in ways you never expected.
Links from the show
Xiomaro’s Website
Instagram
“Street Photography of New York City: Street Haunting in the Big Apple” by Xiomaro
“Free Play: Improvisation in Life and Art” by Stephen Nachmanovitch


Improvisation in Street Photography with Xiomaro

In the latest episode of the Street Photography Magazine Podcast, Bob Patterson shares an important update about the future of the magazine, and about his own next chapter.
After more than 13 years as publisher, Bob is stepping back from day-to-day leadership and passing the reins to me, Ashley Riffo. This transition has been thoughtful, intentional, and in the works for a while now. The heart and mission of the magazine aren’t changing.
In this episode, Bob reflects on how what started as a six-month experiment turned into the longest role he has ever held. Over the years, Street Photography Magazine grew into a global creative community, something Bob says he’s deeply grateful for. “It’s great work. I’ve loved every minute… almost every minute,” he laughs. 
But in all seriousness, this is his baby. He built it from the ground up. Now, at 72 (and a half), Bob speaks candidly about aging, health, and perspective. A prostate cancer ordeal last year became a wake-up call, prompting him to ask: What do I want to do with the time I have left? His openness is a reminder that creativity and self-reflection don’t have expiration dates.
What This Means for You
Let me be very clear: Street Photography Magazine is not going anywhere.
You can expect the same thoughtful articles, featured photographers, podcasts, and community-driven storytelling. There are no sudden changes planned, no shift in editorial direction, and no interruption to your subscription. Bob will also continue to be involved, especially with the podcast and behind-the-scenes support, so his voice and perspective will remain part of the magazine.
As the magazine naturally evolves, we’ll continue listening closely to this community. One idea we’re exploring is a possible Spanish-language edition. So if that’s something you’d like to see, we’d love to hear from you. And truly, if you have any other ideas for Street Photography Magazine, please, reach out and tell us! You can send all your ideas straight to me at ashley@streetphotographymagazine.com. Rest assured, any future changes will be intentional and aligned with the values that brought us all here in the first place. 
Bob’s Next Chapter
Bob is returning to his own photography, writing, and personal projects, something he’s been inspired to do by the many photographers he’s met through the magazine. He’ll be sharing that journey through Substack, and I know many of you will want to follow along.
I also want you to know how seriously I take the responsibility of stewarding Street Photography Magazine. This publication exists because of its community, and my goal is to honor its history while guiding it forward with care.
Thank you for being here. And thank you for continuing this journey with us.
Links from the show
Bob’s Substack

A New Chapter for Street Photography Magazine

James Hazelwood is a Rhode Island-based photographer who recently embraced retirement as an opportunity to pursue photography full-time. Since retiring, he’s launched an ambitious publishing schedule on Substack, where he shares photo stories that blend his street photography aesthetic with personal narratives from his travels and everyday experiences. His work can be found at jameshazelwoodphoto.com, and he’s active on the new photography app Foto.
James has a refreshing approach to street photography—one that extends beyond traditional boundaries to embrace storytelling both in photographs and in written form. Rather than debating what qualifies as “street photography,” he applies the street photographer’s mindset to everything he photographs. As he explains, “The whole candidness, the spontaneousness, trying to find the different angles and ways of capturing moments wherever it happens is street photography.”
This philosophy has led James to create warm and personal photo essays documenting both his travels and intimate personal projects. His Southern Crescent series, published in the January 2026 issue of Street Photography Magazine,  captures life in the Mississippi Delta sparked by a Raw Society workshop during the Mighty Roots Music Festival in Stovall, MS.
For photographers looking to develop their storytelling practice, James offers a valuable lesson. Commit to showing up consistently. His photo-a-day project taught him that “if you commit yourself to a daily habit, you can get a lot done.”
Second, be willing to work slowly with sensitive subjects. James acknowledges “I got to really build trust with people. They’re not just going to say, sure, come in and photograph me the first time I meet them.”
Finally, overcome hesitation on the street through simple gestures. James learned from photographer Peter Turnley that a raised eyebrow and questioning look—”without saying a word”—can cross any language barrier and open doors to authentic moments.
James’s work is inspiring because he’s channeling retirement into full-time creative output, proving it’s never too late to commit yourself fully to photography.Once you give the podcast a listen, I encourage you to spend some quiet time reading some articles in his Substack.  
Links from the show
James’s Website
James’s Substack
Instagram


Spontaneity and Story with Street Photographer James Hazelwood

Gear discussion alert!While we rarely discuss camera gear on this show, I made an exception with Matt because…well because it’s the beginning of the year and for some reason we both started using the same camera at the same time.  So why not?  It’s probably the last time you hear us discuss it on the show during the remainder of 2026.
Matt’s approach to street photography is different because he’s adapted his photography to social media while maintaining his personal photographic vision. He explains, “The truth is there’s an awful lot of mediocrity around, and mediocrity doesn’t get noticed. It doesn’t matter how many hashtags you place. It doesn’t matter what filter you’re using.” His solution is consistency and quality. Rather than chasing trends, Matt focuses on posting strong images regularly which helps him build recognition over time. 
His perspective on creative freedom is equally instructive. When discussing the balance between personal artistic vision and audience expectations, Matt said “If somebody’s paying you or you’re doing a commission, then you have to fit certain parameters. But if you’re doing it for yourself, it can be totally free. Your personal work should be an expression of what you want to say.” This distinction helps photographers understand when to compromise and when to stay true to their personal vision. 
Most important, Matt stresses the value of direct human connection in street photography. He believes careful observation and the courage to engage directly with the world are qualities no algorithm can replicate.
Links from the show
Matt’s Instagram
SPM Podcast episode with Matt discussing our recent trips to Cuba in 2018 about 2-weeks apart


Matt Jerrams on Building Recognition Through Consistent Work

Watch The Video on YouTube
Each year, we publish hundreds of street and documentary photographs in Street Photography Magazine. Some hit right away. Others stick with us long after we’ve closed the issue.
In this episode, Ashley and I look back at 2025 and share 10 images (plus a few others) we keep coming back to. These are a few of the photographs that held our attention, raised questions, or felt worth spending more time with.
Below, you’ll find each image with our thoughts on what drew us to it, along with the full audio conversation.
Ashley’s Selections
France Leclerc  Untitled
This photo is immediately surprising (unless you deal in camels probably). But what I love is the tension in this photo. Don’t anybody psychoanalyze me, but it reminds me of an ugly divorce, two men fighting, a camel, distressed dangling in the middle, other camels nearby gawking. It’s tense, but the camels make it almost comical. From France Leclerc – Staying for the Story
Pat Callahan “Lost in the Moment”
This is a beautiful moment but it’s made so much more beautiful by the composition and the sets of three. J’adore.From At Home Everywhere with Pat Callahan
Billy Dinh  Untitled
So many of Billy’s photos leave me slack jawed, thinking “how did he even see that?” This is one of them. It’s like the magic of street photography wrapped up into a single image. Things familiar, things unfamiliar, gorgeous light, and PERFECT timing. From Conjured Off a Canvas

Brad Jones “The Vacation Effect”
Seriously. Who can turn a Whataburger into a renaissance art? Brad Jones can.From Brad Jones: Unlimited Good Pictures

Andrew Stark “Eddy Avenue Central
This photo takes that “multiple layers” approach we see a lot in street photography and makes it better. Not only are the subjects layered well, there’s just so many emotions going on here. Amazing capture. I really admire Andrew’s observation skills. He’s super skilled at seeing emotions and capturing them at just the right second. From Stark Reality: The Second Coming
Dean Hinnant Untitled
I talked about this one on The Crit House, but besides it being a lovely photo, I love the way Dean captures his adolescent siblings in the presence of his father, with his dad always in the periphery – you never see his face, but he’s often there on the edges. It’s that moment in life where you’re aching for independence, planning out your life without your parents, but you still desperately need them, in a picture. You don’t see this phase of life documented through photography very often, which I think makes it super valuable. From Dean Hinnant: Seeing the World Wide Open
Michael O. Snyder  Untitled
This is just so weird. And I love weird stuff. It’s a photo of the remains of Presidents Park, where forty-two monumental busts of the nation’s presidents were constructed to draw in tourists visiting nearby Colonial Williamsburg. The park didn’t work out and the busts have been dumped in a field and left to decay. It’s weird but it’s so easy to find metaphors for government and society in these photos. That makes it more meaningful than just snapshots of a random oddity. From Placing Bets on Mosquitos
Bob’s Selections
Dean Hinnant “Victoria”
Although this is actually a documentary photo, I chose it due to the intimate story Dean tells us about his youngest sibling, Victoria as he makes a candid image of her having a quiet moment in her bedroom.  The warm tones reveal a feeling of closeness between the siblings while the multiple mirror reflections pull the viewer deeper into the frame to reveal her melancholy mood.From Dean Hinnant: Seeing the World Wide Open
Alaya “Diagonal”
I’m attracted by the shapes, particularly triangles. I also like that it is not a typical “street” image. The combination of shapes creates an abstract whole. Alaya has arranged the elements so the compositional relationships become more important than the literal subject matter. The image functions almost like an abstract painting that happens to use real-world elements.From Street Shooters of August 2025
Pat Callahan “The Pilgrimage”

Pat Callahan made this photo with his iPhone which brings to mind the work of Henri Cartier-Bresson.The parallel diagonal lines of the bannisters create a sense of depth and movement, which pulls the eye down and around the corner where to the nuns.  From At Home Everywhere with Pat Callahan
Hillary Greene-Pae  “Little Joe Mclerran and Family at the Cat Head, Clarksdale, Mississippi”
I was first drawn in by the image of the father watching over his son stretching his small fingers to make a difficult cord as his daughter dances to the music. Hillary’s choice of a slow shutter speed perfectly captures the motion of the girl’s dress. Then while spending more time in the image I noticed the painting of the singer above the group in the background as if he’s part of the performance.  This scene of a family doing something they love together made me wish I was there.From Street Shooters of September 2025
Larry Veltman “Through the Plastic Curtain”
At first I almost passed on this photo due to the foggy nature of the plastic curtain. Then, after pausing for a closer look I was drawn in by the impressionistic texture created by the semi-opaque curtain. The Sticky Fingers logo from the Rolling Stones album in the upper left hand corner of the frame gives to overall image balance that would not exist in its absence. The muted tones mirror the sense of peace of the resting man in the center of the frame.From Street Shooters of September 2025



2025 Favorite Images

Sharon LaCour is a pianist, piano teacher, and author living in Lafayette, Louisiana. After growing up in New Orleans in a Cajun family and spending years up north, she returned to Louisiana where she has published over a dozen short stories in literary journals. Her debut novel, The Meeting of Air and Water, explores the connections between photography, identity, and Cajun culture across two generations of women photographers.
After 216 episodes of interviewing photographers, I never expected episode 217 would feature someone who isn’t a photographer at all. But Sharon LaCour’s story illustrates how photography can inspire creative work in unexpected ways.
I met Sharon through her son Daniel, a jazz bassist I photographed while documenting Virginia’s jazz community. During a post-sound check conversation, Daniel mentioned his mother had just published a novel inspired by Fonville Winans, a photographer who documented life in the Louisiana bayous from the 1920s through the 1990s. I immediately wanted to know more.
Sharon’s novel began taking shape when she received a gift in her thirties—a book of Winans’ photographs from the 1930s. “I had a great love of photography at the time,” she explained, describing how those images captivated her. The portraits especially moved her—faces of Cajun people along the coast, captured by a young photographer traveling the bayous in a beat-up houseboat. “It wasn’t until I found this photography book with the photographs by Fonville Winans that the book kind of took shape,” she told me.
The Meeting of Air and Water follows two women photographers separated by generations, both influenced by a Winans-inspired character who documents Cajun life along the Louisiana coast. Sharon weaves together themes of cultural identity, family heritage, and the power of photography to preserve disappearing ways of life. The book explores how one photographer’s gift of a camera to a young Cajun girl ripples across decades, connecting women through their shared passion for documenting real-life moments.
Since the two fictional photographers in Sharon’s novel were essentially street photographers—this conversation felt like a natural fit for our audience. Sharon’s connection to both Cajun culture and and street photography brings a unique perspective on how images can inspire stories that honor heritage and preserve history.
Links from the show
Sharon’s Website
Sharon’s Book The Meeting of Air and Water (Holiday 2025 Offer)
Sharon’s Substack
Instagram


When Photography Inspires Fiction with Sharon LaCour



France Leclerc is a former professor turned full-time photographer based in Chicago, originally from Montreal. Her work centers on what she calls “life photography,” capturing authentic moments during her extensive travels across Asia, Africa, and beyond. Featured in the December issue of Street Photography Magazine, France brings a unique perspective shaped by years of teaching and a deep commitment to cultural understanding. 
The Secret of Patience
For France, travel and photography are inseparable. What began as a way to share experiences from distant places has evolved into a practice of storytelling through images. But her real mastery lies not in the destinations she visits—it’s in her ability to become part of the scenery, earning trust and capturing genuine moments that most photographers never see. 
France’s approach to photographing strangers in public spaces is refreshingly simple: she waits. “I try to stay there for as long as I can,” she explains. “They either accept you or not. But I stay, and I stay, and I stay. So then they get fed up. They stop seeing me or they stop behaving as what they think I’m there for, and they just go back to their life. And that’s when my work starts.” This patience allows her to move past the performative smiles and staged moments. By remaining present until people forget about her camera, France captures something rare—the natural rhythms of daily life. “I wait for them to be doing their natural thing,” she says. “I become part of the background.”
Lessons for Street Photographers
First, abandon the quick shot mentality. France’s willingness to invest time in a single location yields photographs with genuine emotion and unguarded expressions. Second, approach your subjects with humility. As she notes in her essay “Devotion in Motion,” blending in requires setting aside ego and truly respecting the communities you photograph. Third, trust your emotional response when editing. France selects images based on what makes her heart go “boom”—a reminder that technical perfection matters less than authentic connection. 
France’s work seeks to reveal our common humanity. As she puts it, “We’re all the same. We all want a decent life for our family and our community, and that’s what we should be focusing on.”
Links from the show
France’s Website
Instagram
Facebook


France Leclerc – The Art of Becoming Invisible

Jason Rice is a street photographer whose work bridges the gap between personal history and urban observation. A graduate of Rhode Island School of Design (RISD), Jason balances his career in the book publishing industry with a devoted practice of street photography, particularly in New York City. His recently published book, Overseas, collects images from a 25-year archive of work created during his early years in Europe.

For Jason Rice, photography was never really a choice—it was an inheritance. Raised by art school parents in Rhode Island, with his father working as a photographer and his mother serving as Dean of Fine Arts at RISD, Jason grew up thinking “that was what parents did.” His childhood unfolded near or in darkrooms, surrounded by the making of physical things. “I come from a world of physical things where you, if you want to get attention, you make something,” he explains. This formative environment, where creativity was simply the family language, laid the groundwork for his approach to street photography.
Jason pays close attention to light and place, particularly in transportation centers. He describes the Moynihan train station in Manhattan like this: “The light that comes into the Moynihan Tunnel in the middle of the day is rays of heaven light.” For Jason, these transit spaces offer something magical—people waiting, delayed, bored, and momentarily disconnected from their routines. “Transportation centers are where it’s at for me,” he says, “because people are hanging out.”
Other photographers can learn three essential lessons from Jason’s approach. First, embrace patience and observation. Jason has spent a decade carefully watching how light moves across Manhattan through different seasons, understanding that great street photography requires intimate knowledge of your environment. Second, seek out spaces where people naturally pause and reveal themselves. Transit hubs, with their combination of dramatic light and human vulnerability, offer rich opportunities for authentic moments. Finally, understand that meaningful work often takes time to reveal itself—Jason didn’t even look at his European images for 25 years before recognizing their significance and publishing Overseas.
So relax and have a listen to my conversation with Jason  Rice
Links from the show
Jason’s Website
Instagram
Overseas – Jason’s new book – US ORDERS
Overseas – Jason’s new book  – EUROPE ORDERS


Jason Rice and the Art of Patient Observation


Hillary Greene-Pae is a clinical social worker, real estate investor, and accomplished photographer based in Calabasas, California. Her work spans multiple genres, but it’s her street photography that has captured attention for its emotional depth and unique perspective. As the featured photographer in the November 2025 issue of Street Photography Magazine, Hillary brings a distinctive approach to capturing life up close.
Hillary stands apart in the crowded world of street photography through her ability to see people not just as subjects, but as storytellers. “I’m always looking for how do I see the people, what are they sharing, telling me,” she explains. “So I’m always trying to take it from their perspective.” This empathetic approach stems from her work as a clinical social worker, where understanding people within their cultural context is essential.
Her photography is defined by her willingness to get close—both physically and emotionally. She shoots wide and from interesting angles, often capturing intimate moments from just feet away. While she prefers candid shots, she frequently engages with her subjects afterward. “I’ll go up and just say I’ve taken your picture or would you like me to send this to you?” she notes, adding that about half the time, she approaches people directly.
Her philosophy is simple but powerful: “It’s always about telling a story for me.” This narrative drive, combined with her therapist’s instinct for human connection, allows Hillary to transform familiar scenes—skate parks in Venice, buses filled with passengers—into emotionally resonant images that reveal something deeper about the human experience.
Hillary’s  street photography becomes less about capturing moments and more about honoring the dignity and complexity of every person she photographs.
Links From the Show
Hillary’s website
Instagram

Context, Connection and Candid with Hillary Greene-Pae

Barry Ashenhurst is a retired photojournalist based in Newcastle, Australia, who worked for some of the country’s premier sporting and lifestyle magazines. After decades of professional work—from motocross tracks to caravan publications—Barry transitioned to street photography, trading his heavy camera bags for a single Sony A7 and 35mm lens. His article “Feeding the Fire” will be published November 5th in Street Photography Magazine.
Barry’s journey into photography began in his family bathroom darkroom, eventually moving to his parents’ dog kennel when his mother tired of the smell of chemicals. His approach to breaking into magazine work was unconventional but effective: “I’ve never approached a magazine and said, this is who I am, this is what I can do,” he explains. “I’ve always just sent them a complete product, like a complete story, with the pictures, with captions set out in the editorial style that that magazine uses.”
Today, Barry is concerned about what he sees as a lack of originality in contemporary street photography. He’s particularly critical of the trend-driven nature of the genre: “There’s a conformity, a strangling conformity in a lot of this stuff. I think they get onto someone and they see what he’s doing. So now everyone’s photographing silhouettes.” Rather than following YouTube tutorials or copying popular photographers, Barry advocates studying the masters—combat photographers like Don McCullin and documentary photographers like Sebastião Salgado.
Drawing on wildlife photographer David Yarrow’s criteria, Barry believes great photographs share three qualities: “Number one, you probably can’t take it again. Number two, it’s interesting enough to look at for a long time. And number three, it touches the heart.” He challenges street photographers to apply these standards to their work instead of chasing trends.
Barry’s philosophy is simple: “If your photographs are boring, you’re photographing boring stuff, mate. Go and find interesting things to photograph.”
Barry does not currently have a website or other online presence.  However he is very well read and during our conversation shared several excellent book and photographer recommendations.   I was impressed with his admiration of the writings by the late Joe Baegent from West Virginia.  It was a pleasant surprise that someone from the other side of the planet was inspired by stories about the unique culture of my native Appalachia.  
Links from the show
Don McCullin
Abbas Attar
Philip Jones Griffiths – Vietnam Inc.
Dotan Saguy
Books by Sebastião Salgado
Joe Bageant – Rainbow Pie
Joe Bageant – Deer Hunting with Jesus


Barry Ashenhurst – Breaking Conformity in Street Photography

I’d like to tell you about someone who’s become both a friend and a photographer I admire. His name is Pat Callahan, and he’s our featured photographer in the October 2025 issue of Street Photography Magazine.
Here’s the funny thing about how we met: I’d known Pat for over two years at our gym here in Charlottesville, Virginia. We’d play pickleball together, exchange pleasantries, the usual gym-friend routine. Then one day while waiting for a game to start, we had a casual conversation and he asked what I did for a living. When I told him about Street Photography Magazine, he said, “I do street photography.” I was floored. Later, I saw some of his work on Instagram and realized this guy is the real deal—a genuine talent hiding in plain sight on the pickleball court.
What strikes me most about Pat’s work is the joy in it. When I look at his photographs, two words come to mind: Life Magazine. There’s something about his images that captures everyday people in everyday scenes, yet reveals something extraordinary. His approach reminds me of the photojournalism that made me fall in love with photography as a kid. Pat himself is a joyful, friendly guy, and that spirit shines through in his work.
Pat’s journey into street photography took a serious turn when his wife Julie was assigned to work in Bratislava, Slovakia. As he puts it, “I realized it’s what I really like and it’s what other people like.” That realization led to his first exhibition at a cafe in 2015. This past year, he had another exhibition at the historic Albrecht House in Bratislava—a full-circle moment celebrating French culture through his street photography work from Paris, where he maintains an apartment.

Albrecht House Exhibition, Bratislava Slovakia – Winter 2025

What I appreciate about Pat is his democratic view of equipment. He’ll show you images and challenge you to guess which were shot with a camera and which with his phone. “It doesn’t matter,” he says with a grin. What matters is being ready, keeping your heart and eyes open, and recognizing those fleeting moments that tell a human story. His work has been published internationally, and he continues to travel between Charlottesville, Michigan, Paris, and destinations around the world, always with a camera in hand.
Today we’re going to talk about his approach to street photography, his recent exhibition, and what drives him to capture the working-class neighborhoods and everyday moments that most of us walk past without noticing. So have a listen to my conversation with Pat Callahan—world traveler, street photographer, and one of the most genuinely enthusiastic people you’ll ever meet.
Links from the show
Pat’s Website
Facebook
Instagram
John G. Morris – Legendary Life Magazine Photo Editor
Peter Turnley
David Turnley
The Albrecht House Bratislava Slovakia


Working Class Beauty with Photographer Pat Callahan

In this episode I speak with Alan Wieder, a street photographer, oral historian, and author whose book We Will Not Be Removed: The People of King School Park documents four years spent photographing at a park in Portland, Oregon. The book captures the daily lives of a predominantly African American community in a gentrified neighborhood.
Alan’s journey into this project began in July 2020 during a political protest when he encountered a group of men at King School Park. After asking permission to photograph them and returning the next day with prints, he became a daily presence at the park for the next four years. What started as casual documentation evolved into deep relationships with the community, particularly with elders like Carl, Tracy, and Rosie, who had lived through the neighborhood’s transformation.
The park serves as a gathering place for people who were displaced by gentrification but continue to return to what they consider their neighborhood. Alan captures not just portraits but candid moments that show the connections within this community. His approach reflects lessons learned from studying with photographers including Bruce Gilden, Peter Turnley, and Constantine Manos.
Beyond the photography, he conducted interviews with community members about their experiences with displacement and their connection to the neighborhood. The book combines images with quotes from residents, creating a narrative about resilience and belonging. Mitchell Jackson, a Pulitzer Prize-winning author who grew up in the neighborhood, wrote the foreword.
Alan’s background as an oral historian and his previous work documenting race and class issues, including research on anti-apartheid activists in South Africa, helped shape his approach to this long-term project. Now based in Asheville, North Carolina, he continues street photography while planning visits back to Portland to share copies with the people who made the project possible.
Links from the show
Alan’s Website
Instagram
We Will Not Be Removed: The People of King School Park


Alan Wieder – Building Community  Through Street Photography

Today I’m joined Garrett Strang, an American photographer who has made Paris his creative home. Garrett’s journey from documentary filmmaker in Washington D.C. to street photographer in Paris is one of creative evolution and bold reinvention. For 20 years, he created documentaries on health issues, population studies, and social conflicts, where he developed an eye for human emotion and storytelling that would later drive his photographic work.
His transition to photography began with a series called “America on the Edge” during the 2016 election cycle, where he captured the tension and uncertainty in people’s faces using unconventional framing techniques. This work sparked his passion for street photography and ultimately led him to abandon commercial photography entirely when he moved to Paris.
Now living in Versailles with his partner, Garrett spends his days walking the streets of Paris, capturing candid moments on the metro and throughout the city. His work has been featured in Street Photography Magazine, and he recently published his first photo book.  Paris a coeur ouvert Paris in the Raw. Today we discuss his techniques for shooting in challenging environments, his approach to connecting with subjects, and the creative risks that drive his photography.
Links from the show
Garrett’s Website
Paris a coeur ouvert Paris in the Raw – Garrett’s new book
Instagram

A selection of photos from Paris a coeur ouvert Paris in the Raw

















Garrett Strang – Human Connection on the Streets of Paris

Today we’re joined by Raymond Thompson Jr., an assistant professor in the College of Communications at the University of Texas and a photographer whose work defies easy categorization.
Originally from Virginia, Raymond has spent years documenting stories that others have forgotten or even worse, deliberately erased. His approach blends documentary photography, fine art, and archival research to uncover hidden histories. From his powerful “Justice Undone” project photographing juvenile detention facilities to “Appalachian Ghost,” which reveals the tragic silicosis disaster at Hawks Nest in 1930s West Virginia, Raymond’s work serves as both witness and memory keeper.
What makes Raymond’s practice unique is his willingness to adapt his visual style to serve each story’s needs. He moves between street photography and portraiture, traditional documentary and experimental processes, even letting his prints mold in water when the narrative calls for it. His latest book, “It’s hard to stop rebels that time travel,” explores his personal connection to North Carolina landscapes while examining the layers of American history embedded in three coastal counties.
Join us as we discuss access, intuition, the responsibility of storytelling, and how Raymond balances his academic career with creating deeply personal photographic work that challenges us to remember what we’d rather forget.
Links from the show
Raymond’s Website
“It’s hard to stop rebels that time travel” Raymond’s latest book
Instagram


Appalachian Ghosts and Erased Histories with Raymond Thompson Jr.

This week we’re joined by our friend Virginia Hines. She’s a photographer and former publishing industry professional who has traveled extensively to document street life around the world and learn from masters of the genre. She wrote the foreword to Street Photography Magazine’s book “Where the Streets Lead” and has been featured multiple times in our podcast and magazine, sharing her insights into street photography. And she is a frequent contributor to Street Photography Magazine.
Fresh off circling the globe in just a few weeks, Virginia joins Ashley and me to share stories from her whirlwind journey that took her from San Francisco to multiple cities across China, then to Photo London, and back home again.
I really enjoyed Virginia’s observation of how China has changed since her last visit before COVID. “Nobody uses cash anymore,” she told us, explaining how even the smallest purchases now require a phone payment system. But beyond the technological shifts, she noticed something deeper: “People seem to be a little more laid back, having a little more fun, maybe saying, you know, let’s just enjoy friends and family and the good things in life.”
Virginia describes the performative nature of modern Chinese society, with TikTok videos being filmed everywhere and elaborate costume play in public parks. She also shares fascinating insights about Beijing’s hutongs, traditional housing areas, where she spent time photographing, meeting residents living in conditions that tell stories of China’s urban evolution.  Street photography isn’t just about locations. It’s about the stories and encounters along the way. Virginia told us how her limited Chinese language skills sometimes led to spontaneous photo opportunities. People, startled by a foreign photographer, often agreed to be photographed before they could decline.
One humorous incident involved a woman in a pink coat and inflatable wings. Virginia photographed her, and days later, in a different part of town, the woman approached her, asking for the picture. The story took an even stranger turn when Virginia showed the photo to a Chinese friend back in San Francisco who showed it to her mother who recognized the woman. This created a small-world connection in a country of over a billion people.
Virginia’s stories remind us why travel photography isn’t just about capturing pretty pictures—it’s about documenting cultural shifts, human connections, and the unexpected moments that make each trip an unforgettable experience.
Links from the show
Virginia’s Website
Instagram
Photo London
Virginia’s articles in Street Photography Magazine


Around the World with Virginia Hines

What happens when two artists choose to show up for each other—week after week, year after year—for over three decades? In this episode, Ashley Riffo talked to photographer Gigi Stoll about her extraordinary friendship with the late Flo Fox: a street photographer, advocate, and firecracker of a human being who never let MS (and the blindness and paralysis that came with it) stop her from creating.
Their bond was intentional and powerful, to say the least. And not just for their art, but for their lives. Flo’s influence didn’t end with her passing either. In fact, she’s the driving force behind Gigi’s nonprofit, Two by Two Media, which supports female artists over 70 in building their legacy.
This episode is a tribute to Flo, a celebration of friendship, and a reminder that creativity has no expiration date.

“Shades Of The Past” by Flo Fox – NYC, 1979


Links from the show
Gigi’s Photography Website
Two by Two Media
Flo Fox’s Website
Gigi’s Instagram


The Light Between Gigi Stoll & Flo Fox

I’m pleased to have Mark Seymour back on the podcast. It’s been too long since we last connected, because Mark’s been busier than ever. He’s based in the UK, and when we spoke, he mentioned watching foxes playing in his garden. But don’t let that peaceful scene fool you—Mark’s constantly traveling, teaching workshops around the world.
In addition to his own workshops Mark also works with Light and Land. The clientele is different for each. Light and Land attracts older folks with disposable income who see photography as a hobby. Mark’s independent workshops draw professionals wanting to improve their street and travel photography for business.
Despite his busy teaching schedule, Mark stays committed to personal projects. He learned this lesson from conversations with photographers like Larry Towell and Ed Kashi, who told him his images were good but asked about the story. They pushed him to focus on developing narratives through his work.
Mark just returned from teaching in Venice. He always arrives three days early to scout locations, even though he’s been there many times. His groups arrive via private speedboat, a very James Bond experience. But the real but the street images come when you walk away from the tourist spots like Rialto Bridge and St. Mark’s Square. A few hundred yards away, you will find locals hanging around squares in the evening, kids playing, real street photography opportunities.
His workshops start with classroom discussions about masters like Cartier-Bresson and Robert Frank. Then he gives students simple projects—color matching, reflections, light and shadow work. His best advice is to “get lost.” He tells participants to wander wherever they want and meet back in two hours. That’s when the best shots happen.
By day five, students are seeing things differently. They notice heads growing out of other heads in the background and understand they should have moved right to avoid it. They’re looking for faces instead of shooting backs of heads. He says the transformation is remarkable.
Mark’s also working on the “One in Six” project for Seven Agency, documenting people over 60 who still work. For example he met Roy, a kite maker, at a wedding. Roy turned out to be this colorful character who made flags for the Super Bowl, and installation for Coldplay and and a kite replica of Big Ben for the Lord Mayor of London. Mark spent three days documenting Roy’s life and craft, combining photography with recorded interviews.
Mark also worked on a project for National Geographic in Kolkata. The assignment came through his role as a Nikon ambassador. The budget was low, it didn’t even cover the flight, but he piggybacked it onto another trip. The National Geographic pass was like a golden key, opening doors everywhere.
Mark’s strength is layered street images. He thrives in warm climates where people are out on the streets. He’s constantly pushing himself to create images that match his best work, like his recent award-winning photo from the Ganges River.
It’s always great talking with Mark. I learn something new each time we talk. His insights into both teaching and creating meaningful photography projects have made make every conversation valuable and fun.
Links from the show
Mark’s Website
Light and Land Workshops
Ed Kashi
Larry Towell
The Seven Foundation


The Art of Getting Lost with Mark Seymour


Today we’re joined by John M Simpson, a photographer whose unique background brings a  perspective to documentary work that deserves our attention.
John’s journey spans multiple careers that have shaped his approach to visual storytelling. As a former military officer he later transistion to academia as a history professor. This foundation in historical analysis would prove invaluable when he later became a  photojournalist. This role led him to embed with US forces in both Iraq and Afghanistan on multiple deployments, experiences that taught him to navigate challenging environments.  

Zoey

Today, John works as a documentary photographer with a focus on his local homeless population in Washington State. His approach goes far beyond making photographs—he builds relationships with his subjects, spending time listening to their stories and understanding their circumstances. This isn’t photography for its own sake, but documentation with purpose and respect.
John joins us in this week’s episode in his role as what he calls a “canary in the coal mine”—a documentary photographer who serves as an early warning system for society. As a historian he researched policy documents of the incoming president such as Project 2025 and Agenda 47 and recent executive orders, combined with his ongoing work in homeless communities, John has identified concerning patterns that echo historical precedents in American policy. His concerns center around the potential relocation of homeless populations to tent cities or camps on federal land, a possibility he traces through reading Project 2025, Agenda 47 and recent Executive Orders by the current administration.

David

John draws historical parallels, highlighting the internment of Japanese Americans during World War II which was authorized by Executive Order 9066 issued by Franklin Rosevelt. Approximately 120,000 people were interned through the executive order. This historical event serves as a reminder of how quickly rights can be curtailed.
Dorothea Lange, Ansel Adams, and Toyo Miyatake documented these internment camps. Lange’s work, often critical, was largely impounded until 2006. Adams, through his book “Born Free and Equal,” cautioned against the dangers of mass hysteria and the denial of civil liberties. Miyatake, himself interned, secretly photographed life inside the camps.

Rhianna

These historical examples underscore the need for constant vigilance. They remind us that the past can repeat itself if we fail to learn from it. John emphasizes that this isn’t about politics; it’s about American society and the protection of vulnerable populations.
For our audience of street and documentary photographers, John’s message is clear: you are historians. You capture not just moments, but evidence of the times we live in. As John reminds us, documentary photographers have always played a crucial role in alerting society to “something that is noxious or poisonous” happening around us.

Ralph

John approaches his work with two unwavering principles: his photographs must be clear and they must be honest. He makes careful distinctions between truth and honesty, understanding that while perspective can shape what we see, integrity in representation cannot be compromised.

Homeless on the Steps of a Church

John challenges us to consider how documentary photographers can fulfill their role as chroniclers of contemporary history, regardless of our political perspectives. John’s work serves as a reminder that with cameras in our hands, we have both the opportunity and responsibility to document the world around us with clarity, honesty, and humanity.


The Canary in the Coal Mine – JM Simpson’s Call to Document History Today


Alon Goldsmith is a Los Angeles-based street photographer and copywriter whose mobile photography has earned him recognition in numerous international contests. A longtime member of Julia Dean’s photography collective, he has become known for his creative approach to iPhone photography and his documentation of Venice Beach’s vibrant street life. His work appears in the new book “[Where the Streets Lead]” and he is the featured photographer in the July 2025 issue of Street Photography Magazine.
While many photographers dismiss mobile phone cameras as inferior tools, Alon Goldsmith has built his entire street photography practice around his iPhone, proving that great images come from vision rather than expensive equipment. His journey began fifteen years ago when a perfect storm of circumstances—a new job within cycling distance, his first iPhone, and a daily commute through Venice Beach—sparked a passion that would define his artistic voice.
“I really got into photography and street photography through my iPhone and a bicycle,” he explains. This shaped his approach to capturing the street life in Southern California, an area often overlooked in favor of more traditional street photography destinations like New York.
Alon’s technique is simple and clever. He mounts his iPhone on his bicycle’s handlebars and uses a Bluetooth remote shutter that he operates while riding. “I use my bike as a tripod,” he says. “I’m completely invisible because I can actually aim my bike at anything that I want, and no one has a clue that I’m taking photos because I’ve got this remote shutter.”
This stealth approach has allowed him to document Venice Beach’s eclectic street life. His famous photograph “Surveillance,” shot during the pandemic using the Hipstamatic app, captures a homeless man on a skateboard with his dog. It’s an image that later took on deeper meaning when Alon learned the dog had been taken from its owner by police.
Alon has developed a fascination with one location on the Venice boardwalk, which he calls “811.” “That’s been one of my sort of… it’s my Venice muse” “I just keep going back there and I always think I’ve done the ultimate shot there, and I still keep trying to get an even better one.”
Currently, about 90% of Goldsmith’s personal work is shot with his iPhone, though he switches to traditional cameras for commercial assignments. Although, some clients specifically request his iPhone aesthetic, recognizing the unique quality of his mobile photography.
Beyond individual images, Goldsmith has pioneered a project called “Going Places,” where he stitches together multiple photos from the same location to create panoramic narratives of people moving through Venice Beach. These composite images showcase his vision and demonstrate how digital tools can extend the possibilities of street photography.
For Alon, the iPhone’s greatest strength lies not just in its convenience, “you always have your phone with you,” but in its ability to make both photographer and subject more comfortable. People seem to be less guarded around a phone than a big camera.
So, have a listen to Alon tell his story on today’s episode and be sure to read Ashley’s feature article about him in the July 2025 issue of Street Photography Magazine.
Links from the show
Alon’s Webite
Instagram
Alon’s Book: 366 Days in the Life of an iPhone Wizard
Julia Dean’s Street LA Collective


Alon Goldsmith – iPhone Street Photographer Who Shoots from a Bicycle



Brad Jones, the featured photographer in the June 2025 issue of Street Photography Magazine, is a Brooklyn-based forensic photographer. Originally trained as a painter and illustrator, Brad discovered photography in college and spent 15 years building a successful commercial career shooting for magazines and advertising clients. However, his transition to forensic photography a decade ago, documenting scenes for insurance companies and legal proceedings, is the tipping point that led  to his passion for street photography.
Photographing destruction and tragedy in his professional work, Brad turned to street photography as what he calls an “antidote” – a way to seek beauty and joy in everyday moments. His project “A Fragile Utopia” captures candid moments in New York and surrounding areas.  His photographic approach on the street is shaped by his studio photography background.
Brad uses a methodical and intuitive approach to street photography, treating natural light like lighting he used in his studio work.  He uses consistent camera settings, often passing on shots that will not work with those settings. His work is recognizable by rich colors and moments of joy and connection. 
His advice to other street photographers centers on simplification and intuition: keep technical aspects consistent, don’t overthink compositions, and trust your initial gut reactions. As he puts it, “photograph hot and edit cold” – capture with passion and emotion, then evaluate with objectivity later.
Have a listen to my conversation with Brad, then be sure to read  Ashley Riffo’s feature article  about Brad in the June issue Street Photography Magazine.

Website
Instagram


Brad Jones on Simplicity in Street Photography


What makes a street photograph truly stand out? Is it the decisive moment, the composition, or the story it tells? In today’s episode, our guest David Herman and I explore these questions and more. David brings a unique perspective shaped by his background as a former professional photographer and his instinctive understanding of human interaction.
David shares insights on how he finds connections in everyday scenes. As a top-level competitive tennis player, he reflexively anticipates moments before they happen to create powerful, storytelling images.
David is drawn to street photography by the uniqueness of each shot. “Every picture I take, nobody else is ever going to take that picture,” he says. Unlike landscapes, where countless photographers capture similar scenes, street photography offers the thrill of capturing a truly original moment.
He embraces the unpredictable nature of wandering the streets, free from the linear, rational structure of his professional life as an investment banker. This freedom allows him to see and capture the unexpected interactions that make street photography so compelling.
David describes his signature style as capturing “linkage” between subjects and their surroundings. He seeks to connect seemingly unrelated elements within a single frame. This could be the interaction between two people, or the relationship between a subject and a billboard or background element.
He’s not interested in simple portraits. Instead, he prefers the complex interplay of elements that create a story within the image. It’s about those fleeting moments of connection that most of us overlook.
Despite David’s claim of not knowing what he’s going to shoot, his work reveals a disciplined approach. He explains that his experience as a tennis player has honed his ability to anticipate. In tennis, you have to anticipate your opponent’s moves. You have to predict where the ball will go and prepare your response in a split second. This translates directly to street photography.
He sets his camera to a simple point-and-shoot mode (F8 at 1/500th of a second with auto ISO). This way, he doesn’t have to think about the technical aspects. He is ready to capture the action before it unfolds. “Just before the hug, just before the kiss, just before something is, is when I want to shoot,” he explains. He trusts his instincts and hopes the “photo gods” will align the shot.
David acknowledges that luck plays a significant role in street photography. “The photo gods need to help you,” he says. Often, just as he’s about to capture a perfect moment, someone walks into the frame, or something unexpected ruins the shot.
Despite careful anticipation and preparation, the success rate in street photography remains low. Capturing something meaningful requires the world to cooperate. It requires a combination of skill, anticipation, and a healthy dose of luck.
David cites several photographers who have inspired his work, with Sam Abell as his primary influence. He admires Abell’s photography, teaching style, and overall philosophy. He even maintains a friendship with Abell. He values his insights on both photography and life.
David discusses two distinct qualities in photographs: “striking power” and “staying power.” A striking photograph immediately grabs your attention. But a photograph with staying power has a deeper story. It has some suggestiveness or mystery that keeps you thinking about it long after you’ve seen it.
He strives to combine both qualities in his work. He wants to create images that are not only visually compelling but also leave a lasting impression on the viewer.
There is a lot more to unpack from my conversation with David about his approach to street photography that we can all learn from. So, take some quiet time to enjoy my conversation with David Herman

Links from the show
David’s Website
Sam Abell


Creating Street Images Through Linkage and Anticipation with David Herman


Many of you probably already know Larry Racioppo from his thoughtful column in our monthly newsletter, where he shares his unique perspective on photography. As a lifelong photographer, Larry has published several books, both independently and through established publishers.
We’re excited to feature Larry as our featured photographer in the May 2025 issue of Street Photography Magazine. Our editor Ashley Riffo and I recently had the pleasure of sitting down with Larry to discuss his personal work and how it culminated in the publication of his magnum opus.
Larry has a remarkable talent for capturing moments that others might overlook—from intimate family gatherings to vibrant street scenes across New York City. What makes his work truly special is his ability to reveal meaning in unexpected places, which shines through in his latest book, “Here Down on Dark Earth,” a title inspired by a line from Jack Kerouac’s poetry.
This collection, published by Fordham University Press, explores profound themes of memory, mortality, and memorialization through photographs spanning decades of Larry’s career. Rather than limiting himself to a single style or subject, Larry embraces variety in his approach, using everything from 8×10 view cameras to cell phones. His powerful images include memorial walls in New York neighborhoods, family funerals, and religious iconography.
What’s particularly inspiring about Larry is his long-term dedication to his craft. Many projects in his book developed over years or even decades, allowing him to document meaningful changes over time—like memorial murals slowly fading on city walls or the evolution of family gatherings at gravesites.
During our conversation, Larry generously shares his experiences photographing the streets of New York, his process for compiling this comprehensive book, and the personal connections he’s made throughout his journey. His insights into the creative process reveal how photography can serve as a powerful means of preserving what truly matters in life.
We invite you to enjoy our conversation with Larry Racioppo, a photographer whose work reminds us all to pay attention to the beauty and humanity that surrounds us in our everyday lives.
Links from the show
Larry’s Website
Larry’s book:  Here Down on Dark Earth
Instagram


Street Photography with Soul – Larry Racioppo



Ever wonder how some photographers capture those striking, perfectly composed street scenes? It’s not always about luck. Sometimes, it’s about seeing the world through the eyes of a graphic designer.
In this episode of the Street Photography Magazine podcast, I chat with Gavin Libotte, an Australian street photographer and musician with a background in graphic design and fine art. Gavin shares his journey back into photography, his unique perspective on composition, and how he finds inspiration in everyday life.
Gavin’s path to street photography wasn’t a straight line. He initially studied graphic design and fine art, learning darkroom techniques and film photography. This early training instilled in him a keen eye for composition and design elements. It was all about shapes, forms, and relationships within the frame.
Life took him away from photography for a while after his gear was stolen. But, the spark was reignited years later through an unexpected connection. Teaching guitar to the son of renowned street photographer Markus Andersen opened a doorway back to his passion. Seeing Andersen’s work reignited Gavin’s love for capturing the world around him.
This renewed passion led Gavin to pick up a camera again, starting with his phone and then a Ricoh GR2. He made it a daily practice to shoot, immersing himself in books and reconnecting with the visual aspects of his life. For Gavin, this was about balancing his long-standing musical pursuits with a visual outlet.
When he’s out shooting, Gavin instinctively measures the relationships between objects, ensuring a balanced composition. If an image doesn’t feel right, he simply won’t post it. It’s this dedication to composition that sets his work apart.
To refine his sequencing skills, Gavin sought advice from photographer Melissa O’Shaughnessy, who generously shared her process. She recommended studying the sequencing in Walker Evans’ “American Photographs” and Robert Frank’s “The Americans.” These books are renowned for their masterful visual storytelling.
Evans’ and Frank’s work serve as excellent references for anyone looking to improve their sequencing. These books demonstrate how the order and arrangement of images can create a powerful and cohesive narrative, enhancing the viewer’s experience.
Gavin is drawn to working with hard light, a technique he adapted after moving to Australia. Inspired by photographers like Ray K. Metzger, he uses harsh light and contrast to create striking images. Metzger’s use of black as a design element heavily influences Gavin’s style.
Gavin’s journey highlights the importance of passion, resilience, and continuous learning in street photography. His graphic design background gives him a unique perspective on composition, while his experiences have taught him the value of perseverance. As Gavin says, “the doing of it, the practice, is more important than the result, in a way, because that is us living our lives, isn’t it?”
Links from the show
Gavin’s Website
Instagram
Gavin’s Book – Symphony Number Five


Composition is King: Gavin Libotte on Street Photography, Music, and Finding Balance


Update: The podcast link is now working

In this episode I’m excited to introduce you to a photographer with a fascinating perspective on the art of seeing.
Steven Kushner is a retired Reform rabbi from Detroit who now calls New Jersey home. After serving his congregation for nearly four decades, Steven embarked on a creative journey that had always called to him but never had the space to fully explore – photography.
When I discovered Steven had become a subscriber to our magazine and filled out our profile form, I was immediately intrigued. Taking a moment to visit his website and review his work, I knew his unique approach to street photography would resonate with our listeners.
Steven describes his photographic style as “observational photography,” a term borrowed from an essay about the late photographer Fred Herzog. For Steven, photography isn’t just about capturing moments – it’s about creating meaningful images that reveal something beyond what initially meets the eye.
His background as a rabbi has deeply informed his photographic practice. Steven speaks eloquently about how his spiritual training taught him the importance of truly seeing – of paying attention to the world around him. He draws parallels between Moses noticing the burning bush in Exodus and the photographer’s task of slowing down and truly observing.
During our conversation, Steven shares insights about his gear preferences, his approach to composition and light, and how he engages with his subjects on the street. We’ll explore how his lifelong dedication to connecting with people has shaped his ability to create images that tell compelling stories.
Whether discussing his fondness for his Leica Q3, the photographers who inspire him, or the spiritual dimensions of his creative practice, Steven offers thoughtful reflections on what makes photography meaningful.
Join us for a conversation that explores the intersection of spirituality and street photography, the joy of discovering beauty in ordinary moments, and the transformative power of truly learning to see.
Links From the Show

Steven’s Website
Steven’s Instagram
Steven’s Vero
David Camany on Fred Herzog



Visual Spirituality in Street Photography with Steven Kushner


I’m pleased to share my recent chat with Daniel Sakheim. Dan is a television director and producer known for his work on shows like “True Detective,” “The Americans,” and “Better Call Saul” and he is also a very talented street photographer. I’ve been trying to get Dan on the podcast for a while, and I’m glad it finally worked out. We had a great conversation about his journey into photography, how his directing work influences his photographic vision, and his project, “City Unseen.”
Key Takeaways
Dan talked about how LA isn’t really recognized as a street photography hot spot like New York or London. But there’s a vibrant community there, especially within Julia Dean’s collective, which Dan co-directs. It’s inspiring to see artists driven by passion, documenting their city without much financial incentive. He mentioned LA is like a collection of cities, each with its own distinct vibe, offering endless opportunities for unique street shots.
Behind the Scenes
Dan also shared how he got into photography after the 2008 writer’s strike gave him time to explore a creative outlet. He audited classes at Art Center and struggled for six years before taking a photo he didn’t hate. I found that so relatable because sometimes the most rewarding things take time. He eventually found inspiration in downtown LA, drawn to the old movie palaces and their history, which led to his “City Unseen” project inspired by film noir. 
Dan shared was how “City Unseen” started with a photo, titled *Salaryman, *that he took in Tokyo. Walking around Shinjuku late at night, he captured a salaryman at a noodle shop, and it reminded him of classic noir films. He started watching every noir film and really getting into that style. The project has been exhibited in galleries in London, New York, and LA, and he’s working on turning it into a book.
He talked about how he often scouts locations and does light studies like he would for a TV shoot. Then, he finds an interesting background and waits for something to unfold. For example, the tram shot at the Getty Center took five attempts to get right. We also got into the impact streaming has had on TV, with Dan giving his perspective on how it gives more freedom but also creates a lot of pressure.

The Art of Seeing What Others Miss
In a world that’s forgetting how to truly see, our new book “Where The Streets Lead” invites you to rediscover the overlooked beauty of ordinary streets. Curated by Ashley Riffo and Bob Patterson, featuring work from renowned photographers from around the globe.

Learn More


What’s Next
Check out the full podcast to hear all of Dan’s insights and stories. If you haven’t seen his work, head over to his website danielsackheim.com or his Instagram @daniel.sackheim
Links from the show
Dan’s Website
Instagram
IMDB
Julia Dean’s Street LA Collective
Projecting LA




Daniel Sackheim’s Film Noir Approach to Street Photography



In this episode, Ashley Riffo and I welcome back Pia Parolin. We talk about how making your work more personal actually makes it connect with more people on a deeper level. It’s a concept, while is as old as Aristotle,  been brewing in my mind for a long time, and we’re excited to explore it with you.
Key Takeaways
Pia shared insights from Susan Sontag and her own experiences, like her series on the Promenade des in Nice after a terrorist used a truck to kill 86 and injure over 400  people celebrating Bastille Day.   Her photos, seemingly light and colorful, carried a heavy message of resilience and reclaiming happiness. It really underscored how personal experiences, when channeled through art, can speak volumes.
We touched on balancing personal expression with leaving space for others to project their own emotions onto your work. Think about those moments when you’re truly present, capturing genuine interactions. That’s where the magic happens, and those images? They speak volumes without a single word.
Behind the Scenes
One of the things that struck me most was Pia’s vulnerability in sharing her series about her daughter’s adolescence. It was a tough time for both of them, but turning it into art became a love declaration. It’s a reminder that sometimes, the most challenging moments can yield the most meaningful work.
I also brought up Sam Abell’s powerful photo of his father with Alzheimer’s. It’s intensely personal, yet universally relatable because it talks about family and memory. Since Pia’s article last year, Ashley and I have been seeing this everywhere, and we didn’t even realize it. It’s kind of cool when that happens, isn’t it?
What’s Next
Listen to the full episode. Pia shares practical tips to infuse your work with personal meaning and tap into universal themes. Look for those interactions that everyone understands. A smile, a loving touch, a child gazing at their mom—these are universal moments that resonate deeply.
Links from the show
Pia’s Website
Pia’s Journey YouTube Channel
Pia’s Street Photography Magazine Article: From Personal to Universal
Where The Streets Lead – Street Photography Magazine’s new book


Why Personal Street Photos Matter

I’m thrilled to share something Ashley Riffo and I have been pouring our hearts into for over a year: our first book, Where the Streets Lead! It’s been a wild ride, full of unexpected turns and steep learning curves. After publishing a digital magazine for 12-years we wanted to create something tangible, a legacy of sorts, to celebrate street photography and the incredible community around it. And we wanted to use this special episode of the podcast to tell the story of our book creation story to help others learn from our experience and avoid the mistakes we made. Of course we would also love for you to be among the first to grab a first edition.
Key Takeaways
One of the biggest things we learned is how much we didn’t know when we started! From the surprising amount of work in selecting images, to wrangling large files, to navigating the world of printing, it has been something. For example, we originally asked photographers to submit full-resolution images, which flooded our drives with more data than we needed well before the selection process. That’s not an issue for someone creating a monograph, but smaller images are a must for an initial open call for submissions.
If you’re thinking about doing a book, start with a solid theme that resonates with you and your community. For us, it was “Where do you like to shoot?” This theme allowed people from all walks of life to share their unique perspectives. Plus, physical prints slow you down and let you see the images in a whole new light, which you can’t get online.
Behind the Scenes
Ashley and I are about 800 miles apart, so this whole project was powered by Zoom, shared galleries, and a lot of trust. We took online courses from Magnum photographers Alec Soth and Mark Power, which completely changed how we thought about sequencing. We literally taped hundreds of photos to our walls and moved them around until the story flowed. Then we shared our thinking via photos, videos and online galleries.
Finding a printer was another adventure. We wanted high quality without breaking the bank, which led us to a digital press that delivered amazing results. We even debated whether to include the photographers’ stories, but after a test print, we realized the text was essential. It added depth and context, making the book more than just a collection of pretty pictures.
The podcast episode was recorded while we were awaiting delivery of the first batch of the books. You will hear us discussing (and even stressing a little) over how the quality of the final version. Well, they arrived right on schedule and I was super impressed with the physical quality of the book and, of course, the content.
What’s Next
“Where the Streets Lead” is now available on our website. This book is a celebration of our community and the unique places that inspire us. By purchasing the book, you’re supporting our work and helping us continue to bring you the best in street photography.
So sit back and have a listen to our story, then head over to our new online bookstore and grab your copy today. International shipping is available (though a bit pricey, sorry!), and we’ve got boxes ready to make sure your book arrives in perfect condition.
Links from the show
Where The Streets Lead Order Page
Harvey Stein’s  Publishing A Photography Book Course (Online) at ICP
Editor’s Note (June 2026): 
Since publishing this podcast, Bob and I have taken everything we learned from creating Where the Streets Lead and turned it into a comprehensive online course.
If this article has you thinking about publishing your own photo book, our new course, How to Self-Publish a Photo Book, will guide you through the entire process. We’ll help you refine your idea, sequence your photographs, design your book, choose a printer, prepare print-ready files, and even market and sell your finished book. It’s the course we wish we’d had when we started our own self-publishing journey.
Your enrollment includes lifetime access, downloadable resources, and future course updates as we continue to expand the material.
Ready to turn your project into a finished book?








Learn with SPM


Whether you prefer to learn out in the world with a camera in your hand, or at your own pace from your desk, our courses are designed to help you…


Enroll in How to Self-Publish Your Photo Book






Self-Publishing a Street Photography Book: Our Journey, Lessons, and Mistakes


I had the pleasure of sitting down with Antonio Pisani. He’s a photographer originally from Italy but now based in the UK, and he has some very interesting insights on street photography. What makes Antonio’s story unique is his journey and perspective. I think you will appreciate his insights.
Key Takeaways
Antonio shared how his father’s profession influenced him. His father used film cameras in the eighties and nineties. Antonio explained the magic of photography and his independent approach. He always had a clear idea of what he wanted. His father’s work had a subconscious influence. He saw his father developing photos and understood how to explore beyond the technicalities.
We dug into the concept of seeing beyond the surface. This is something that Antonio learned from his mentor, Yoshi Imamura. Antonio met Yoshi while working in a retail camera store. They connected over cameras. Yoshi gave him a pinhole lens as a gift which forced Antonio to focus on the art and meaning behind his images, not just the technical aspects. This helped him develop critical thinking and see images with his brain.
Behind the Scenes
It was really interesting to hear Antonio’s thoughts on social media. He believes Instagram can be a double-edged sword. Antonio chooses to control his images and share them purposefully rather than posting everything online for likes. He aims to create meaningful projects that last. He develops bodies of work that can be exhibited or published.
Antonio is preparing several exhibitions in Europe for 2025 and 2026. He’s also working on a book. This takes time and effort, but he optimizes his time and manages his corporate job alongside photography. Antonio believes photography is a calling and a demanding journey. The goal is to develop work that goes beyond day-to-day pictures. If photography is your passion, you’ll keep going.
What’s Next
Antonio is planning 2025 workshops and master classes. He likes to teach the art of slowing down and being present. These classes cover theoretical and practical aspects. The goal is to develop themes and projects, print your work, and share your images. And he’s always open to discussing gear, black and white photography, and his choice of Pentax and Ricoh cameras.
Be sure to check out the full episode to hear more from Antonio. Keep shooting, keep exploring, and stay tuned for more inspiring conversations.
Links from the show
Antonio’s Website
Antonio’s Instagram
Willem Flusser’s “Towards a Philosophy of Photography”
Marshall McLuhan
Sebastiao Salgado
Claudia Andujar


Antonio Pisani: See beyond the surface in Street Photography


Michele Zousmer, the featured photographer in the March 2025 issue of Street Photography Magazine is a San Diego-based humanitarian photographer, has dedicated her photographic work to illuminating overlooked communities and challenging societal perceptions. Starting as a sports photographer capturing her son’s basketball games, Michele’s path led her to document stories ranging from women in prison to homeless choir members, ultimately finding her most profound work among Ireland’s Traveller community.
For the past seven years, Michele has immersed herself in the Traveller culture, gaining unprecedented access through an approach that prioritizes human connection over technical perfection. “I literally talk to them. It’s almost like a game,” she explains. “What mascara are you wearing? I’m not kidding. We just like talking makeup on the side of the road.”
This seemingly casual approach belies a deeper purpose. Through her recently published book “Mis[s]understood,” she reveals the complex realities of a marginalized community facing widespread discrimination. Her photographs capture both the vibrancy of Traveller culture and the challenges they face, particularly in education and housing.
“The more I got to know them, I came back many times,” Michele reflects. “I actually thought that they have a lot of traditions that we’ve lost in America. They are so family oriented. Everything is family. They live together as family. All the generations live together.”
Her work with the Voices of Our City Choir in San Diego demonstrates similar depth of connection. What began as documenting a homeless choir led to an intimate film project when choir member Steven Reed asked her to document his final months battling liver cancer. Despite initial hesitation due to her own experience with loss, Michele agreed, creating “Sounds of the Sidewalk: A Journey of Goodbye.” The resulting film not only honored Reed’s story but helped change perceptions of homelessness.
“I really feel that way, and I see the world that way,” she says of her approach to humanitarian photography. “I think vulnerability is so important, and I’m always very open and vulnerable. I could be vulnerable with my people that I’m relating to, but I do think you have to be careful who you share it with.”
This philosophy has earned her the trust of communities often wary of outsiders, resulting in intimate portraits that challenge viewers to see beyond stereotypes and recognize our shared humanity.
This is only part of Michele’s story, so please be sure to listen to our conversation.  You won’t regret it.
Links from the show
Michele’s Website
Michele’s Instagram
Joseph Bevillard Instagram
Voices of our City Choir – San Diego
Michele’s film: Sounds of the Sidewalk: A Journey of Goodbye


Documenting Humanity: Michele Zousmer’s Journey with Irish Travellers and Beyond


Eric Turibio, known in the photography community as Ribsy, brings a distinctive approach to street portraiture that emphasizes genuine human connection over technical perfection. Originally starting his photographic journey through food photography, Ribsy has evolved into a committed film photographer who primarily works with medium format cameras to capture compelling portraits of New York City’s inhabitants.
In his conversation with Street Photography Magazine, Ribsy discusses how confidence shapes his street photography practice. Rather than adopting the fly-on-the-wall approach favored by many street photographers, he engages directly with his subjects, often approaching them with straightforward requests like “You look really interesting sitting right there. Can I get a photo of you?” This direct method, combined with his authentic interest in how people fit into their environments, has become his signature style.
Working primarily with a Yashica 124G medium format camera, Ribsy carefully balances his artistic vision with the practical constraints of film photography. Because there are only 12 frames per roll of 120 film, he makes each interaction and composition count. This deliberate approach extends to his creative process – he describes street portraiture as emotionally demanding work that requires specific mental preparation and dedicated time alone to achieve the best results.
Despite relocating from New York City to the Hudson Valley and balancing photography with family life and a full-time career, Ribsy maintains his commitment to documenting the city’s diverse population. Through his YouTube channel and various social media platforms, he shares not only his photographic work but also insights into his process, helping other photographers understand the nuances of street portraiture while maintaining an authentic approach.
Links from the show
Ribsy’s Instagram
Ribsy’s YouTube
Ribsy on Walkie Talkie

Confidence and Connection: Street Portraits with Ribsy


Our guest tis week is Dean Hinnant, the Street Photography Magazine featured photographer in the January 2024 issue. Dean’s journey as a photographer centers on an intimate, ongoing documentation of his five siblings. The oldest of six children spanning nearly two decades in age, he transforms his role as big brother into a powerful creative force through his project titled “Blood.”
The project gained deeper meaning following his parents’ divorce, which spurred Dean to focus his lens on preserving and exploring the unbreakable bonds between siblings. Armed with his Leica M6 TTL – a camera with its own remarkable history as the former tool of National Geographic photographer William Albert Allard – Hinnant captures both candid moments and environmental portraits that tell the story of his family’s evolution.
Dean developed his distinctive photographic voice during a six-month road trip across America in 2021, documenting the country’s emergence from the pandemic. This experience honed his ability to see beauty in everyday moments, a skill he brought home to his family photography. Despite living in different cities and coordinating around split holiday schedules, he never goes anywhere without his camera, ready to capture those in-between moments when his siblings come together.
His approach emphasizes trust and respect, allowing his subjects to be themselves while acknowledging their individual paths. This philosophy has led to a collection of images that resonate beyond their personal context, speaking to universal themes of family bonds, growth, and shared history. From his firefighter brother’s wedding to his youngest sister’s budding interest in photography, Dean captures the evolving dynamics of siblinghood with remarkable authenticity.
Working exclusively in film, Dean’s project stands as a testament to photography’s power to preserve not just moments, but the complex emotional landscape of family life. His work reminds us that sometimes the most universal stories are found in our most personal connections.
Links from the show
Dean’s Instagram
Pia Parolin’s article From Personal to Universal
The Traveling Photographer’s Manifesto by David Hobby
Dotan Saguy’s project Nowhere To Go But Everywhere


Blood Ties: Dean Hinnant’s Intimate Family Documentary


I recently had a very interesting chat with Jeromie Stephens, a talented photographer who’s been documenting the world of bluegrass for many years. If you love the candid, authentic moments in music or on the streets you need to check out the work of our guest Jeromie Stephens.
In today’s episode Jeromie and I dig into everything from street photography to the art of catching those spontaneous, off-stage moments that capture a musician’s spirit. Jeromiestarted off wanting to be a photojournalist, but through his love of music and being inspired by the legendary Jim Marshall, and ended up immersing himself in the world of bluegrass. This shift took him on adventures to festivals and even led him to photograph the 52nd annual Takarazuka Bluegrass Festival in Japan.
I first met Jeromie several years ago during a photowalk sponsored by our local camera store. Through this experience I was able to see him work first-hand create interesting compositions with his awareness of shapes in candid scenes then approach complete strangers with kindness and a sincere interest in them to make very personal portraits.
One of the things that really stands out about Jeromie’s music work is his preference for capturing the candid, fleeting moments over posed performances. He sees photography as a combination of preparation and spontaneity, much like music itself. This approach allows him to blend into the background, catching the genuine interactions of musicians without disrupting the flow. It’s all about the art of invisibility.
Jeromie has this wonderful habit of sharing prints with musicians, which not only builds goodwill but also strengthens the connections within the bluegrass community. He believes in the power of printed photographs, and how they hold a personal touch that digital images just can’t replicate.
As a testament to his strong relationships with the musicians he photographs, Jeromie received the 2024 Photographer of the Year Award from the International Bluegrass Music Association.
I hope you enjoy the podcast as much as I enjoyed chatting with Jeromie.
Links from the show
Jeromie’s Website
Instagram
Alysse Gafkjen – Music Portrait Photographer
Jim Marshall – Legendary Music Photographer


The Human Connection – Photographing Musicians at work and Strangers on the Street


In today’s episode I speak with Naeem Douglas, who is our featured photographer in the December 2024 issue of Street Photography Magazine. He’s a former broadcast television journalist who found a new passion in photography.
After burning out from the repetitive world of crime reporting, he discovered the calming effect of photography during the pandemic. He’s now a content producer for MoMA Magazine who revels in the creative freedom and objective storytelling the role offers.
A native of Philadelphia now in Brooklyn, he compares life in the two iconic cities. He reflects on the neighborhood pride, distinctive accents, and, of course, the food.
Armed with a Rolleiflex camera, inspired by photographers like Amy Touchette and Vivian Maier, Naeem prefers to engage with his subjects rather than sneaking a couple shots and moving on. This approach has led to some memorable encounters, including a brush with the legendary Bill Cunningham. However, the streets aren’t always friendly, as Naeem learned when a man dressed as Scottie Pippen refused a photo.
In his role at MoMA jumped into the world of podcasting with the limited series “Jazz in the Garden,” a captivating exploration of jazz history at MoMA from the 1960s to 2019. If you love jazz, don’t miss it.
Naeem experiments with both digital and film photography, developing black and white film at home while has color processed by a lab. His dedication to the craft is evident in his meticulous record-keeping and desire to dabble in darkroom printing. Despite the rise of AI editing tools, Naeem prefers the authenticity of analog photography.
If you’re inspired by stories of transformation, creativity, and connecting through story telling be sure to have a listen to my conversation with Naeem Douglas.
Links from the show
Naeem’s Website
Instagram


Naeem Douglas – Connecting with your community


Editor’s note: Today’s episode is a reply of our very first podcast episode with guest Glenn Capers published in  November 2014.  To this day, Glenn is one of our all-time favorite photographers as is this conversation.  Sadly, Glenn passed away three years later.  He was a brilliant photographer, inspirational teacher and an all around super cool guy.  Don’t miss our conversation.
Glenn Capers was more than just an outstanding photographer; he was a storyteller. Glenn had a personable way with his subjects that allowed him to really get to know them and find out their story. Perhaps that is what made his work special.
Glenn was originally from New York, though he later called Colorado home. In his career, Glenn was a professional photojournalist, cinema and landscape photographer, and he even took photographs for the Associated Press. He spent much of his time traveling and teaching street photography and journalism around the world.
Glenn believed that to be a good photographer, you needed more than just the right techniques and a good camera. Instead, Glenn talked to his subjects. More importantly, he listened to them. He felt that when people were given the chance to tell their story, they validated their reason for living. For this noble reason, Glenn met people, talked to them, visited their homes, and captured their moments. Connecting with people, and freezing those important moments in time to share a person’s story with the world was not just his goal, it was his specialty.
In our inaugural episode nearly 10 years ago Glenn shared some interesting experiences and stories, as well as some insight into his methods as a street photographer.
A Selection of Glenn’s Photos

Superman a Super Seamstress

Healing Hanks

Woman on a Pilgrimage

Mango Blade Runner

Why Men Like Women on Poles and Pink Cadillacs

The Untaught Lessons of Life

Workers of Bone Yard in Mumbai

The Ritual

Along the Palace Wall

Immaculate Conception

Encounters at the Sidewalk Cafe
Don’t Miss Glenn’s Photo Projects

A Day in the Life of Superman
Holy Week Chronicale
Healing Hands


10th Anniversary Episode


In this episode, I share my engaging conversation with photographer, curator, and publisher Michael Rababy about his upcoming book, “CASINOLAND, Tired of Winning.” Set to release on November 5, 2024, in independent bookstores and on Amazon.   This work which is the result of a 30-year personal photo project,  offers a unique and witty visual perspective on American casino culture.
The Concept
Rababy explains, “The concept of the book is to contrast casino commercials that promise you the world versus the visual reality that I translate when I’m at these locations all over America. It’s not just Vegas but Atlantic City, Reno, and basically any casino area I’ve stumbled across in the last 30 years.”
“CASINOLAND: Tired of Winning” presents a satirical yet poignant look at the casino industry. Rababy juxtaposes cheap, gimmicky marketing slogans with real-life images, creating a stark contrast between promise and reality. For instance, one spread pairs the phrase “You’re Going to Need a Bigger Wallet” with a photo of a overwhelmed man managing four young children in a casino parking lot.
A Visual Journey
The book spans 160 pages, featuring images from Rababy’s 30-year archive. It offers a fresh take on consumerism and gambling culture across the United States, presenting a glitzy yet gritty universe of American casinos.
The Publishing Process
As an experienced publisher, Rababy shared insights into working with authors, designers, and promoting visually rich books. He’s planning an upcoming exhibit of selected photos from “CASINOLAND,” which will include high-quality images and an AI-generated casino ad.
Self-Publishing vs. Traditional Publishing
We discussed the pros and cons of self-publishing versus traditional publishing, a topic particularly relevant as Street Photography Magazine prepares to publish its first book. Rababy’s plans for international distribution and exhibitions in Asia highlight the complexities of book promotion and distribution.
Long-Term Projects
Rababy also touched on the challenges of crafting long-term projects like “CASINOLAND” and “America Bachelor,” offering valuable insights into the creative process.
Artistic Influences and Commitment to Quality
Inspired by legends like Dorothea Lange and Ansel Adams, Rababy emphasizes the importance of capturing fine details in person. He’s committed to producing high-quality fine art prints, learning from experienced printers, and using premium materials.
Early Access and Bonus Content

While “CASINOLAND: Tired of Winning” won’t be widely available until November 5, readers can purchase a copy now from Michael’s website. These early copies will be signed by the author and include a bonus print.
Links from the show
Michael’s Website
CASINOLAND:Tired of Winning  on Michael’s website


Michael Rababy’s Visual Take on Casino Culture



In today’s episode we welcome award-winning Swedish photographer Johan Jelbo. Fresh off his win of the series competition at the first annual Dublin Street Photography Festival, Johan discusses his use of flash photography on the street journey, insights, and future endeavors in the realm of photography.
Johan’s love affair with photography began with simple compact cameras, but his passion soon evolved into a serious pursuit of street and portrait photography. Inspired by legendary photographers like Bruce Gilden, Johan transitioned to using flash, mastering its technical aspects and using off-camera flash. His approach brings an edge to his candid shots, setting his work apart in the increasingly crowded world of street photography.
He spent over 10 years of documenting the rural markets of southern Sweden where honed his street photography skills. This project culminated in the publication of his book “Stranger Than Fiction,” which documents the evolution of these events from a “sins nest” to what are now tame venues for family outings. In the process the project reveals the evolution of Johan’s own style. Along the way this work raises ethical considerations, such as photographing children and obtaining consent at public events.
A passion of Johan’s is his involvement with the Full Frontal Flash collective, a group dedicated to street photography using flash. Despite the challenges of project coordination, this collective has pushed the boundaries of traditional street photography, bringing new perspectives and techniques to the forefront.
Johan shares the emotional process of creating a photo book. As for the future he has a desire to to take on new projects and continues to share his journey with his social media audience. And he currently has work exhibited at the Arbetets Museum Norrköping Sweden through January 2025
Links from the show
Johan’s Website
Instagram
Full Frontal Flash Collective Website
Arbetets Museum Norrköping


Flash on the Street with Johan Jehlbo


I love night street photography, which is why I was thrilled when Ashley Riffo, our editor, landed an interview with our , Bal Bhatla, aka Mr Whisper who is also the featured photographer in Street Photography Magazine’s October 2024 issue.
Recently Ashley and I sat down for a very lively conversation with Bal who is truly a class act. He’s a London-based commercial photographer famous for his nighttime photography, to share his journey from being a digital creative director to a full-time photographer. His early recognition on Instagram, thanks to his striking nighttime images of the London Tube, launched him into the limelight, leading to prestigious brand collaborations with names like Netflix, Disney, BMW, Fujifilm, Google and others.
During our conversation he digs into the art of capturing candid moments using natural light at night, offering us invaluable tips for successful night street photography. I enjoyed his common sense insights into using available lighting at night, the nuances of ISO settings, and the advantages of prime lenses.
Under the banner of Mister Whisper Productions, Bal expertly juggles commercial assignments with personal projects. He emphasizes the importance of maintaining artistic control while meeting client expectations which can be a very delicate balance that many photographers often struggle with.
His newly-released book, “London After Dark,” which documents London’s nightlife from 2010 to 2024, is a must-have for anyone who wants to up their nighttime urban photography chops.
In addition to the technical aspects Bal opens up about the personal side of his creative journey. From the support of his wife, to the challenges of self-promotion on social media, Bal’s anecdotes are both relatable to any of us. He advocates for authenticity and consistent posting, a practice that has garnered positive engagement for his work. As Mark Twain once said, “be yourself, everyone else is taken.” That pearl of wisdom has served Bal well.
So join us Ashley and me on this episode of the Street Photography Magazine podcast for an engaging and fun conversation with Bal Bhatla. Find some inspiration, learn new techniques, and dip your toe into the world of night street photography.
Links from the show
Bal’s Website – Mr Whisper Productions
Order Bal’s book London After Dark
Bal’s Instagram


Discover the Streets at Night with Mr Whisper





Our guest this week is Karlynne Wintels who is also the featured photographer in the September 2024 issue of Street Photography Magazine. Originally from the Netherlands, she had been living in Singapore with her family over the past several years. When we spoke to her several weeks ago she was packing to move back to her home country.
Karlynne has always had a passion for photography, even back in 2006 during a family trip to Cuba when she unknowingly captured street-style images with her father’s Nikon. About ten years ago she moved to Tokyo, where she dabbled in urban photography, focusing on shapes and textures rather than people. It wasn’t until her big move to Singapore that things took a serious turn.
In 2020, after a corporate shake-up combined with the pandemic, Karlynne decided to dive headfirst into photography. She enrolled in a part-time diploma course to learn the technical side of things because she was mostly shooting in automatic mode before that. This course opened her eyes to the world of photography, and she connected with some amazing people along the way.
During her time in Singapore, Karlynne really honed her street photography skills. She became part of the Women in Street Singapore community and took part in their local exhibitions. Her photography focuses on capturing candid moments, often portraying the beauty of everyday life, whether on the streets or with families. She’s drawn to those real-life in-between moments, like a mother comforting her child or a spontaneous laugh between family members.
She applies her street-style approach in her family photography business. Karlynne offers a “day in the life” service where she documents families in a natural, storytelling manner. She believes in capturing those intimate, sometimes overlooked moments that represent family life. Her clients often express gratitude for her work, which she finds incredibly rewarding.
Karlynne also embraces the artistic side of photography. She’s been experimenting with both color and black-and-white photography, and she takes great care in curating her online galleries, often telling a story through the images. This ability to see the narrative in her photos really sets her apart.
Now that she’s back in The Netherlands, Karlynne is looking forward to reconnecting with her roots and is eager to see how her photography will evolve in a new environment.
Karlynne Wintels is a storyteller who captures life in all its beautiful, messy glory. If you’re curious about her work, you can find her on her website, kwphotography.com, and check out her Instagram for a peek into her creative world.
Street Photography Magazine subscribers can read Ashley’s in-depth article about Karlynne and a sample of her work when it’s published on September 1. Watch your email box for the the notice.
Links from the show

Karlynne’s Website
Instagram
Faebook


Capturing Life’s In-Between Moments with Karlynne Wintels





Today on the Street Photography Magazine podcast, we have a fascinating guest who I met in an unusual way – Lynne McPeake, a retired graphic designer and photographer from the Peak District in the UK.
I first crossed paths with Lynne during my travels to Iceland, the Faroe Islands, and the Scottish Shetland Islands early this summer. It was in Shetland – inspired by the TV show “Shetland” – that I stumbled upon the Shetland Museum & Archives in the town of Lerwick showcasing Lynne’s 1971 documentary-style photography of dock workers. Her work was so compelling, it led to our conversation that you will hear on this episode.
Lynne’s journey into photography started with a simple Kodak Brownie camera she received at age eleven. From there, she honed a unique artistic approach by blending her love for drawing and photography. She’s experimented with movement and multiple exposures, bringing a dynamic edge and painterly style to her photos.
During the Covid pandemic, Lynne found herself diving into old black and white negatives, which caught the attention of her friend Colin Smith and photographer who showed the work to the Family History Society in Shetland. This sparked the idea for an exhibition featuring Lynne’s work about local subjects. With support from Smith, and local fine-art printer Lynne creates a display of 18 framed images for her one-woman exhibit at the museum.
As a result of the exhibition Lynne has reconnected with subjects from her old photos, like a 71-year-old former dock worker reminiscing about his crane-operating days.
Throughout our chat, Lynne shares her artistic journey, touching on everything from her time in art college to her recent experiments with intentional camera movement (ICM) and an inspiring online course with photographer Charlotte Bellamy.
She’s got some exciting projects lined up, including an exhibition in Derbyshire titled “A Different Point of View,” where her photos will be showcased alongside a friend’s paintings. Lynne believes in the power of drawing to enhance observational skills, which translates beautifully into her street photography.
Lynne’s insights and experiences demonstrate that old work never dies. Give the show a listen to learn from her passion and creativity.
A selection of Lynne’s work









Links from the show

Lynne’s Instagram
Shetland Museum & Archives


Old Negatives, New Perspectives: The Enduring Art of Lynne McPeake





Our guest this week is John M. Simpson the featured photographer in the of August 2024 issue of Street Photography Magazine, who brings a wealth of experience and a unique perspective to street photography. A retired history professor and former military man, John’s journey into photojournalism began with a simple thought: “I can do a better job.” This led him down a path that included multiple embedments as a photojournalist in Iraq and Afghanistan during intense periods of conflict.
John’s approach to photography is deeply personal and driven by a desire to tell important stories. His current focus is on documenting the lives of homeless individuals in Olympia, Washington. What sets John apart is his commitment to spending time with his subjects, getting to know them, and approaching his work with genuine respect and compassion.
In our conversation, John shares insights from his experiences as an embedded photojournalist and how that informs his current work. He emphasizes the importance of building trust, getting close to subjects, and letting photographs come to him rather than actively hunting for shots.
John’s work isn’t just about capturing images – it’s about shedding light on important social issues and giving a voice to those who are often marginalized. His passion for his subjects and his craft comes through clearly in our discussion.
Whether you’re interested in street photography, photojournalism, or simply hearing from someone with a unique life story, I think you’ll find our conversation with John engaging and thought-provoking. Give the podcast a listen – I’m sure you’ll come away inspired by John’s dedication and perspective.
Links from the show

John’s work on Social Documentary Network


John M. Simpson’s Journey from War Zones to Homeless Advocacy





Our guest today is Brooklyn native, Gretchen Grace, a fascinating street photographer whose journey in photography began with a high school class that sparked her passion. since then she’s been capturing the street scenes of New York City for decades.
Gretchen recently published a book called “Two Way Street” that showcases her unique vision. It’s an interesting mix of her classic black and white film work from the ’90s and early 2000s, alongside more recent color abstractions she’s been working on recently. This blend gives us a peek into how her style and perspective have evolved over time.
What I really like about Gretchen is her ability to find those “moments of the everyday” – those little slices of life that might seem ordinary at first glance, but become something special upon looking deeper. She has a knack for spotting those in-between moments that tell a story all their own.
Gretchen’s background in design has influenced her photographic eye, especially in her more recent abstract work. She describes these pieces as “photographic paintings.”
Throughout our chat, Gretchen’s love for New York City and its endless parade of characters and moments is obvious. Whether she’s wandering familiar streets or exploring new corners of the city, her enthusiasm for capturing the essence of urban life is infectious.
She continues to push the boundaries of her art, experimenting with new techniques and emphasizing  human connection in seizing the “indecisive moments” that define her work.
So join us as we explore the world streets of New York through Gretchen Grace’s eyes.
Links from the show
Gretchen’s Website
Instagram
Two Way Street

Two Way Street with Gretchen Grace





Russell Banks, the featured photographer in the July 2024 issue of Street Photography Magazine, is a street photographer known for documenting life aboard cruise ships. His visual narratives about passengers and crew have allowed him to carve out a unique niche.
Russell’s interest in photography began in childhood when capturing moments on film sparked a lifelong passion. This early fascination guided him through an education that started with an English major and evolved into photojournalism, allowing him to explore the combination of narrative and imagery.
At the University of Texas in Austin, he had the opportunity to study under Garry Winogrand, who greatly influenced his personal style and approach, which is evident in his work today.
Before presenting his work to the market, Russell attended esteemed portfolio review events like FotoFest in Houston. The feedback he received from publishers and photo editors confirmed the potential of his cruise ship project. So, he began showcasing his work to publications and galleries. His hard work resulted in a solo exhibit in Golden, Colorado, another at the Viewpoint Photographic Gallery in Sacramento, California, and a feature story in Street Photography Magazine.
Russell also discusses the process of preparing his work for these exhibits, a task that requires meticulous attention to detail, from printing large-format images to handling shipping logistics – a process that is not inexpensive.
As my business mentor once said years ago, “don’t wait for the phone to ring,” that’s a motto that Russell applies to promoting his own photography. He adeptly researches potential exhibition venues, identifies key contacts at publications, crafts personalized pitches, and maintains an active online presence. He approaches the business side of photography with the same dedication as his art.
Segments
01:25 Early Photography JourneyExplore Russell’s early days with a camera, from childhood snapshots to his transition into more serious photography during his college years. Discover how his interest in literature and music influenced his path to street photography.
04:03 Influence of Gary WinograndDelve into Russell’s experience studying under Garry Winogrand at the University of Texas. Learn about the impactful teaching style of Winogrand and how it shaped Russell’s approach to photography.
06:40 Venturing into Cruise Ship PhotographyFollow Russell’s journey into using street photography techniques on cruise ships. Explore the challenges and unique opportunities of capturing moments in the quirky environment of a cruise ship.
12:12 Developing a PortfolioDiscover how Russell evolved from capturing images to curating a portfolio of his cruise ship photography. Learn about his process of selecting and presenting his work for exhibitions and reviews.
18:08 FotoFest ExperienceJoin Russell on his transformative experience at FotoFest in Houston. Explore the valuable feedback and insights he gained from industry experts and how it accelerated his artistic progression.
25:15 Preparation and PresentationMeticulous preparation and presentation techniques Russell employed for FotoFest. Learn about the importance of being well-prepared and organized when showcasing your work to reviewers.
59:00 Preparing for Solo ExhibitionsRussell Banks shares his experience developing a portfolio and entering exhibitions, leading up to his decision to pursue solo shows. He discusses the process of refining his work, submitting to various exhibitions, and finally landing opportunities for solo exhibitions.
01:00:03 Navigating the Logistics of ExhibitingRussell delves into the practical aspects of preparing and shipping prints for exhibitions. He shares insights on matting, packaging, and shipping large prints, highlighting the challenges and considerations involved in showcasing artwork in different venues.
Links from the show

Russell’s Website
Floating World – Street Photography Magazine article by Russell 
Instagram


Documenting Cruise Culture with Russell C. Banks





Kenneth Wajda, a commercial and editorial photographer from Colorado, enjoys making street portraits in his spare time. His outgoing and friendly nature helps him approach strangers for permission to take their portraits. His secret weapon? A classic Rolleiflex TLR camera, which he describes as the perfect icebreaker.
Kenneth has written an article about his experience with the Rolleiflex camera for Street Photography Magazine, set to appear in the June 2024 issue on Sunday, June 23.
In today’s discussion, Kenneth shares his approach to street portraiture using the Rolleiflex and Ilford HP 5 film, his settings for different lighting conditions, and his preference for shooting in sunlight. He stresses the importance of engaging with people on the street, sharing experiences from various locations like flea markets and small towns.
A key insight from our conversation is Kenneth’s mantra, “The muse exists, but she has to find you working.” This means that inspiration will come when you start working.
Kenneth, also involved in movie production, uses a copy stand and a Nikon DSLR to photograph negatives for digital use, finding this method more effective than dedicated scanners.
Kenneth recently founded the Rolleiflexers Collective to showcase the work of photographers documenting street life with the Rolleiflex camera. The group aims to share their work and inspire each other.
He strongly believes in the value of meetups, events, and competitions as platforms for photographers to showcase their work and build community. Kenneth also emphasizes the importance of printing your work and finding ways to publish it, even if it means self-publishing through a zine or book.



Quick crappy snapshot by Bob Patterson
Links from the show

Kenneth’s Website
Rolleiflexers Collective
Kenneth’s Street Photos


Kenneth Wajda: How a Classic Camera Breaks the Ice





Ave Pildas is a living legend in the world of street photography. Now 84 years old and based in Santa Monica, California, his career spans over six decades of capturing images that document the human experience. Pildas’ journey began in humble circumstances – by his own account, he was “a juvenile delinquent at 16” growing up in Cincinnati. However, he discovered a passion and a gift for artistic expression graphic design, then photography.
Early in his career Ave embarked on a project to visually chronicle the jazz scene of the 1960s. He developed an innovative approach, gifting musicians with prints of his photos in exchange for access to intimately document legends like Thelonious Monk, John Coltrane, Dizzy Gillespie and Nina Simone performing at clubs. His timeless black and white portraits from this era demonstrated Ave’s ability to transcend being a mere observer.
But he didn’t rest on the laurels of his jazz photographs. Ave’s insatiable curiosity prompted him to constantly experiment with new techniques over the decades. He used a tripod-mounted camera at a fixed location with a remote trigger to capture sequences on the street. He also crafts unusual studio setups and uses flash in low-light environments on the street do document gay pride and Halloween celebrations over the years. lighting sources, and even deconstructing and re-assembling. Each new approach allowed Ave to express a unique perspective.
Ave’s dedication to his craft is matched by his generosity of spirit. He continues tirelessly documenting vibrant communities like the drum circle in LA’s Leimert Park, often gifting cherished prints to his subjects.
A recent documentary titled “Ave’s America” produced and directed by his former photography student Patrick Taulère provides insight into his process and passion for using photography to open our eyes to communities most of us rarely interact with.  The film is currently available on Amazon Prime Video and soon to be available on PBS.   I watched the film as soon as it was released and although I’ve known Ave sor several years I learned so much by watching him interact with all types of people on the streets. The way he connects with others helped me understand that deep down we are all alike.  Don’t miss this one.
At an age when most have long settled into retirement, Ave Pildas still chases his muse daily on the streets seeking new ways to express himself.
Links from the show

Ave’s Website
Ave’s America documentary on Amazon Prime
Instagram
Ave’s Book,  Starstruck


Ave Pildas’ Vision of America





In today’s episode I speak with, Swedish musician and photographer Johan Otterdahl who discusses his unique approach to photography, which includes using one camera and lens for an entire year. Our rambling conversation spans a range of topics, from his upcoming trip to photograph an eclipse in Finnmark, Norway in September, to his artistic background in music and how it parallels with his photography style, emphasizing diversity, improvisation, and the importance of evolving artistically. Johan also shares insights into the challenges of making a living in creative fields, the significance of engaging with subjects, especially in street photography, and the impact of modern technology like the Instax printer on his work.
Our conversation extends to broader photography practices within the Ocoloy collective, focusing on the creative benefits of limiting oneself to specific equipment to foster growth and creativity. Discussions include technical preferences, such as the Fuji X-E1 and X100 series cameras, and the mental health benefits of photography.
Johan highlights the influence of Swedish photographer Anders Petersen had on modern street photography. Petersen is known for his documentation of Hamburg’s red light district in the sixties. His work is currently exhibited at the Hasselblad Foundation in Gothenburg.
We also discuss the process of printing photographs for galleries, the utility of website platforms like Squarespace for showcasing work, and the importance of receiving feedback on creative content.
Before we wrap up by making reference to other notable photographers such as Gerard Exupery and Greg Girard, discussions about upcoming projects, song recommendations, and website updates, and the interconnectedness of the creative process across different mediums and the continuous search for unique perspectives and moments in photography.

Johan’s Website
The Ocoloy Collective
Anders Petersen
Greg Girard


Johan Otterdahl’s Journey from Music to Moments





Los Angeles-base street photographer, Richard Smith, is the featured photographer in the May 2024 issue of Street Photography Magazine.
Through Rick’s work he expresses his love for his hometown’s diverse cultures, historical architecture, and the unexpected surprises of city life. One of his favorite spots is Union Station, where he often spends time capturing the beauty of the historic structure and its people. During our conversation he remembers his friendship with Don Young, a volunteer at the station, whose interactions with people and the emotion-filled moments they sparked became the subject of some of his memorable photos.
Rick’s passion for visual storytelling began in junior high, dreaming of becoming a TV director. He studied film, worked in the industry, but found his true calling in photography. His filmmaking background has significantly influenced his photography techniques and style. Rick also shares his knowledge as a photography teacher, emphasizing patience and practical examples as essential teaching tools.
Rick shares some insightful tips for aspiring street photographer by encouraging anticipation, patience, and observation. Street photography for Rick is not just about creativity, but also about mindfulness, presence, and learning from mistakes. It’s an embodiment of happiness in his life.
Links from the show

Rick’s Website
Rick’s Facebook


A Filmmaker’s Influence on Rick Smith’s Street Photography





In this episode, UK-based photographer, Bob Patefield, shares his lifelong passion for street photography, from his early fascination with cameras to encounters and collaborations. He tells us about his experience of being unjustly stopped by police while documenting an incident during Christmas near a British National Party event, which led to an 8-hour detainment without charges. Despite these challenges, Bob remains dedicated to the craft, reflecting on his equipment preferences and expressing curiosity about other models.
His journey intertwines with notable interactions, including a surprise connection with the late great Glenn Capers over Skype, which evolved into a close friendship. Glenn became an inspiration to Bob through his kindness, friendship, and sense of fun. During their lengthy video calls, they shared favorite photos and discussed camera gear into the wee hours of the night. Bob said, “I consider myself incredibly privileged to have met and shared all that time with him.”
Bob was heavily influenced by the themes of social justice, as seen in Capers’ project that depicts a janitor as Superman in solidarity with underpaid teachers. This led to his own story about property tax protests linked to the Freeman movement.
These projects underscore Bob’s engagement with societal issues and the complexities of capturing such moments. He also touches upon the importance of ethics in street photography, a new project aimed at raising awareness about child abuse, and the therapeutic potential of focusing on simpler subjects like dogs.
Bob shares plenty of practical advice, including his recommendation to print and display your work, and highlights the value of having a community of photographers who admire and learn from each other’s work.
A selection of Bob Patefield’s personal street photographs


















A selection of Bob’s favorite street photos made by his friend Glenn Capers
Throughout their friendship Bob Patefield and Glenn Capers shared and evaluated each other’s work.  Bob asked that we use this space to show some Glenn’s photos that had the most impact on him.  All of the photos below are ©Glenn Capers.








Links from the show

Bob’s 500px
Bob’s Flickr
Freedom-Minded – Bob’s Recent article in Street Photography Magazine
Video of Bob’s arrest for the crime of Street Photography
Expressions of Burnley – 100 Portraits Project
Farmer Ken – Dry Stone Wall Repair
Bob’s Peaceful Parenting Project Video
SPM Podcast Episode 001 Interview with Glenn Capers


Street Photography as a Tool for Social Commentary with Bob Patefield





In today’s episode, Dallas-based fundraiser and street photographer Penny James shared the story of her creative evolution since she first picked up a camera in 2016. With a passion for capturing the spontaneous ballet of urban life, she has become a unique voice in the world of street photography.
Her photographic journey began with a personal connection to her camera and a desire to document the world around her. The turning point came during expeditions to the streets of London and Paris, where she honed her skills and developed her own visual language.
Penny’s work goes beyond mere observation; it’s an extension of her emotional landscape. She revealed the deep emotional investment she pours into her website, a curated digital gallery of her innermost expressions. The authenticity of her work is not just a philosophy; it’s the cornerstone of her approach to art.
In a surprising twist of fate, her interest in clouds inspired a unique self-portrait project during the pandemic. This project resulted in a fusion of surrealistic cloud photographs with evocative self-portraits. Penny’s work during this period reflects a dreamlike atmosphere that has resonated with her audience.
Navigating the ambiguities of the creative process, James spoke candidly about the exhilaration and hurdles she has encountered. From the painful process of self-editing to the connections made while capturing the lives of strangers, her journey has been as much about personal growth as it is about artistic expression.
Despite the challenges of curating photographs for exhibitions and her website Penny’s dedication to visual storytelling remains strong. When reviewing Penny’s website in preparation for her interview we were most impressed by the intention she put into image selection and sequencing of the photos in each gallery. She said is was a painful process that has really paid off. We review countless websites each year and Penny’s is by far one of the best we’ve seen in years. Please don’t miss it.
Penny’s story serves as an inspiration to all aspiring street photographers and a reminder of the possibilities that await around the next corner.
Chapter Summary
07:05 Travel and Street Photography InspirationPenny discusses her solo travel experiences to London and Paris, highlighting how being alone with her camera in new places inspired her street photography work.
11:05 Authenticity in Art and ConnectionThe conversation delves into Penny’s approach to art and self-expression, emphasizing the importance of being genuine in connecting with others through creative work.
17:10 Website Design and Creative ExpressionPenny’s intentional and creative use of her website to showcase her photography, discussing the impact of thoughtful presentation in visual storytelling.
24:00 Pandemic-Inspired Self-Portrait SeriesDiscover how the pandemic sparked a burst of creativity and freedom leading to a unique self-portrait series by the artist.
41:09 Artistic Selections and Editing ProcessDelve into the Penny’s process of selecting and editing photographs for her website, showcasing intentional curation and critical evaluation.
46:06 Fleeting Scenes and Insignificant SignificanceExplore the artist’s perspective on capturing fleeting moments and the profound significance found in seemingly insignificant interactions with strangers.
51:14 Authenticity and Connection in PhotographyReflect on the power of authenticity and connection in photography, resonating with shared experiences and a sense of community among artists.
Links from the show

Penny’s Website
Instagram


Daring to Look: The unique street photography of Penelope James





In Street Photography Magazine, we publish many personal projects and discuss them with photographers on the podcast. In this episode, I had an opportunity to speak with street photographer Valérie and writer (and photographer) Gina Williams about their collaboration on one of the most creative projects I’ve seen in a long time.
Gina, a very talented writer, photographer, and artist, attended one of Valérie’s Paris workshops several years ago where they became friends. Several times over the years, they discussed a collaboration where Gina would create fictional vignettes inspired by subjects in a selection of Valérie’s street photos.
Last year, they made it a reality. Valérie gave Gina access to her archive to choose photos that resonated with her. That in and of itself was a challenge because Valérie has a huge archive of very powerful street images. Some stories came to her instantly while others marinated in the back of her mind, only to be revealed while she was gardening or taking a walk.
The result is an ebook titled Street Stories. It’s a collection of about 50 of Valérie’s street photos. Each photo with its vignette is depicted in a short chapter. The chapter opens with a title, assigned by Gina, on its own page followed by the photo on another with the page on the next page. This format can get very expensive in a printed book but works well in an ebook.
We’ve reproduced one of my favorite stories from the book in the show notes of this episode to give you an example of what Gina and Valérie created. The title is Resistance.
This type of book is best consumed a few chapters at a time rather than in long sittings. I imported my copy of the book into the Kindle app on my iPad. It gives me the ability to move between pages by sliding the screen right to left just like any book on the app. That way, I can glide through the images and titles and stop on whatever catches my attention. Each time, I’ve come away with new inspiration.
Valérie’s strong images combined with Gina’s imagination and mastery of the language is a magical combination.
Street Stories costs only $12.00, and Valérie has offered our listeners a $2.00 discount (so it’s only 10 bucks) by using the code SPM on checkout.
In the meantime, give the podcast a listen. I know you’ll be inspired by their story.
Here’s a sample chapter from Street Stories

RESISTANCE




I can hear their voices and feel their spirits in the wind when I visit this place. The horror. Fear. Desperation. Determination. Bravery.
My father was on this beach in the summer of 1944. A resistance fighter, he guided the Americans to a river crossing, then helped stand guard over German prisoners as they cleared the beach of obstacles and brutal tangles of barbed wire.
He didn’t talk much about it after the war—none of them did. But I can feel their presence here. Every gust of wind feels like youth leaving the body and I want to push it back like a rescue breath, return to them what they lost.
Places like this hold memories forever.
Now, the message of peace is peace itself. Lovers strolling arm-in-arm. Tourists sipping cocktails. Children splashing about and making castles in the once dangerous sand.
No matter the weather, I let it chill me. I never cover my head or button my coat. I want to feel the cold air in my bones until it hurts.
I scoop up a bit of soft sand and let it fall through my fingers, each grain a reminder of someone who sacrificed everything for the freedom I now enjoy.
And then I look to the horizon, watch the storm clouds swirl in the distance, and offer a humble prayer of gratitude and remembrance.
Links from the show
Street Stories Download   Use Discount code: SPM
Valérie’s Website
Gina’s Primary Website
Gina’s Photography and Art Website
Valerie’s Instagram
Gina’s Instagram


Valérie Jardin and Gina Williams – Fusion of Street Photography and Fiction






Gerald Marie-Nelly, affectionately known as Mister Geez, is the featured photographer in the March 2024 issue of Street Photography Magazine. During our conversation in this episode he invites us into his world of visual storytelling.
Mister Geez’s photographic journey is a combination of personal growth and artistic discovery. His transition from the sun-kissed shores of Martinique to the bustling streets of London is a story that resonates with anyone who has ever dared to dream beyond their horizon. Gerard opens up about finding solace in photography after the loss of his mother. It is a reminder of the healing power of art. 
His book “Inner Child Playground” is more than just a collection of images; it’s an invitation to view London through the fresh eyes of a child. Street Photography Magazine subscribers can an excerpt of his book in the December 2023 issue. 
What sets Mister Geez apart is not just his exceptional eye for detail but his commitment to community. He shares his craft by teaching photography to the homeless, helping them find their own voice through the language of imagery. 
Gerard also pays homage to the greats who have shaped his vision. He expresses admiration for documentary photography icons like Sebastião Salgado and Eugene Smith, whose works have influenced his approach to capturing reality.
He dives deep into the meticulous process of curating a body of work for publication. Selecting and sequencing photos is a delicate dance that can make or break a narrative. During our conversation Gerard discusses his technique of using inexpensive prints to sort, compare and sequence photos for publication.
Our conversation underscores the tangible joy of physical prints, the intricacies of layout design, and the struggle with technical dilemmas like color casts in printing. Gerard’s story is a reminder of the tactile relationship between photographer and photograph, in an age dominated by digital.
Links from the show

Mr Geez Website
Instagram
YouTube


Mister Geez Discusses the power of childlike wonder in street photography





In this episode we explore the world of Marco Campi where the rigid structure of mathematics and the expressive power of photography combine to tell stories of human experiences and the perils of climate change. If you’ve ever wondered how the precision of numbers and the creativity of visual arts could intertwine, then have a listen to my interview with Marco.
Marco Campi is not your typical engineer. Hailing from the fashion and design capital of Milan, Italy, he is a man who sees the world through numbers and symmetries but captures emotion through a camera. His unique blend of interests has led him to become a thoughtful observer street photography, with a special focus on cognitive sciences. This dual passion has taken him from the Milan’s Monumentale Cemetery during the heart of the COVD-19 pandemic to the capturing the lives of people affected by the floodwaters swallowing the historic city of Venice.
In a world where art and science are often viewed as separate entities, Marco Campi stands as a testament to the unity that can be found within diversity. His work challenges us to look beyond the surface and find the intricate connections that make our world a complex and beautiful composite.
During every conversation I have with our podcast guests I look for one tidbit of knowledge that I can apply in my own work.  This has served me well over the years.  At the end of our conversation Marco made two points, almost in passing “don’t do things on the fly” and “keep going back to the same place…it’s always different.”
Links from the show

Marco’s Website
Marco’s book: Diary of a Pandemic


The Unity of Art and Science: Marco Campi’s Vision of Humanity





In this episode of the Street Photography Magazine podcast, photographer the featured photographer  in the February 2024 issue of Street Photography Magazine, discussed his 30-year exploration of street photography shooting on Mass Avenue in Boston and his shift from traditional photography to using a mobile phone. He emphasized the importance of feedback and critique in the photographic process, which was the inspiration to create The Crit House, his YouTube channel dedicated to providing creative guidance and feedback to photographers.
Jeff reflects on the challenges and benefits of receiving constructive criticism and the value of having a trusted community for sharing work and feedback. Additionally, he shares insights into lessons from his career in broadcasting and his unique experiences with street and landscape photography using an iPhone, including nighttime shoots and long exposures to capture the moon’s motion.
Larson also recounts the influence of critiques on his work, noting his experience exhibiting in the Smith Gallery in Johnson City, Texas. Exploring genres beyond street photography, Larson detailes his landscape project and encounters with wildlife during early morning shoots.
Jeff encourages listeners to engage with his content available on YouTube, Instagram, and his personal website, and his published book, Sonder which is a compilation of his street photography over the past 30 years.
Links from the Show

The Crit House – Jeff’s YouTube Channel
Jeff’s Website
Sonder – Jeff’s Book
Instagram


The Power of Critique with Jeff Larason



Show Notes: Episode 170 – “The Dublin Street Photography Festival Journey”
Today, we have the founders of the Dublin Street Photography Festival, Paul Murray and Des Byrne, who are here to share their journey and insights into how their local street photography group  has evolved into an international festival.
Main Themes:

Establishing the Festival: Paul’s expertise in branding and design played a crucial role in attracting sponsors and securing venues. The festival has become a significant event, drawing international photographers and retailers.
Beginner’s Adaptation: Our guests discuss the learning curve for newcomers to street photography and the creative growth that comes with mastering this art form.
Reflections and Digital Nuances: They touch on the art of capturing reflection shots and discuss the intricacies of digital photography in the context of street photography.
Building Community: Des talks about creating an inclusive Facebook group that welcomes international workers and promotes street photography. The community extends to partnerships with local entities like the Dublin Camera Club.
Global Camaraderie: Paul and Des emphasize the sense of unity among the international photography community and their excitement for upcoming features, such as a retrospective of Jill Freedman’s work at the festival.
Travel Tales: The pair recount their adventures at photography festivals in Porto, Lisbon, and others, offering a glimpse into the diverse festival landscape.
Light Challenges: They discuss the technical and artistic challenges of shooting in different lighting conditions, particularly highlighting the unique light of Dublin throughout the seasons.
Grafton Street’s Winter Sunlight: A love letter to Dublin’s winter sunlight on Grafton Street, along with tips on how to capture distinctive images in this enchanting environment.

Links from the show

Dublin Street Photography Festival Website
Des Byrne Instagram
Paul Murray Website
Paul Murray Instagram


Capturing Moments and Building Community: Inside the Dublin Street Photography Festival




Photos by Fan Ho

Welcome to a special episode of the Street Photography Magazine podcast! We’re thrilled to share an exciting announcement that’s been in the works and is now ready to be unveiled to members of our community of passionate street photographers.
Extending to The Print World with a Photo Book About Your Favorite Street Photography Places

New Chapter: After years of digital publication, Street Photography Magazine is venturing into the tangible world with a physical book, celebrating the the places you love to shoot.
Call for Submissions: Hosts Bob Patterson and Ashley Riffo invite street photographers to submit their work for this landmark project. This isn’t just any call for photos; it’s a call for images of places that hold a special place in the photographers’ hearts.
Specificity Over Generalization: The focus is narrow, personal, and intimate. We’re not looking for the sprawling cityscapes or famous landmarks. We want those stories you tell in nooks and crannies that you return to time and time again, those specific locations that have become a part of your visual journey.
Inspiration from a Master: The work of Fan Ho, who captured Hong Kong in the 50s and 60s, serves as a perfect example for this project. His repeated visits to the Hong Kong Central Market allowed him to tell deeper, more nuanced stories through his lens—a practice we encourage in our community.
Capturing Change and Comfort: By revisiting familiar places, photographers can explore how their special spot evolves over time, becoming more attuned to the subtleties of light, atmosphere, and life that unfold there.
Submission Details: Photographers have until February 15th to submit photos, complete with unique titles and the stories behind them. Patience is appreciated, as curating a book is a delicate and time-consuming process.
Looking Forward: There’s a palpable sense of excitement as Bob and Ashley anticipate the diverse and profound collection of images that will be submitted, each with its own narrative and emotional resonance.

Stay tuned for updates on this project, and remember to visit Street Photography Magazine’s website for the submission form and additional details. Good luck to all our street photographers out there, and we can’t wait to see the places that have captured your hearts and lenses.
Until next time, keep making stories that are waiting to be told,  on the streets you love.
 
A Selection of Fan Ho’s Photos at the Hong Kong Central Market















Links from the show

Book Submission Form


Your favorite street photography locations: A Call for Submissions for Our New Book





Show Notes: Episode #168 
In today’s episode, we delve into the serene and contemplative world of fine art street photographer and architect Cyrille Druart who is the featured photographer in the January 2023 issue of Street Photography Magazine.  Street Photography Magazine subscribers can read Cyrille’s story and view his photographs in our feature story about in which is scheduled to publish on Sunday, January 7.
Main Themes:


“Plein Silence” Series: Dive into the discussion about Cyrille’s powerful “Plein Silence” series, a body of work that poignantly captures the stillness and solitude of the COVID-19 pandemic through the lens of a fine art photographer.
Artistic Evolution: Follow Cyrille’s artistic journey, including his affinity for minimalistic monochrome imagery and the development of his distinct graphic series that showcase his evolving style.
Methodical Approach & Self-Critique: Gain insight into Cyrille’s meticulous method of shooting and his pursuit of perfection through rigorous self-critique, a testament to his dedication to the craft.
Structured Composition & Design Methodology: Learn about the intentional structure and composition in Cyrille’s work, as well as his design-oriented methodology, which guides him in curating his photography series.
Stylistic Adaptations: Cyrille talks about the occasional stylistic changes in his work and how he adapts his style to convey different moods and messages.
Post-Processing Techniques: Uncover Cyrille’s approach to image refinement, using Adobe Lightroom for subtle tweaks and Adobe Photoshop for more substantial graphic adjustments.
Social Media Presence: Delve into Cyrille’s thoughts on social media, his preference for Instagram (@cyrilledruart) as a visual platform, and his contemplation about closing his Facebook account to maintain a thoughtful curation of content.

Closing Thoughts:
Cyrille Druart’s blend of architectural precision and photographic artistry creates a unique and introspective body of work. His advice on tool selection and the curation of social media presence offers valuable insights for both emerging and established photographers. Don’t forget to follow Cyrille on Instagram to witness his minimalistic, monochromatic world.
Episode Timestamps:

[00:01:30] – Transition from architecture to photography
[00:05:45] – Exploring “Plein Silence” and pandemic-inspired art
[00:12:20] – The evolution of artistic style and monochrome love
[00:18:15] – Behind the scenes of Cyrille’s shooting and critique process
[00:25:40] – Composition and design in photography
[00:32:10] – Discussing post-processing preferences and techniques
[00:38:55] – Cyrille’s advice on selecting photography tools
[00:45:00] – Thoughts on social media and content curation



Don’t miss an episode of “The Street Photography Magazine Podcast.” Subscribe on Apple Podcasts, Spotify, or wherever you listen to podcasts. If you enjoyed today’s show, please consider leaving us a review—it helps others discover great street photography content!
Links from the show

Cyrille’s Website
Instagram


Capturing Silence in a World That Never Stops: A Conversation with Fine Art Street Photographer Cyrille Druart





In this episode, the spotlight shines on Mark Schumann, a retired photographer whose journey behind the lens has been as varied as it has been profound. From the awe-inspiring wilderness of Alaska to the gritty streets where the homeless crisis unfolds, Schumann’s camera has captured narratives that beg for attention.
Mark’s story begins in ninth grade, a testament to the early onset of his passion. What unfolds is a career that not only brings accolades but also highlights significant social issues. His work on the US homeless crisis, which gained recognition through a newspaper article, delves deep into the ethical quandaries photographers face when capturing images of the vulnerable. Schumann’s insights provide a sobering reflection on the social challenges that persist with homelessness and the role of photographers in that space.
Schumann recounts his encounters with Alaskan bears, a subject matter that demands respect and a keen eye for detail. The importance of capturing the eyes to convey expression is a profound takeaway from his experiences. It’s not just about the danger or the thrill, but about understanding and portraying the silent narratives of these majestic creatures.
For those eager to dive deeper into Mark’s ’s work, his website, Schumannphoto.com, stands as a gateway to his collections. Here, admirers can order his book and immerse themselves in the visual stories he’s so expertly woven. His book is more than just a compilation of photographs; it’s an invitation to explore diverse landscapes and social issues through his perspective.
Mark’s approachability extends to his social media presence, where he actively engages with his audience. He shares the behind-the-scenes process of managing book distribution, a role that sees him in the mailroom ensuring that his stories reach those eager to experience them. The podcast also reveals Schumann’s encouragement for feedback and reviews, underlining his commitment to community and dialogue.
Links from the show

Mark’s Website
Mark’s book:  Homeless in a Land of Plenty
Instagram
Facebook


Mark Schumann on Capturing Streets, Wildlife, and Social Truths





Sureita Hockley, is the featured photographer in the December 2023 issue of Street Photography Magazine. She is a passionate street portrait photographer based in Wales, who has been capturing the world and its inhabitants for over a decade. With a background in dance, sales, and finance, Sureita found her true calling in photography in 2009.
Her journey began in the streets of New York City, where she immersed herself in the world of photography. She honed her technical skills and artistic sensibilities by attending courses at the International Center of Photography (ICP) and exploring the vibrant scenes of the city.
One of the defining features of Sureita’s work is her desire to engage with her subjects on a deep level. She believes in breaking barriers and making personal connections with the people she photographs. Overcoming her initial aversion to approaching strangers, she learned to gracefully handle rejection and persisted in capturing intimate and revealing portraits of people from all walks of life.
Sureita’s portfolio showcases her talent for capturing moments of connection and humanity. Her work predominantly focuses on street portraits, but she is not limited to one genre. Always challenging herself, she continually pushes the boundaries of her photography, exploring landscapes, documentary projects, and more.
Aside from her artistic pursuits, Sureita is actively involved in women’s photography groups. She served as a board member of Professional Women Photographers in New York, contributing to the development of the membership, exhibitions, and the empowerment of women photographers.
Whether she’s navigating the bustling streets of New York City, capturing the tranquil landscapes of Wales, or immersing herself in the cultural richness of different countries, Sureita embraces photographic opportunities with enthusiasm and dedication.
Links from the show

Sureita’s Instagram
Sureita’s Facebook


Sureita Hockley: A Journey Through the Streets and People’s Souls





If you’ve ever been captivated by a photograph, chances are been it was due to the composition. That’s why we invited Paul Fremes to join us today. He has a keen eye for balance and an easy to understand way to explain his composition concept to anyone.
Paul’s journey into the world of photography began like many others. He stumbled upon a book of iconic photographs and was instantly drawn to the power they held. Determined to capture that same magic, he picked up a camera and embarked on a lifelong quest to perfect his craft.
But Paul soon realized that there was more to photography than just pointing and shooting. He discovered that composition played a crucial role in creating visually striking images. And that’s where he decided to focus his efforts.
What sets Paul apart is his unique approach to composition. While many photographers rely on rules like the “rule of thirds,” Paul delves deeper, exploring the concept of balance. He believes that a well-composed photograph is like a delicate dance between the elements within the frame.
Through his teachings, Paul guides photographers of all levels to see the world through a different lens, to search for balance in every shot.
Paul’s system, teaches you to to look for balance in a scene and capture it in-camera avoiding the need for excessive editing and manipulation.
He is a firm believer in the power of practice. He knows that becoming a great photographer takes time and effort. That’s why he encourages his students to get out there and shoot as often as possible. He believes that the more you practice, the more you train your eye to see the world in a new light.
But it’s not just about technical skills. Paul emphasizes the importance of finding your unique voice as a photographer. He encourages his students to explore their own perspectives, to capture the world through their own unique lens. Because in the end, it’s the individuality and personal touch that truly make a photograph stand out.
Paul was kind enough to offer our listeners a 1-hour live demonstration of his composition concept for only $21 CAD (Canadian Dollars). Click here to learn more
And here is a short video titled Revolution in Imagery that Paul made to demonstrate how his composition system works. When you’re finished watching be sure to catch our conversation on the podcast.
Links from the show

Paul’s YouTube
Paul’s Instagram
Revolution in Imagery Video
Book a 1-hour live demonstration by Paul
Paul’s TikTok


The Power of Balance in Photography: Insights from Paul Fremes





In today’s conversation, I’m joined by the Justin Ide, Street Photography Magazine’s featured photographer for the November 2023 issue. His feature story with a samples from a recent project will go live Sunday, November 5 at 10:00 AM EST in the magazine.  
With an impressive career as a photojournalist, Justin has captured powerful moments and shared stories that matter. From his early days in West Virginia, where he honed his skills by chasing down news stories, to his time as a staff photographer for the Boston Herald, Justin’s unique style shines through.
After his time in the newsroom, he took on the role of Director of Photography at Harvard University, where he continued to tell stories through his lens. Always eager to learn and grow, Justin emphasizes the importance of constantly seeking inspiration and knowledge, no matter where it may come from.
He believes that everyone has a unique story to tell, and through his camera, he captures the essence of individuals and the world around them. Whether it’s the bravery of firefighters or the hard work of farmers, Justin’s images evoke emotion and shed light on their untold stories.
Join Justin and I as he discusses his adventures, from his early days with a camera in hand to his current projects in Charlottesville, Virginia. He’ll share the lessons he’s learned along the way, including the importance of staying curious, finding stories that ignite your passion, and breaking the ice with subjects to create connections.
Links from the show

Justin’s Editoral and Commercial Website
Justin’s Family Documentary Website
Justin’s zine Every Rodeo starts with a salute to the flag.


From Newsrooms to Firehouses: Interview with Justin Ide





Fred Ranger, from Montreal, is not only a visual storytelling expert but also a YouTuber and gear junkie. We had previously talked about visual storytelling, but this time, we decided to dive into how and why he created his first zine.
Fred’s zine, titled “Humans After All,” is a collection of moments that celebrate the beauty of everyday life. Fred wanted to bring back the focus on humanity and showcase the small, poetic stories that often go unnoticed. From four old Italian friends waiting for the bus to a woman interacting with cats in Portugal, each photo tells a unique story.
When Fred decided to publish the zine, he opted for a different approach. Instead of relying solely on digital platforms like Instagram, he wanted to explore a different medium. He believed that seeing his work in print would bring out the true magic and allow viewers to experience his art in a different light.
To bring his vision to life, Fred used BookWrite, a free editing software provided by Blurb, to design and sequence the zine. He found it to be intuitive and user-friendly, which made the process smooth and enjoyable. Fred also emphasized the importance of seeing his work in print, as it added a whole new dimension to his photography. After publication, he was thrilled when Blurb reached out and featured his zine in their staff picks section.
Not only did Fred create a physical version of the zine, but he also made a digital PDF version available for those interested. He wanted his art to be accessible to a wider audience, and the digital format allowed people to experience his work on their devices.
Fred shared his love for capturing those fleeting moments that make life beautiful. And his journey of selecting and sequencing the photos in “Humans After All” was a reminder of the power of storytelling and the impact it can have.
Have a listen to our conversation about Fred’s journey into the print world and Street Photography Magazine subscribers can view photos from Fred’s zine in the October issue beginning October 24.
Links from the show

Fred’s website
Humans After All on Blurb
Fred’s Podcast – Visual Storytelling
Fred’s YouTube
Instagram


Visual Storytelling and Zine Creation – Fred Ranger




In this episode, Karen Commings joins us to talk about her approach to street photography, and how it all began. You might remember Karen from earlier this month – she’s our featured photographer in the October issue. 
Karen has been shooting the streets in earnest for about 10 years now, and one of the things we noticed about her work right away is how honed her powers of observation are. She often captures photos that are layered with multiple people and emotions all at the same time. It’s the way she likes to tell the story behind the moment. But that’s not the only reason she’s able to capture her subjects with emotions on full display. 
“My superpower is being invisible in a crowd,” she says. Karen uses her superpower, along with a respectful approach to get close and catch. In this episode, you’ll learn what practical steps Karen takes to be discreet and how she knows when to take the shot. 
You’ll also get a few tips about getting your work seen from Karen. Her work has been featured in Black & White Magazine several times, The Photo Review, and Harrisburg Magazine, just to mention a few online publications, as well as in numerous gallery shows. What’s her secret? Listen in to find out why photographers should take a chance with submissions and stay persistent to get work published.
Another thing we love about Karen’s work is her willingness to bend and break the rules of photography on occasion. She talks about they whys and hows of that in this episode, but to see a few examples of times she’s broken the rules for a noteworthy photo, be sure to subscribe to Street Photography Magazine and read our feature article about Karen, “A Chance to Break the Rules.”
Where to Find Karen Commings

Website
Facebook
Instagram
Karen’s Street Photography Books


Karen Commings – Being Invisible in a Crowd




Photo by Larry Racioppo

John Rossi, a retired school teacher from the New York City school system, has a deep passion for capturing moments through his lens. Although he currently lives on Staten Island, his heart remains in his native Brooklyn.
Larry Racioppio, a fellow photographer, friend of John’s and contributor to Street Photography Magazine, introduced me to John’s timeless photographs of Little Italy. And after seeing his photographs, I understood why and immediately invited him to share his personal story with you on the podcast.
Street Photography Magazine subscribers can see his work in his article Memories of Little Italy.
John’s journey in photography began when he got his hands on an old camera with his girlfriend. They experimented with different settings and discovered the joy of capturing images. From that point on, John always had a camera by his side, documenting any event that caught his eye.
John stressed the significance of photography books in his development. He mentioned influential photographers like Walker Evans and Robert Frank, whose work shaped his understanding of photography. With the advent of smartphones, everyone can now take pictures anytime, but John emphasized the importance of slowing down to capture meaningful moments, rather than just snapping away without purpose.
We also discussed John’s deep connection to his Italian roots and his passion for photographing the Feast of San Gennaro in Little Italy. He explained how his family had a store in the neighborhood, and how he was influenced by the atmosphere of the feast. His photographs from those times capture not only the events but also the culture and spirit of the people of the neighborhood.
As you will hear in our conversation, John is a funny and entertaining storyteller. He shared stories of encounters with fellow photographers and even brushes with famous actors like Robert De Niro.
It was a pleasure to have John Rossi on the podcast, and I encourage you to explore his body of work.
Links from the show

John’s Facebook


Moments Frozen in Time with John Rossi





In this episode, Sam Huggin, a production assistant in Richmond, Virginia, discusses the importance of film and photography in storytelling. Sam shared how framing shots can convey a message that relates to a larger narrative. He spoke about how, for him, photography captures the beauty and complexity of the world, and resonates with people through storytelling.
He also stresses the importance of showing respect for subjects in his street photography and documentary-style work. Sam believes that approaching each subject with empathy and understanding is essential to tell their stories without exploiting them. Sam strives to make his work reflect this respect for his subjects, capturing their essence without reducing them to caricatures or stereotypes.
A selection of Sam’s street photos















Links from the show

Sam’s Website
Instagram
Byrd Theatre (The Byrd)


Inspiring Stories of Regular People – Sam Huggin





This is a special Street Photography Magazine Podcast Short episode about the upcoming PhotoNOLA Festival in New Orleans. Joining the podcast are Lisa Cates and Doug Miller of the New Orleans Photo Alliance to share more about the events, review and display opportunities at this year’s festival
PhotoNOLA is an annual celebration of photography in New Orleans that will take place from December 13 through 17 throughout the city. The festival is produced by the New Orleans Photo Alliance (NOPA) in partnership with museums, galleries, and alternative venues. The festival showcases work by photographers from near and far and includes exhibitions, workshops, lectures, a portfolio review, gala, and more.
The festival organizers are excited to welcome hundreds of photography professionals to the city to partake in a variety of educational programs. Additionally, the festival has a broad range of programming designed to connect and inspire the local community through photography. The exhibitions and events are largely free and open to the public.
One of the festival’s highlights is the PhotoNOLA Portfolio Review. It has quickly grown to attract a national gathering of accomplished photographers. They convene to share work with esteemed curators, editors, publishers, and gallery owners from throughout the U.S. and abroad. By fostering the exchange of art and ideas, the review supports the work of emerging and established photographers. The festival also honors three outstanding portfolios each year through the PhotoNOLA Review Prize. Additionally, the PhotoWALK event serves to educate the general public by offering the opportunity to view portfolios and interact directly with participating photographers.
Throughout the month of December, the festival has a variety of photography exhibitions on view, spotlighting diverse applications of the medium. There is also a series of workshops, lectures, and panel discussions that further the educational goals of PhotoNOLA. The annual PhotoGALA Benefit Party & Auction also raises funds to support NOPA’s year-round programming initiatives.
Links from the show

PhotoNOLA Website
New Orleans Photo Alliance website
Lisa Cates’ Instagram
Doug Miller’s Instagram


PhotoNOLA Festival 2023 – Lisa Cates and Doug Miller





Joe Jasper is a passionate street photographer who resides in Washington DC. In addition to photography, he also works as an Events and Experience Producer for a DC-based company and has in the past worked as a Videographer and a Photography Instructor in the Washington area.
Joe’s photography revolves around his ability to capture moments, be it through Documentary, Events, or Street Photography. He seeks to capture the little idiosyncrasies of the world around us that go unnoticed every day, and his work is a testament to his skill. Joe’s work walks a fine line between a careful composition and the unpredictability of a candid scene, and he hopes that viewers will find hints of geometry and pattern intermixed with the chaos of humanity in his work. In non-pretentious terms, Joe likes to showcase things like emotion and character in an intentionally organized frame.
Joe’s passion for photography is not the only thing that defines him; he also has a keen interest in other hobbies such as hiking, soccer, and writing and designing materials for his music blog RapZebra. He is a proud Sproodle-Dad, which shows his love and compassion for animals.
A selection of Joe’s street photos


















Links from the show

Joe’s Website
Instagram
YouTube


Capturing the Unnoticed with Joe Jasper





Richard Morgan is a professional photographer and photography education from London. He recently authored a powerful article in June 2023 issue of Street Photography Magazine titled The Poetry of Everyday Life in Wartime Ukraine about how life goes on amid the relentless Russian attacks on their country.
His passion for street photography started when he went to Russia to study Eastern European and Russian culture and politics. His father gave him an Olympus OM-1N with several rolls of black and white film, and he began exploring the streets of St. Petersburg with his camera. Over time, he developed his skills and techniques and won the 2018 CBRE Urban Photography of the Year Award.
He has continued to photograph in Poland, Russia, London and most recently in Ukraine, by capturing everyday life during times of conflict and political turmoil.
In his experience with clients, Morgan has learned the importance of adapting his approach to meet their unique needs and expectations. He incorporates a combination of candid street-style photographs, portraits, and mini-documentaries of a particular element of an event to capture a full-bodied reportage. Ed emphasizes the significance of building trust with the subject and finding unique ways to make a portrait stand out, such as getting their hands involved or asking them to show a meaningful tattoo or necklace.
During our conversation Richard said, when in a place or at an event, don’t photograph “the thing”, but the moments that happen around or a result of “the thing.”  We talked about a lot during our hour together, but that one comment really struck home.
Ed stresses the value of practice to better photographer. He encourages street photographers to take their time, be patient, and wait for the right moment. He says that If a location is good, but nothing is happening, come back again (and again).
A selection of Richard’s Ukraine photos








Links from the show

Richard’s Website
Instagram
The Poetry of Everyday Life in Wartime Ukraine


Photograph the moment, not “the thing” – Richard Morgan




Portrait Photo by Joshua McLaughlin

Growing up in Gary Indiana, Bob Soltys discovered his love for photography while shelving books in his local library. It was then he encountered The Eye of Eisensteadt which left an indelible impact on him. From photographing Bobby Kennedy’s rally with his humble Instamatic camera to investing his earnings in a 35mm, he honed his skills and creativity.
An unexpected opportunity arose when teachers at his school went on strike. Bob, then a student, documented the event, leading to a job offer from a local newspaper. Over time, he expanded his portfolio, capturing everything from weddings to street scenes. His journey is a testament to the power of curiosity, patience, and persistence.
Bob also shares his insights on presenting a portfolio effectively. As an experienced photographer, he understands the importance of making a good first impression and provides practical tips to achieve this. He emphasizes the need for preparation, rehearsing the presentation, and being concise. And he advises bringing supporting materials like a Zine or prints but only leaving them if asked by the reviewer.
Bob’s website is more than a simple portfolio. In addition to being a showcase for his Paris work, he uses it as a creative journal of his personal story, eclectic interests, charitable work and his dogs.
A selection of Bob’s street photos















Links from the show

Bob’s Website
Bob’s Book: Paris, the Art of Living
Bob’s Book: A Lucky Life
Bob’s interview with Valerie Jardin about portfolio review preparation


Recording magic moments that are right with the world – Bob Soltys




Editor’s Note: The woman in the photo above next to Larry is Melissa, his cousin Camille’s daughter.  They are at a 2018 book signing fo his book  “BROOKLYN BEFORE.”  Melissa’s 1983 First Communion Photo is in the book and on the wall behind them. It’s another example of his family work coming full circle.

Larry Racioppo is a New York photographer who has been capturing captivating images for over half a century. Hailing from a simple Italian-American, Catholic family in Brooklyn, art wasn’t a frequent part of his upbringing. Nevertheless, Larry fell in love with photography accidentally while volunteering for an anti-poverty program in California. Ever since 1969, Larry discovered his passion and developed a unique photographic style that reflects his roots and personal evolution. 
His diverse body of work, which examines the vibrant religious cultures of different ethnic groups in the city and showcases intimate portraits of loved ones, exhibits a fascinating continuity. Despite a lack of formal training, this self-taught artist has published five books and is currently working on his next five.
Don’t forget to check out Larry’s Street Photography Magazine article “Return Visit to NYC.”
A selection of Larry’s photos












Links from the show

Larry’s Website
Larry’s Books
Instagram


Illuminating the Past: Larry Racioppo’s Reflections on his Extensive Archive of Photographs





Kenneth Wajda is a professional photographer and avid street photographer from Colorado. He has a unique approach to photography and a real passion for capturing those special moments that happen in our everyday lives. According to him, photography is a way to capture life as it is and to showcase the essence of people and places in their natural state. Currently he’s working on a project to capture the in-between moments of ordinary life in all 50 states, with the objective of capturing a truly authentic representation of the diversity of the United States.
One thing that really stood out to me is Kenmeth’s approach to photographing people. Instead of staging or posing his subjects, he focuses on capturing people as they are, which really allows him to showcase their true essence. This approach results in portraits that are authentic and meaningful.
My big takeaway from our conversation is that each photographer should be true to themselves and embrace their own unique style and vision. He encourages photographers to be authentic and not to conform to current trends or try to emulate others. This way, photographers can create truly meaningful and authentic work.
Kenneth’s passion for photography shines through in every word, and his dedication to capturing the beauty of everyday life is really something special.
A selection of Kenneth’s street photos


















Links from the show

Kenneth’s Website
Colorado Faces
Instagram
Youtube


Kenneth Wajda – In-between Moments





Mark Gilvey is an artist and photographer in Northern Virginia near Washington, DC. He began his career documenting endurance sports car racing. He later became interested in multi-image production, designing art for panoramic presentations using multiple slide projectors. As technology evolved, Mark taught himself digital design and went on to work in pre-press, web design, and marketing. He eventually formed his own company, Mark Gilvey Creative, where he provides design services to small and medium-sized businesses.
Mark has several personal photo book projects in the can and decided to use Blurb or other pint on demand services to make them a reality. However he discovered that it was difficult to make the end product, printed by someone else, match his creative vision.
So Mark called upon his many years of printing and graphic design experience to create a process to prepare photos and files so that they look best when printed. Mark’s process is now available to anyone through his book Blurb for Photographers.
Mark joined us for this special podcast episode to share some tips and techniques to make your photos look their best when printed on demand.
Links from the show

Blurb for Photographers
Mark’s Fine Art Website
Instagram
Facebook


Mark Gilvey – Blurb for Photographers




Meryl’s portrait by Laura June Kirsch

One of the first lessons I learned from Meryl Meisler when we first met at the Miami Street Photography Festival a few years ago is “if you don’t promote your own work…nobody will.”  That’s why I asked her to join us on the podcast this week…to explain how she promotes her own work and share tips on how we can do it too.
During our conversation Meryl Meisler shares some great tips on how to promote your work effectively while protecting it from unauthorized use. Meisler suggests using social media and mass emails to your advantage, especially when you have a new project or exhibition. She recommends creating a mailing list of contacts who are interested in your work and sending out regular updates. Meisler also emphasizes the importance of giving credit to journalists who publish your work, as they can help increase your visibility and credibility.
In addition, Meryl stresses that copyrighting your work is crucial to protect it from unauthorized use. She advises photographers to register their work with the U.S. Copyright Office to have legal proof of ownership. Meisler also recommends adding watermarks on digital images to deter unauthorized use.
Meryl highlights the significance of consistency in your personal branding and online presence. She suggests using the same logo or profile picture across all social media platforms to create a cohesive look and reinforce brand recognition. She also recommends regularly updating your website and social media accounts to keep your audience engaged and informed about your work. Keep it fresh.
 
A selection of Meryl’s photos from her Zillman Museum exhibits
















Links from the show

Meryl’s website
Instagram
Zillman Art Musem Exhibits
Meryl’s Gallery – CLAMPART


How to promote your work with Meryl Meisler





Paul Reid is a professional photographer from Carlisle in the north of England. For many years he specialized in wedding photography using only small cameras with prime lenses to capture fleeting moments that tell the story of the day’s events. This made it an easy transition when he became serious about street photography.
Because of his preference for monochrome, Paul jumped in with both feet by purchasing a Leica Q2 Monochrom shortly after it was released. He quickly became attached to the device and over the years mastered its intricacies making stunning portraits and street images.
Of course he shoots color too, but like many of us, monochrome is in his DNA. That’s why I call him “Mister Monochrome.”
When he’s not doing paid photography work Paul also serves a mentor to other photographers guiding them to discover their personal vision and perfect their monochrome style.
He encourages everyone to create personal ongoing and short-term projects to keep the creative juices flowing. And he practices what he preaches. Paul’s favorite personal project is his Time Traveler series which features a faceless man in a fedora cast in various scenes…in monochrome of course.
Recently Paul has become a YouTube sensation using his infectious enthusiasm to share his joy of visual storytelling and deep dives into his personal projects. It’s obvious that his work comes from the heart.
Learn more about Paul in the Street Photography Magazine article, “Monochrome Mad.”
A selection of Paul’s  street and project photos


















Links from the show

Paul’s website
Instagram
YouTube
LFI Gallery


Mister Monochrome – Paul Reid





Today we welcome back, Lauren Welles, someone with whom we’ve spoken with a number of times over the years. Lauren left a successful 16-year career as a corporate attorney to follow her passion for photography, which she has been doing professionally now for a little over a decade. She is primarily self-taught, and her photography has taught her even more about herself than the subjects she has photographed. She believes that, as human beings, we are much more alike than we are different; her passion for street, documentary and event photography reflects that. 
Over the last few years, Lauren has spent more of her time teaching others what she’s learned, often revisiting the way she imparts information, attempting to simplify her language and instruction as much as possible.  In addition to being a Leica Akademie instructor, Lauren teaches photography to high school students from underserved communities at the NYC SALT program in New York City. In collaboration with Leica Akademie, this August Lauren will be giving a workshop about learning how to see, which she says is a skill that anyone can learn, regardless of how proficient one is with the technical aspects of their camera.
A selection of Lauren’s street photos















Links from the show

Lauren’s Website
Lauren’s Manhattan/Coney Island Workshop
Instagram
B&H Podcast interview with Jean Furth about her Little League book and project


Learning to see with Lauren Welles





We’re pleased to have Julia Dean back with us again.  She’s a longtime photographer, educator, writer, founder of the Los Angeles Center of Photography and most recently the creator of The L.A. Project.
Julia was the last apprentice to the pioneering photographer Bernice Abbott, which had a profound effect on her work and career. In the years that followed, she traveled the world, working on socially concerned projects by freelancing for relief groups and magazines. Eventually, life brought Julia to LA, where she began teaching full time and shooting street photography on the side. And these are just a few highlights of her photographic journey.
She is passionate about collaborating on projects with with talented photographers. In the 1990s, she raised money to send six photographers around the world to document stories about child labor. This work resulted in two trips to the Capitol and a lot of press. Her current collaboration is through The L.A. Project, where she pulls together L.A. photographers — students, emerging and professionals — covering stories of the streets.
Between all of this Julia makes time for her own photography projects, The Guardian of the Alley about Jose Hernandez, a well-respected homeless man who serves as the godfather of a portion of a homeless encampment in downtown L.A.

As an educator her teaching experience includes 40 years at various colleges, universities and educational institutions including the University of Nebraska, Los Angeles Valley College, Los Angeles Southwest College, Santa Monica College, the Santa Fe Workshops, the Maine Photographic Workshops, Oxford University, the Los Angeles Center of Photography, and the Leica Akademie.
For two decades, Julia concentrated on street photography around the world. For the past 12 years, street shooting in downtown Los Angeles has been her primary focus. She created and directs a street collective called Street L.A., which consists of a group of serious photographers who shoot weekly. Julia's work has been published in many magazines, blogs, and books.
A selection of Julia’s street photos















Links from the show

The L.A. Project
Julia’s Website
Instagram
The Guardian of the Alley


Julia Dean – The L.A. Project





In this episode of the podcast, we revisit an old friend, Michael Ruggiero. Mike’s recent move southward put him within driving distance of Bob so the two met up to record a podcast episode – this time in person!
Mike has always been a prolific street and documentary photographer, thanks mostly to a successful career as a chef that provided him with the time and money to travel and buy plenty of film. In this episode, Bob and Mike talked about how he used his calling to fund his passion and how being a professional chef influenced his photography.
The two also dove into several of Mike’s long term projects, many of which revolve around slices of Americana that are steadily disappearing. One of Mike’s current projects is particularly fascinating. Recently, he’s been visiting small town churches and shooting tiny congregations of just a dozen congregants or so inside their places of worship during church services. He gave Bob the skinny on how he gets permission to be present as a photographer and shoot such intimate moments.
But there’s lots more to this conversation that you won’t want to miss. Listen in to find out how Mike, a lifetime film photographer, adjusted to digital when he was deprived of his darkroom during his recent move, learn about his attempts to become a Magnum photographer, and find out how he met (and was duped by) a very old and feisty Henri Cartier-Bresson. Mike has plenty of stories to tell. 
A Selection of Mike’s Street Photos

From Mike’s Trucker Series


Portrait of an “Asphalt Cowboy”


Mission Beach Park – San Diego, CA 1981


Voyeur – Vienna, Austria 1989


St. Luke’s Church – Charlottesville, Virginia 2022


Worship 10 AM – Palmyra, Virginia 2023

Read Mike’s feature interview in Street Photography Magazine here.
Links from the Show

Mike’s Website
Instagram


Michael Ruggiero – Documenting Disappearing Americana





The title of this article is really a misnomer because Marcia Bricker Halperin knew all along that the archive she built over 40-years contains gold. But she waited until she retired from teaching to create a book from her life’s work.
On a winder day in 1975 Marcia ducked into Dubrow’s Cafeteria on Kings Highway in her native Brooklyn to escape the cold. Over the next three years she returned regularly, camera in hand, to record the life and culture among the regulars in this local landmark unique to New York. It was a happy accident that proves you never know where a photo project will lead. Nothing will happen until you take the first step and do the work.
During the podcast conversation Marcia tells the story of how she created her book, Kibbitz and Nosh: When We All Met at Dubrow’s Cafeteria , by mining her archive, making difficult selections, scanning negatives, and finding a publisher that believes in her vision and finally making it a reality. 
Early in her career Marcia was employed by the CETA Artist’s Project under the auspices of the Cultural Council Foundation. Her assignments included photographing the Soviet refugees and their introduction to American culture in Brighton Beach and photographing housing issues in Hell’s Kitchen.
In the late 1970s, she was active in the Photographers Forum, an organization that was a continuation of the 1940s Photo League. She assisted with organizing their meetings and panels held at the New School, which featured photographers such as W. Eugene Smith and Roy DeCarava.
Marcia’s personal story of how she leverages her archives to publish her book is an inspiration to any photographer who dreams of exposing their own work to the world.
Marcia’s portrait by Phil O’Brien
Exhibitions and book events
Exhibition:  Edward Hopper House Museum & Study Center Through June 25, 202382 N Broadway, Nyack, NY 10960Link: https://www.edwardhopperhouse.org/kibbitz.htmlArtist Talk: Sunday, June 11, 2-3:00 at the Nyack Library, 82 N Broadway, Nyack, NY 10960Followed by a tour of the exhibition at Edward Hopper House
Artist Talk: Sunday, June 11, 2-3:00 at the Nyack Library, 82 N Broadway, Nyack, NY 10960Followed by a tour of the exhibition at Edward Hopper House
Exhibition: Garment District Arts AllianceKaufman Arcade132 West 36th Street, NYCMay 15 – August 25, 2023
 Garment District Tour and exhibit viewing Monday, June 5th – 10:30 amMeet at the Giant Needle and Yellow ButtonWest 39th Street and 7th AvenueEmail Marcia at mmhalp@gmail.com to reserve a spot
A selection of Marcia’s photos
Taxi  from Kibbitz and Nosh

Man with Bowtie  from Kibbitz and Nosh


Pencil Moustache from Kibbitz and Nosh


47th Street Boys from Marcia’s CETA Artist’s Project Hell’s Kitchen series

Links from the show

Marcia’s Website
Kibbitz and Nosh: When We All Met at Dubrow’s Cafeteria on Amazon
Instagram
Facebook


Marcia Bricker Halperin finds gold in her archives





Tatiana Hopper is an artist. Her mediums are film photography, video content creation and writing. You may already know her as the creator of the T Hopper YouTube channel.
I first discovered Tatiana’s channel when I was searching YouTube for documentaries about some favorite master photographers. YouTube is a vast resource but sometimes difficult to search due to the large numbers of “Clickbait” posts. It can take a lot of time and effort to separate the wheat from the chaff.
That’s why I was so pleased to find Tatiana’s YouTube channel. She creates a series of videos in three categories: past and present masters of photography, the photography of people famous for other creative endeavors (like actors, musicians and filmmakers), and her own views about photography techniques and creativity.
Tatiana has created videos about Winnogrand, Cartier-Bresson, Robert Frank, Lisette Model, Marry Ellen Mark and many more. One of my favorites is her most recent documentary about W Eugene Smith. Don’t miss it.
She is also fascinated with the photography work made by people famous for other creative endeavors like actors, musicians and filmmakers. You will find stories about the photography of Ringo Starr, Lenny Kravitz, Patti Smith, Linda McCartney, Bryan Adams and more.
My personal favorite is her series of short documentaries about master photographers. In these 10 – 20 minutes videos she explores the life and work of each photographer focusing on the lessons she learns from each of them.
Tatiana is prolific, releasing several new videos throughout the month. This is no small feat because creating quality videos is very time consuming. Her archive contains rich mix of quality, informative and inspiring content that will keep you entertained for days.
I was so enthralled with her work that I had to reach out and invite her to be a guest on a podcast. Fortunately she made the time to talk. As you will hear in our conversation she is brilliant, engaging and fun.
Tatiana’s YouTube channel, T Hopper, is an excellent resource for any photographer, in search of inspiration. I encourage you to add it to your favorites and visit regularly.
A few of my favorite short documentaries by Tatiana

The importance of self portraits
Learning photography with Josef Koudelka
The Genius of W. Eugene Smith
The timeless photography lessons from Robert Frank
Timeless photography sessions from Cartier-Bresson
The Narrative Photography of Fan Ho
The surprising Street photography of Sergio Laarín
Learning photography with Mary Ellen Mark!
Composition with Garry Winogrand
5 photography Lessons from Edward Hopper’s Painting!

Links from the show

T Hopper YouTube Channel
Tatiana’s Website
Tatiana’s Instagram
Tatiana’s Twitter
Tatiana’s Linktree


Finding inspiration from Tatiana Hopper



Today’s podcast is a special episode that marks our 10th anniversary of Street Photography Magazine. We’re going to depart from our usual format for our editor, Ashley Riffo, to interview me about the story behind the magazine. It was a little strange and uncomfortable to talk about myself on the other side of the microphone.
Initially I did most of the magazine work myself which resulted in many of the late nights and long days, attempting to keep up with my web development business and a publication. Fortunately, about a year into the business, I connected with Ashley Riffo to help edit the magazine contact. That was about nine years ago. Until this past, February, Ashley and I had never met in person. I believe the magazine would have died on the vine years ago if it wasn’t for her hard work, creativity and sound advice.
In the early years we spent a lot of time and energy seeking good content for the magazine. Then as the magazine continued to grow we began to receive a flood of article submissions from some really amazing photographers around the world. This is allowed the magazine to evolve into a highly curated publication that is not only a platform for photographers to show their work, but a source of inspiration, ideas and information for our readers.
The launch of Street Photography Magazine sent me on an incredible journey that I never expected. It has been one of the most interesting and exciting experiences of my life that I wouldn’t trade for anything. It has enabled me to make friends with a number of creative and inspirational people I would not have otherwise met.
I have our supporters, podcast listeners, contributing photographers and Ashley Riffo to thank for it. I will never forget it.
Photos with links to articles discussed during the show

Super Seamstress by Glenn Capers from A Day in the Life of Superman


Street photo by Ellen Friedlander from her feature interview


Cover image from Harvey Stein’s first Coney Island boo ©Copyright 2011 Harvey Stein


Street image by Julia Coddington,from the March 2022 issue.


A collaborative portrait by Amy Touchette


10 Years and Counting





Jason Figgis is an Irish film director and writer who began his career working for Murakami-Wolf Animation Studios on the TV series Teenage Mutant Ninja Turtles. Soon after he worked for Steven Spielberg at his London based Amblimation Studios on the feature An American Tail: Fievel Goes West.
Since then, over the past 20-years he has written and directed a wide range of indy films, television programs.
Recently Jason turned his attention to creating a documentary about the compelling work and life of British social documentary photographer Shirley Baker (1934-2014).  Shirley’s street photography of the working class inner city areas, taken from 1960 until 1981 in Salford and Manchester as they experienced years of ‘slum’ clearance, came to define her vision. 
Her engagement with the everyday world resulted in several different strands of work, many of which have not been exhibited. Although Shirley’s work is not well known outside the UK her work has been exhibited at the Tate Britain,  Barbican Art Gallery, London,  The Photographers’ Gallery London, James Hyman Gallery and The Louvre to name a few.
This quote of Shriley’s best describes her body of work: 
“I love the immediacy of unposed, spontaneous photographs and the ability of the camera to capture the serious, the funny, the sublime and the ridiculous. Despite the many wonderful pictures of the great and famous, I feel that less formal, quotidian images can often convey more of the life and spirit of the time.”

    – Shirley Baker

Shirley’s work is a must-see for any serious street photographer so be sure to listen my conversation with Jason as he tells the story of Shirley, her influence, work and the making of the film  Shirley Baker: Life Through A lens 
A selection of Shirley Baker’s  photos
Photographs by Shirley Baker / Courtesy the Estate of Shirley Baker


















Links from the show

Jason Figgis’ Wikipedia
Shirley Baker Website
Shirley Baker Instagram
Shirley Baker: Life Through A lens Premiere Announcement
The New Yorker article – Shirley Baker’s Half Century of Street


Shirley Baker:  Life Through a Lens with Jason Figgis





When Jeff Sonnabend, an Intellectual Property attorney from New York City, moved to Arkansas near the geographical center of the lower 48, he decided to follow his passion as a documentary photographer. 
Inspired by the work of German filmmaker / photographer Wim Wenders, he began photographing American communities for his project “Interstate Magazine”, a project roughly modeled on the work of the Farm Security Administration (the FSA) of the 1930s and 1940s.
Like the work of the FSA, all of his documentary photography is meant to “show America to Americans”. As such, Jeff’s photography captures a detailed, truthful view of America as it really is. 
Early in 2023 Jeff published his second book, “The Route 66 Primer, An Uncropped View of the Mother Road.” He recently published an article in the January 2023 issue of Street Photography Magazine that tells the story of his book with a sample of his favorite images. His previous book, “Bowling the American Dream, America’s Bowlers and Their Bowling Alleys”, was published in 2019.
In today’s episode, Jeff shares his personal story about how and why he travels the American heartland in search of its soul.
A selection of Jeff’s project photos


















Links from the show

Interstate Magazine
The Route 66 Primer
Bowling the American Dream by Jeff Sonnabend
Written in the West by Wim Wenders
Paris Texas – Film by Wim Wenders 


Jeff Sonnabend – Seeking the soul of the American Heartland





LeighAnn Edmonds is a freelance documentary photographer in Birmingham, Alabama. Her work focuses on the rural regions of the American South, the people, their culture and the land that has often passed down through generations.
Her conviction to break away from mainstream photography led to her retirement as a professional wedding and family portrait photographer, allowing her to focus on her personal work and photography projects.
She primarily shoots 35mm black & white film with a 1955 vintage NIKON S2 rangefinder and her first camera, a Nikon N80 SLR.
LeighAnn penned an article for Street Photography Magazine about her return to film which will be published in the magazine on March 19, 2023. In addition she will be the featured photographer in the May 2023 issue of SPM. Be sure to read that article to learn more about LeighAnn and her work.
Links from the show

LeighAnn’s website
Instagram
Facebook

Read more about Leigh Ann in the feature article “Stepping Away from the Superficial,” in the May 2023 issue of Street Photography Magazine.

Personal Projects on Film – LeighAnn Edmonds





We’re doing something a little different this week. Instead of our usual monthly newsletter we decided to publish our interview with Brian Lloyd Duckett in our podcast feed. That’s because Brian is the featured photographer in the March 2023 issue of Street Photography Magazine and we wanted to share our very lively conversation with everyone.
You can listen to our conversation with Brian here (or iTunes, Google Play, Spotify, Amazon, Stitcher and most other podcast directories) then SPM subscribers can read more about him and see his work in the March feature article which is scheduled to publish on Sunday, March 5.
Brian is a documentary and street photographer from London. He has a very quirky and humorous style that is very refreshing. Brian says he is more interested human behavior than random photos of people walking down the street. Look at his work and you’ll see what I mean.
He is also operates StreeSnappers, a London-based street photography hub. There he offers a variety street photography workshops both locally and around Europe.
Brian is also a prolific writer, having penned six books about street photography including his most recent ‘OBSERVED’ – OBSERVATIONAL STREET PHOTOGRAPHY. All of his books are available on his website.
When he’s not practicing or teaching street photography, Brian shoots editorial portraits for newspapers and magazines and is a partner in a commercial photography business.
One more thing…his YouTube channel is an excellent resource for all street photographers.
A selection of Brian’s street photos







Brian Lloyd Duckett, Venice street photographer, Venice photography workshop 2022

Links from the show

Brian’s Website
StreetSnappers Website
Instagram
Facebook
YouTube


Conversation with Brian Lloyd Duckett




Lewis Sandler originally trained as a lawyer, decided to move to China to explore a different world. There he spent nearly He spent nearly 30 years 30 years there working teaching English in high schools and later college. During his time in China, he photographed the world around him creating a huge body work.
When he returned to the US Lewis settled in Presque Isle, Maine. Newly retired, he decided to find a way to show his photographic work in a gallery. This is something many of us would like to do but most never take the first step. Lewis was not deterred.
Without any knowledge of how to find a gallery and create work for display he made a contact at the local library who agreed to give him space to show his work. He then set to work culling his photographs and contracted with a printer to print his selections on fine art paper. He then framed them (over 80 prints in all) and created supplemental material about life in China. It became a huge undertaking.
He made it happen by taking digital images that only existed on a hard drive and making them real. In the process he made many mistakes which he shared during our conversation. But rather than let them defeat him, instead he learned and adapted for the next time. He has another show scheduled for this spring in a nearby town.
Lewis shows us that no matter where you live, no matter what you photograph, opportunities exist to show your work to the public. You only have to look for them, ask and deliver. Which isn’t easy.
You don’t ask…you don‘t get.
A selection of Lewis’s China street photos













Lewis’s work on display in the library gallery space


Links from the show

Facebook
Pinterest

Adventures of a Gallery Newbie – Lewis Sandler



After I finish an interview I write down two or three things I learned from our guest. That’s why the title of this episode is “It’s about the story.” Nancy Kaye is a photojournalist and educator from Los Angeles. During her career she has been based in New York City and London, shooting for The Washington Post, The New York Times, and Associated Press.
During our conversation Nancy said something that really resonated with me. She said that a single image can be strong on its own, but when sequenced in a group with a common theme the synergy it creates is much more powerful. The whole is greater than the sum of its parts.
Nancy’s photos have been widely exhibited in juried shows and included in numerous books and documentaries. Her portrait of author Ralph Ellison is in the Smithsonian’s National Museum of African American History and Culture.
In 1988 Nancy photographed a group of young girls in a rough Brooklyn neighborhood for The NY Times; a generation later she collaborated on a project, “Jump Rope Girls,” documenting the girls’ lives as adults with children of their own, and presented it at Duke University’s Documentary Study Center. 
As an educator she’s taught at LA Valley College and Santa Monica College Continuing Education, and American Jewish University’s Whizin Center where she worked with Rotem Rosental. She has mentored youth at Venice Arts and developed an after school photo program for teens in Culver City. She leads independent street photo workshops, guiding photographers to define their personal projects.
Recently, she has served as a photo judge and curator for Photoville LA, ASMP-LA calls for entry, and the Orange County Fair. She’s currently President of the Los Angeles chapter of the American Society of Media Photographers (ASMP.) 
Editor’s note: Nancy Kaye was the featured photographer of the month in the July 2023 issue of Street Photography Magazine.  For an in-depth look at her work, read the article “Thinking in Stories.”
A selection of Nancy’s street photos






Links from the show

Nancy’s website
Book Recommendation: André Kerté
André Kertész On Reading
Mark Greenberg
J Ross Baughman
Maggie Steber
