PEL Presents NEM#155: Melvin Gibbs Protests w/ Bass, Jazz Composition, Production, Sound Design

PEL Presents NEM#155: Melvin Gibbs Protests w/ Bass, Jazz Composition, Production, Sound Design

By Mark Linsenmayer, Wes Alwan, Seth Paskin, Dylan Casey

The Partially Examined Life Philosophy Podcast

Monday, 13 September

Melvin has played bass on over 200 albums since 1980 in the worlds of jazz, rock, and hip-hop, and has numerous songwriting credits, playing with Defunkt, Arto Lindsay, Henry Rollins, Bernie Worrell, Vernon Reid, etc.

We discuss his solo tune featuring Kokayi "Get Some" from 4+1 Equals 5 for May 25 (2021), the title track from The Terror End Of Beauty (2018) by his trio Harriet Tubman, and "Howard Beach Memoirs" by Power Tools (with Bill Frisell and Ronald Shannon Jackson) from Strange Meeting (1987). We end by listening to "Canto por Odudua" by Melvin Gibbs' Elevated Entity from Ancients Speak (2009) Intro: "Melvin's Tune" from Defunkt (1980). More at music.melvin-gibbs.com.

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