Hit Parade: Still Billy Joel to Me Edition
Thursday, 30 April
A special Hit Parade announcement: Like many media organizations at the moment, Slate is getting hit pretty hard by what's going on with the economy in the wake of the COVID-19 pandemic. We want to continue doing our work, providing you with all our great podcasts, news and reporting, and we simply cannot do that without your support. So we're asking you to sign up for Slate Plus, our membership program. It's just $35 for the first year, and it goes a long way to supporting us in this crucial moment.
As part of this effort, we're going to be making Full Hit Parade episodes available to Slate Plus members only. To listen to the episode in full, and episodes in future months, you'll need to become a Slate Plus member. This is the best way to support our show and our work, and we hope you will pitch in if you can. Your membership will also give access to everything on Slate.com, you'll get ad-free versions of this and other shows, and you'll get bonus segments and bonus episodes of other Slate podcasts. Plus, once you become a member, you can sign up to do trivia with Chris Molanphy on Hit Parade—“The Bridge” episodes. Please sign up today at slate.com/hitparadeplus. We thank you for your support.
On this preview episode of the show: Billy Joel’s first Top 40 hit, way back in 1974, was “Piano Man,” and the nickname stuck. But for a guy who became famous sitting behind 88 keys, few of his biggest hits are really piano songs. In fact, on all three of his No. 1 hits on the Billboard Hot 100, keyboards are not the primary instrument. This is the story of Billy Joel's hits, and the pastiches he crafted to stay on top of the charts.
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